Choral Music

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	Title	Voicing	Duration	Language	Composer
	The Smallest Song for SATB choir a cappella RCL-008	SATB	4'20"	English	Campbell, Rich	Info/Listen/Buy »	THE SMALLEST SONG, a setting of a text by American poet Martha Collins, is a gentle piece, full of warmth and intimate emotion. The wordplay in the text is matched in the composition; phrases are slightly altered, inverted and developed as the work builds. Jazz-like harmonies infuse the piece with a soothing vitality throughout. “A […]
THE SMALLEST SONG, a setting of a text by American poet Martha Collins, is a gentle piece, full of warmth and intimate emotion. The wordplay in the text is matched in the composition; phrases are slightly altered, inverted and developed as the work builds. Jazz-like harmonies infuse the piece with a soothing vitality throughout. “A […]
	O Magnum Mysterium for a cappella SATB choir SDE-003	SATB	3'15"	Latin	Dole, Sanford	Info/Listen/Buy »	Using jazz-influenced harmonies Dole seeks to capture the mystery implied in the text. Adding the text Noe, and omitting the concluding O beata Virgo verse, the piece builds to a peppier Noel! section before returning to the opening O magnum music and leaving the audience with the quiet chords of the mystery of the scene […]
Using jazz-influenced harmonies Dole seeks to capture the mystery implied in the text. Adding the text Noe, and omitting the concluding O beata Virgo verse, the piece builds to a peppier Noel! section before returning to the opening O magnum music and leaving the audience with the quiet chords of the mystery of the scene […]
	Psalm of the Sky SAB for SAB chorus, piano, and violin SRD-004a	SAB ⋅ SATB	5'	English ⋅ Hebrew	Riskind, Sarah	Info/Listen/Buy »	In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
	Invitation to a Voyage for SSATBB choir a cappella SDE-005	SATB ⋅ SSATBB	7'	English	Dole, Sanford	Info/Listen/Buy »	This setting of Charles Baudelaire’s iconic poem captures the “luxury” and “voluptuousness” of Edna St. Vincent Millay’s radiant translation. The six-part texture allows for thick, evocative chords in Dole’s jazz-influenced harmonic world. Slowly evolving chord progressions paint a picture of a person truly in love with another, asking that they go on a long journey […]
This setting of Charles Baudelaire’s iconic poem captures the “luxury” and “voluptuousness” of Edna St. Vincent Millay’s radiant translation. The six-part texture allows for thick, evocative chords in Dole’s jazz-influenced harmonic world. Slowly evolving chord progressions paint a picture of a person truly in love with another, asking that they go on a long journey […]
	Justitiae Domini Rectae SSA choir unaccompanied SPN-011	SSA	4'	English ⋅ Latin	Paxton, Steven	Info/Listen/Buy »	JUSTITIAE DOMINI RECTAE (SSA) is based on the original Gregorian chant sung as an offertory on the Third Sunday of Lent. The Latin text is based on verses from Psalm 19 (18 in the Latin Vulgate): The laws of God are just, rejoicing the heart, sweeter than honey or the honeycomb; therefore your servant will observe them. […]
JUSTITIAE DOMINI RECTAE (SSA) is based on the original Gregorian chant sung as an offertory on the Third Sunday of Lent. The Latin text is based on verses from Psalm 19 (18 in the Latin Vulgate): The laws of God are just, rejoicing the heart, sweeter than honey or the honeycomb; therefore your servant will observe them. […]
	Star of Wonder for choir (SATB with divisions) + organ, piano or orchestra GTT-030	SATB	5' 20"	English	Thornett, Gordon	Info/Listen/Buy »	Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
