We’ll Rant And We’ll Roar

for mixed chorus and piano

Also popularly known as “The Ryans and the Pittmans,” this song recounts the romantic entanglements of a sailor named Robert “Bob” Pittman. It is based on the English sea shanty “Spanish Ladies,” which has a number of variants known to sailors from New England to Australia. Most of the verses in this version may be attributed to Henry W. LeMessurier, and were written about 1875.

“We’ll Rant and We’ll Roar” is part of Patrick O’Shea’s Three Newfoundland Folksongs.

  1. Wave Over Wave
  2. She’s Like the Swallow
  3. We’ll Rant and We’ll Roar
SKU: POA-014 Categories: , Instrumentation:
Instrumentation: Piano
Sacred or Secular: Secular
Descriptive Tags: Folksong, Fun, Sea chantey, Water
Difficulty: Intermediate
Duration: 1-5 Minutes
Voicing: SATB
Language: English

$2.50

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Quantity

Explore More Music…

Filters Sort results
Reset Apply
Title
View
Voicing
Duration
Language
Composer
for mixed choir and piano
JBN-023
SATB
4'25"
English
for SATB choir and piano
RCL-015
SATB
3'20"
English
“Entrance” is a new choral composition for SATB choir w/piano accompaniment. The inspiring, secular text is by Dana Gioia, former US poet laureate. It invites the listener to find new discoveries, new creations: “step out…. of the room that lets you feel secure. / Infinity is open to your sight.” With a jazz-influenced, uptempo piano […]
for chorus a cappella
AJS-002
3' 19"
Choral elegy in memory of friend and fellow musician Haskell Fitz-Simons. The text speaks of lost opportunities to tell those in our lives how dear they are to us while they are still here.
for SATB choir a cappella
RCL-004
SATB
5'15"
English
“If Ever There Is” is a setting of “John’s Song,” by American poet Robert Creeley (1926-2005). The poem has a dedication to the poet John Taggart; the style of wordplay and repetition here can also be found in Taggart’s poetry. I hear it as a prayer for peace. In 1967 Creeley signed a “Writers and […]
for 3-Part Mixed choir with piano and optional percussion
SPN-012
SAB
2'
Other
KONIKONECO (3-Part Mixed chorus) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios […]
16 painless rounds for Young voices
BKR-005
Equal Voices
SSAA
Each round 1′30″ to 2′ (in performance)
English
Without doubt, children of all ages enjoy singing rounds. The rounds they learn are likely to be the old worthies of past centuries: “Sumer is icumen in”, “Fie, Nay, Prithee, John” or “Well Rung, Tom!” This original collection balances the standard repertoire with a variety of easy, feel-good rounds: the sweet, the comic and the […]
for a cappella SATB choir
SDE-003
SATB
3'15"
Latin
Using jazz-influenced harmonies Dole seeks to capture the mystery implied in the text. Adding the text Noe, and omitting the concluding O beata Virgo verse, the piece builds to a peppier Noel! section before returning to the opening O magnum music and leaving the audience with the quiet chords of the mystery of the scene […]
for mixed choir and piano
JBN-024
SATB
2'45"
Japanese
for mixed chorus a cappella
PHD-002
SATB
SSATB
2'
English
“Love is strong as death”  This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike.
for SSA choir and piano
SPN-020
SSA
3'30"
English
SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic.
Shopping Cart