	Swing Low, Sweet Chariot for SATB a cappella choir, with Soprano and Baritone solos MDC-024	SATB	3'35"	English	Connor, Michal Dawson	Info/Listen/Buy »	This Spiritual is one of the most well-known and beloved in the entire canon of Slave Songs , and has universal appeal — with it’s simple melody, and heartfelt lyrics — pleading for deliverance from earthly oppression in the same manner that Elijah was taken to his Heavenly Home. Perfectly appropriate for inclusion in a […]
This Spiritual is one of the most well-known and beloved in the entire canon of Slave Songs , and has universal appeal — with it’s simple melody, and heartfelt lyrics — pleading for deliverance from earthly oppression in the same manner that Elijah was taken to his Heavenly Home. Perfectly appropriate for inclusion in a […]
	Stillness for a cappella SATB chorus (with divisi) MGN-002	SATB	2'50"	English	Growden, Mark	Info/Listen/Buy »	Composed and written for The Calling All Choir while at the Chalk Hill Artist Residency in Healdsburg, California. My first night at the residency I woke up before dawn. The previous evening I was enjoying the sounds of crickets chirping. I expected to hear them that morning, but instead I was met with silence. I […]
Composed and written for The Calling All Choir while at the Chalk Hill Artist Residency in Healdsburg, California. My first night at the residency I woke up before dawn. The previous evening I was enjoying the sounds of crickets chirping. I expected to hear them that morning, but instead I was met with silence. I […]
	Psalm 150 for mixed choir and organ DRY-025	SATB	3'20"	English	Ramsey, Dale	Info/Listen/Buy »	This award winning setting of “Psalm 150” uses an inclusive language version of this beloved Psalm. Many congregations prefer not to use male pronoun references to God, and in this instance, “his” and “him” as well as the word “Lord” are replaced simply with “God”. The organ part is of particular interest, as it was […]
This award winning setting of “Psalm 150” uses an inclusive language version of this beloved Psalm. Many congregations prefer not to use male pronoun references to God, and in this instance, “his” and “him” as well as the word “Lord” are replaced simply with “God”. The organ part is of particular interest, as it was […]
	Guiding Star for mixed choir, SATB with some divisions GTT-024	SATB	3'	English	Thornett, Gordon	Info/Listen/Buy »	This new setting of the Christmas/Epiphany words, “As with gladness, men of old did the guiding star behold” seeks to emphasize the joyful nature of the visit of the Magi to the Christ child. Set in a lively 7/8 time, it is mainly in four parts (SATB), although the 3rd verse, “As they offered gifts most rare” […]
This new setting of the Christmas/Epiphany words, “As with gladness, men of old did the guiding star behold” seeks to emphasize the joyful nature of the visit of the Magi to the Christ child. Set in a lively 7/8 time, it is mainly in four parts (SATB), although the 3rd verse, “As they offered gifts most rare” […]
	The Golden Kite for SA choir and piano PGN-004	SA	2'20"	English	Gibson, Paul	Info/Listen/Buy »	Using a text by Karen (Hallal) Ricks that captures the yearning feelings of a young person, this exuberant setting seeks to match word and tone.
Using a text by Karen (Hallal) Ricks that captures the yearning feelings of a young person, this exuberant setting seeks to match word and tone.
	How I Wish for chorus a cappella AJS-002		3' 19"		Jones, Alan Riley	Info/Listen/Buy »	Choral elegy in memory of friend and fellow musician Haskell Fitz-Simons. The text speaks of lost opportunities to tell those in our lives how dear they are to us while they are still here.
Choral elegy in memory of friend and fellow musician Haskell Fitz-Simons. The text speaks of lost opportunities to tell those in our lives how dear they are to us while they are still here.
	Away in a Manger for mixed choir and soprano solo GTT-014xx	SATB	2'40"	English	Thornett, Gordon	Info/Listen/Buy »	This a cappella arrangement of the well-known Christmas carol, “Away in a Manger” is set for SATB, and also features a soprano soloist in the introduction to each verse, at the end and (optionally) in the first verse. The tune is the one most closely associated with these words in the UK, Cradle Song, by […]
This a cappella arrangement of the well-known Christmas carol, “Away in a Manger” is set for SATB, and also features a soprano soloist in the introduction to each verse, at the end and (optionally) in the first verse. The tune is the one most closely associated with these words in the UK, Cradle Song, by […]
	My Trust is in thy Mercy (Psalm 13) for SATB choir (S, A divisi) RDD-006	SSAATB	3'28"	English	Donald, Randall	Info/Listen/Buy »	(Choral SATB with S,A divisi) Written for a choral composition competition in 2024 (I didn’t win), this piece uses the text of Psalm 13 to demonstrate David’s dispair and doubt turning into faith and joy. Text in English is from the 1928 US Books of Common Prayer vv. 1-3, 5-6. ISMN 979-0-9025253-5-0 ISWC T3250054634 If […]
(Choral SATB with S,A divisi) Written for a choral composition competition in 2024 (I didn’t win), this piece uses the text of Psalm 13 to demonstrate David’s dispair and doubt turning into faith and joy. Text in English is from the 1928 US Books of Common Prayer vv. 1-3, 5-6. ISMN 979-0-9025253-5-0 ISWC T3250054634 If […]
	Rosa mystica (Vocal Score) for Soprano solo, children’s voices (or women’s semichorus), mixed chorus, chamber orchestra and piano. CHR-1504VS	SATB	11' 00"	English	Fawcett, David	Info/Listen/Buy »	Rosa mystica is a sacred devotional cantata combining various texts in which a rose or flower is used as an analogy for the Blessed Virgin Mary, including the Rosa Mystica tradition, and Mary as the stem of the rose from which, arising out of the root of Jesse, grew Jesus, the Spotless Rose. In three […]
Rosa mystica is a sacred devotional cantata combining various texts in which a rose or flower is used as an analogy for the Blessed Virgin Mary, including the Rosa Mystica tradition, and Mary as the stem of the rose from which, arising out of the root of Jesse, grew Jesus, the Spotless Rose. In three […]
	A Very Valentine for SSA choir w/ piano accompaniment RCL-030	SSA	2'	English	Campbell, Rich	Info/Listen/Buy »	A brief, delightful and whimsical setting of a text by American poet Gertrude Stein. It may be learned quickly. It is almost entirely built on a round, which underscores the poem’s wordplay. For 3-part treble choir, with piano accompaniment. Secular.
A brief, delightful and whimsical setting of a text by American poet Gertrude Stein. It may be learned quickly. It is almost entirely built on a round, which underscores the poem’s wordplay. For 3-part treble choir, with piano accompaniment. Secular.
	Snowflakes SATB chorus a cappella BLS-004	SATB	2'45"	English	Lazarus, Bruce	Info/Listen/Buy »	“Snowflakes” is a short, peaceful, wintry song for a cappella SATB chorus, with lyrics by Linda A. Copp. The piece was commissioned by Cantabile Chamber Chorale, directed by Rebecca Scott, for performance in their 2003-04 season. This piece is a great choice for high school and college, and the “Quartet Pack” option makes it ideal for a […]
“Snowflakes” is a short, peaceful, wintry song for a cappella SATB chorus, with lyrics by Linda A. Copp. The piece was commissioned by Cantabile Chamber Chorale, directed by Rebecca Scott, for performance in their 2003-04 season. This piece is a great choice for high school and college, and the “Quartet Pack” option makes it ideal for a […]
	Sonnet LV for mixed choir, a cappella CME-020		3'30"	English	Mallonee, Caroline	Info/Listen/Buy »	Sonnet LV was commissioned by the San Francisco Choral Artists. It is dedicated to the singers of the group, and to their director, Magen Solomon. It is a sonnet addressing a lover, professing that they will live in the poem far longer than any monument or statue will exist on earth.
Sonnet LV was commissioned by the San Francisco Choral Artists. It is dedicated to the singers of the group, and to their director, Magen Solomon. It is a sonnet addressing a lover, professing that they will live in the poem far longer than any monument or statue will exist on earth.
	Raindrop Song for SSA choir and piano SPN-017	SSA	2'30"	English	Paxton, Steven	Info/Listen/Buy »	Steven Paxton’s RAINDROP SONG is a setting of a whimsical poem by Texas poet Chris Willerton, about a talking raindrop. This short, delightful work for treble choir requires a good pianist, and includes short spoken segments for individual speaker as well as full choir.
Steven Paxton’s RAINDROP SONG is a setting of a whimsical poem by Texas poet Chris Willerton, about a talking raindrop. This short, delightful work for treble choir requires a good pianist, and includes short spoken segments for individual speaker as well as full choir.
	Paint Chips for SA choir and piano CME-010	SA ⋅ SS	2'	English	Mallonee, Caroline	Info/Listen/Buy »	A sweet and evocative, lyrical piece for treble voices and piano, this delicate song is a setting of a list of paint colors by Martha Stewart. The piece is also available in versions for solo voice and piano (baritone or soprano). It can be performed with or without a video/slide presentation of the paint colors.
A sweet and evocative, lyrical piece for treble voices and piano, this delicate song is a setting of a list of paint colors by Martha Stewart. The piece is also available in versions for solo voice and piano (baritone or soprano). It can be performed with or without a video/slide presentation of the paint colors.
	Bright was the Star for mixed choir and keyboard GTT-010	SATB	4'	English	Thornett, Gordon	Info/Listen/Buy »	This simple Christmas setting resulted from an international collaboration between Brian Holmes of California and Gordon Thornett from the UK. Brian’s poem has been set for mixed voices (SATB) and piano (or organ). The piece describes how the cold of winter is turned into spring by the coming of the Christ Child. Bright was the […]
This simple Christmas setting resulted from an international collaboration between Brian Holmes of California and Gordon Thornett from the UK. Brian’s poem has been set for mixed voices (SATB) and piano (or organ). The piece describes how the cold of winter is turned into spring by the coming of the Christ Child. Bright was the […]
	Twenty-Four Hallelujahs SATB and Piano JHR-4961	SATB	4'25"		Hasper, Joseph	Info/Listen/Buy »	Twenty-Four Hallelujahs is a simple song of praise with a single word of text: “Hallelujah.” Suitable for college or advanced high school choirs.
Twenty-Four Hallelujahs is a simple song of praise with a single word of text: “Hallelujah.” Suitable for college or advanced high school choirs.
	Frè Timoniè (TTB version) for TTB choir with piano and optional percussion SPN-004	TTB	3'	French	Paxton, Steven	Info/Listen/Buy »	This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for SAB chorus.
This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for SAB chorus.
	Ars Poetica for mixed chorus a cappella DPT-008	SATB	2'20"	English	Post, David	Info/Listen/Buy »	I have loved this poem for as long as I can remember. It’s crisp, fresh imagery, it’s success in conveying, with a magnificent economy, what a poem is all about, is indeed a small miracle. I could not resist the temptation to set it for chorus. Because the poem had “gestated” for many years, I […]
I have loved this poem for as long as I can remember. It’s crisp, fresh imagery, it’s success in conveying, with a magnificent economy, what a poem is all about, is indeed a small miracle. I could not resist the temptation to set it for chorus. Because the poem had “gestated” for many years, I […]
	Ave Maria for chorus a cappella AJS-001		2' 37"		Jones, Alan Riley	Info/Listen/Buy »	This new setting of the traditional Latin prayer features traditional harmonies and a simple unhurried rhythm, providing ample space for prayer and contemplation of the one blessed among women.
This new setting of the traditional Latin prayer features traditional harmonies and a simple unhurried rhythm, providing ample space for prayer and contemplation of the one blessed among women.
	For the Beauty of the Earth for SATB chorus and organ EHE-004	SATB	1'30"	English	Hope, Emily	Info/Listen/Buy »	In this fresh, sparkling take on a beloved hymn tune, a perpetual motion accompaniment drives a whirlwind celebration of beauty in the world around us and our ability to perceive it.
In this fresh, sparkling take on a beloved hymn tune, a perpetual motion accompaniment drives a whirlwind celebration of beauty in the world around us and our ability to perceive it.
	Like A Bird for SSAA choir CME-002	SSAA	3'	English	Mallonee, Caroline	Info/Listen/Buy »	This inspirational piece for treble voices begins and ends with a canon. Originally written for a high school girl’s choir, it is appropriate for younger singers as well as professionals.
This inspirational piece for treble voices begins and ends with a canon. Originally written for a high school girl’s choir, it is appropriate for younger singers as well as professionals.
	Wave Over Wave for mixed chorus and piano POA-012	SATB	3' 25"	English	O'Shea, Patrick	Info/Listen/Buy »	This heartfelt folksong was written by Newfoundlander Jim Payne (b. 1955) in 1994, and appeared as the title song for the Album “Wave Over Wave: Old and New Songs of Atlantic Canada,” with Fergus O’Byrne (1996). The song was also very successfully recorded by the Newfoundland folk rock band Great Big Sea, which released it […]
This heartfelt folksong was written by Newfoundlander Jim Payne (b. 1955) in 1994, and appeared as the title song for the Album “Wave Over Wave: Old and New Songs of Atlantic Canada,” with Fergus O’Byrne (1996). The song was also very successfully recorded by the Newfoundland folk rock band Great Big Sea, which released it […]
	Hush! for SATB a cappella choir MDC-011	SATB	–	English	Connor, Michal Dawson	Info/Listen/Buy »	This hauntingly, simple tune is one of the finest melodies ever written- to spring forth from such pain and sorrow. The immense power of faith and determination are imbued in every line of this gorgeous hymn, promising a better tomorrow.
This hauntingly, simple tune is one of the finest melodies ever written- to spring forth from such pain and sorrow. The immense power of faith and determination are imbued in every line of this gorgeous hymn, promising a better tomorrow.
	My Lord, What a Morning for SATB a cappella choir with soprano solo MDC-002	SATB	3'45"	English	Connor, Michal Dawson	Info/Listen/Buy »	This early Nineteenth Century melody literally throbs with the pathos and dreams of an enslaved people, looking heavenward for deliverance. Scored for a cappella SATB choir, and soprano solo, this lush arrangement makes one stop in awe and wonderment, at such beauty born from the deepest despair.
This early Nineteenth Century melody literally throbs with the pathos and dreams of an enslaved people, looking heavenward for deliverance. Scored for a cappella SATB choir, and soprano solo, this lush arrangement makes one stop in awe and wonderment, at such beauty born from the deepest despair.
	Little Bird for a cappella SATB chorus MGN-001	SATB	4'	English	Growden, Mark	Info/Listen/Buy »	Written for my wife Jess Hobbs while at the Chalk Hill Artist Residency in Healdsburg, California. Its a sweet little love song written in a Gospel/Jazz style.
Written for my wife Jess Hobbs while at the Chalk Hill Artist Residency in Healdsburg, California. Its a sweet little love song written in a Gospel/Jazz style.
	California (equal voice version) for 2-part chorus of equal voices and piano JBN-002b	Equal Voices	3'	English	Bernstein, Jeffrey	Info/Listen/Buy »	An original song the lovingly evokes images of the Golden State.
An original song the lovingly evokes images of the Golden State.
	O nata lux de lumine SATB voices unaccompanied EMH-005	SATB	2'	Latin	McGrath, Ethan	Info/Listen/Buy »	A short, meditative setting of the familiar Latin hymn text, particularly suitable for use as an introit during the seasons of Advent, Christmas, and Epiphany. Scored for 4-part SATB voices, this motet is simple enough to be enjoyed by volunteer church choirs and professional/collegiate choirs alike.
A short, meditative setting of the familiar Latin hymn text, particularly suitable for use as an introit during the seasons of Advent, Christmas, and Epiphany. Scored for 4-part SATB voices, this motet is simple enough to be enjoyed by volunteer church choirs and professional/collegiate choirs alike.
	Out of the River of Tuoni SSAATTBB choir a capella RP-032	SSAATTBB	5' 15"	Finnish ⋅ Vocables	Cook, Ian	Info/Listen/Buy »	In Runo XIV of the Kalevala, Lemminkäinen hunts the black swan that lives on the river of Tuoni in the underworld in order to win a daughter of Louhi as his wife. While searching for the swan, he is killed and his body is dumped into the river. In Runo XV, Lemminkäinen’s mother searches all […]
In Runo XIV of the Kalevala, Lemminkäinen hunts the black swan that lives on the river of Tuoni in the underworld in order to win a daughter of Louhi as his wife. While searching for the swan, he is killed and his body is dumped into the river. In Runo XV, Lemminkäinen’s mother searches all […]
	We Will Shine Like The Sun for treble choir and piano RCL-018	SA	3'	English	Campbell, Rich	Info/Listen/Buy »	“We Will Shine Like The Sun” is an uptempo, 2 part piece for treble voices. The empowering text inspires imagination with optimistic lyrics that are ideal for young singers. The score includes a driving piano accompaniment, a clapping section, and an optional tambourine part. The rousing ending makes it especially suitable as a program opener […]
“We Will Shine Like The Sun” is an uptempo, 2 part piece for treble voices. The empowering text inspires imagination with optimistic lyrics that are ideal for young singers. The score includes a driving piano accompaniment, a clapping section, and an optional tambourine part. The rousing ending makes it especially suitable as a program opener […]
	GA-ZE SSA choir with piano and optional percussion SPN-006	SSA	4'	Other	Paxton, Steven	Info/Listen/Buy »	GA-ZE (SSA) is from the northwestern part of Uganda (West Nile Region), bordering with the Democratic Republic of the Congo (DRC, formerly Zaire). It is closely associated with the traditional Gaze dance of the Lugbara people, and the lyrics are a mixture of Lugbara and Lingala. The Gaze play/dance songs encourage and inspire children, usually […]
GA-ZE (SSA) is from the northwestern part of Uganda (West Nile Region), bordering with the Democratic Republic of the Congo (DRC, formerly Zaire). It is closely associated with the traditional Gaze dance of the Lugbara people, and the lyrics are a mixture of Lugbara and Lingala. The Gaze play/dance songs encourage and inspire children, usually […]
	To An Isle In the Water for SSAB Children's Chorus JWS-003	SSAB	3'		Williams, Julius P.	Info/Listen/Buy »	This composition written for Kingswood Oxford middle school Marcus Carreras Castro, Director. Written on the poetry of Williams Yeats.
This composition written for Kingswood Oxford middle school Marcus Carreras Castro, Director. Written on the poetry of Williams Yeats.
	Winds of May for mixed choir and piano MBE-003	SATB	3'	English	Byrne, Madelyn	Info/Listen/Buy »	“Winds of May” took First Place in the Morningside College Choral Competition. It is one of two settings by Madelyn Byrne of poems from James Joyce’s Chamber Music. The other setting, “Rain Has Fallen“, is also available from Swirly Music. The composer writes: Chamber Music, is an early work by James Joyce. It is a […]
“Winds of May” took First Place in the Morningside College Choral Competition. It is one of two settings by Madelyn Byrne of poems from James Joyce’s Chamber Music. The other setting, “Rain Has Fallen“, is also available from Swirly Music. The composer writes: Chamber Music, is an early work by James Joyce. It is a […]
	Hamabe No Uta for mixed choir and piano JBN-011	SAB	2'30"	Japanese	Bernstein, Jeffrey	Info/Listen/Buy »

	An Irish Benediction for SATB choir a cappella POA-017	SATB	2' 50"	English	O'Shea, Patrick	Info/Listen/Buy »	This modern English version of a 9th Century Old Irish benediction lends itself well to both concert and liturgical performance. Liturgically, it fits well as a call to worship or as a communion meditation. The text recalls the doxology given in Revelation 7:12.
This modern English version of a 9th Century Old Irish benediction lends itself well to both concert and liturgical performance. Liturgically, it fits well as a call to worship or as a communion meditation. The text recalls the doxology given in Revelation 7:12.
	I Think of Thee for SSA choir a cappella PGN-003	SSA	5'30"	English	Gibson, Paul	Info/Listen/Buy »	This marvelous love poem by Elizabeth Barrett Browning is dynamically dressed with a rich palette of word painting.
This marvelous love poem by Elizabeth Barrett Browning is dynamically dressed with a rich palette of word painting.
	Floatin’ Down the River SAATB Chorus and Upright Bass MGN-011	SATB	6'	English	Growden, Mark	Info/Listen/Buy »	A laid-back vocal jazz piece featuring upright bass and the soloists of your choice.
A laid-back vocal jazz piece featuring upright bass and the soloists of your choice.
	Border for SATB choir a cappella RCL-024	SATB	3'15"	English	Campbell, Rich	Info/Listen/Buy »	“Border” is an artistic response to the immigration/refugee crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill […]
“Border” is an artistic response to the immigration/refugee crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill […]
	The Garden of Love for mixed choir and piano JBN-001	SATB	5'	English	Bernstein, Jeffrey	Info/Listen/Buy »	A setting of William Blake’s poem “The Garden of Love”, from Songs of Experience.
A setting of William Blake’s poem “The Garden of Love”, from Songs of Experience.
	Christmas Candles for SATB Choir (with optional children's part) GTT-012	SATB ⋅ Unison	4'50"	English	Thornett, Gordon	Info/Listen/Buy »	This light-hearted holiday song was commissioned by a local community chorus, one of whose members wrote the words. I was asked to include a part for children’s choir, and I understand everyone enjoyed taking part. It has a simple message – to chase away the gloom, and spread light and happiness to all at Christmas […]
This light-hearted holiday song was commissioned by a local community chorus, one of whose members wrote the words. I was asked to include a part for children’s choir, and I understand everyone enjoyed taking part. It has a simple message – to chase away the gloom, and spread light and happiness to all at Christmas […]
	Rain Has Fallen For mixed chorus, piano, and optional crotales MBE-002	SATB ⋅ SSAATTB	4'40"	English	Byrne, Madelyn	Info/Listen/Buy »	“Rain Has Fallen” is one of two settings by Madelyn Byrne of poems from James Joyce’s Chamber Music. The other setting, “Winds of May“, is also available from Swirly Music. The composer writes: Chamber Music is an early work by James Joyce. It is a collection of poems dealing with the young author’s feelings of loneliness, anticipation, […]
“Rain Has Fallen” is one of two settings by Madelyn Byrne of poems from James Joyce’s Chamber Music. The other setting, “Winds of May“, is also available from Swirly Music. The composer writes: Chamber Music is an early work by James Joyce. It is a collection of poems dealing with the young author’s feelings of loneliness, anticipation, […]
	Await Light for mixed choir and piano JBN-023	SATB	4'25"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Three Spring Songs for SSA choir and piano SPN-020	SSA	3'30"	English	Paxton, Steven	Info/Listen/Buy »	SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic.
SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic.
	Christus Factus Est for SSATTB Chorus, a cappella AFD-010	SATB ⋅ SSAATB	5'30"	Latin	Ward, Alexis Renee	Info/Listen/Buy »	Christus Factus Est was commissioned by Marion Jacob to be premiered at her senior recital on May 15th, 2010. Although the musical content of the piece does not come straight from the original Christus Factus Est chant, several of the original motives can be heard quoted in places such as the opening soprano line and […]
Christus Factus Est was commissioned by Marion Jacob to be premiered at her senior recital on May 15th, 2010. Although the musical content of the piece does not come straight from the original Christus Factus Est chant, several of the original motives can be heard quoted in places such as the opening soprano line and […]
	Peter, Go Ring Dem Bells for baritone solo, and a cappella SATB choir MDC-023	SATB	–	English	Connor, Michal Dawson	Info/Listen/Buy »	This joyous Spiritual proclaims a fervent belief in “Freedom’s Song”, and its infectious, jaunty, rhythm- coupled with a simple, yet unforgettable melody make this a perennial favorite in the canon of slave songs. Absolutely appropriate in the context of a religious service, or festival choir performance in a secular setting.
This joyous Spiritual proclaims a fervent belief in “Freedom’s Song”, and its infectious, jaunty, rhythm- coupled with a simple, yet unforgettable melody make this a perennial favorite in the canon of slave songs. Absolutely appropriate in the context of a religious service, or festival choir performance in a secular setting.

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