Mixed Voices

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	Title	Voicing	Duration	Language	Composer
	When Love Came to the World for soprano/tenor solo, mixed chorus and piano CHR-1605	SATB	3' 54"	English	Fawcett, David	Info/Listen/Buy »	A setting of words by Eric Gosney, When Love came to the world is an original carol suitable for use in either services or concerts. Its four verses talk of the response to Christ’s Nativity of the sleeping, unprepared world, the shepherds, the Magi and ourselves today. It is set for SATB choir with Tenor […]
A setting of words by Eric Gosney, When Love came to the world is an original carol suitable for use in either services or concerts. Its four verses talk of the response to Christ’s Nativity of the sleeping, unprepared world, the shepherds, the Magi and ourselves today. It is set for SATB choir with Tenor […]
	Ubi caritas for SATB choir and piano POA-022	SATB	4' 50"	Latin	O'Shea, Patrick	Info/Listen/Buy »	The text of Ubi caritas comes from an antiphon for Holy (Maundy) Thursday, during the washing of the feet. This new setting is dedicated to all of the healthcare workers, first responders, essential workers, and all those who have given so much to assist and comfort us throughout the COVID-19 pandemic. The work was premiered […]
The text of Ubi caritas comes from an antiphon for Holy (Maundy) Thursday, during the washing of the feet. This new setting is dedicated to all of the healthcare workers, first responders, essential workers, and all those who have given so much to assist and comfort us throughout the COVID-19 pandemic. The work was premiered […]
	Adam Carol for SATB chorus & organ/piano ROC-005	SATB	5'	English	Oganovic, Robert	Info/Listen/Buy »	This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
	Away in a Manger for mixed choir and soprano solo GTT-014xx	SATB	2'40"	English	Thornett, Gordon	Info/Listen/Buy »	This a cappella arrangement of the well-known Christmas carol, “Away in a Manger” is set for SATB, and also features a soprano soloist in the introduction to each verse, at the end and (optionally) in the first verse. The tune is the one most closely associated with these words in the UK, Cradle Song, by […]
This a cappella arrangement of the well-known Christmas carol, “Away in a Manger” is set for SATB, and also features a soprano soloist in the introduction to each verse, at the end and (optionally) in the first verse. The tune is the one most closely associated with these words in the UK, Cradle Song, by […]
	Gloria from Communion Service in D for SATB chorus & organ/piano ROC-003	SATB	3'30"	English	Oganovic, Robert	Info/Listen/Buy »	This setting of the Gloria text in English is excerpted from a longer Anglican communion/mass service — Communion Service in D — also published on Swirly (including settings of the Hosanna, Benedictus, and Agnus Dei). The Gloria is a simple, tuneful arrangement that can be performed as a general-purpose anthem or during the Christmas season. […]
This setting of the Gloria text in English is excerpted from a longer Anglican communion/mass service — Communion Service in D — also published on Swirly (including settings of the Hosanna, Benedictus, and Agnus Dei). The Gloria is a simple, tuneful arrangement that can be performed as a general-purpose anthem or during the Christmas season. […]
	Roll the Tide for mixed chorus a cappella SWM-006	SATB	2'50"	English	Kaulkin, Michael	Info/Listen/Buy »	Roll the Tide is a short, a cappella setting in a quasi-spiritual style of Elisabeth T. Eliassen’s poem of peace and longing.
Roll the Tide is a short, a cappella setting in a quasi-spiritual style of Elisabeth T. Eliassen’s poem of peace and longing.
	Moon Madrigals (SATB) for mixed choir, a cappella CME-019	SATB	7'	English	Mallonee, Caroline	Info/Listen/Buy »	A poignant set of modern-day madrigals is crafted from three exquisite poems by Christina Rossetti that pay homage to the moon. SSAA version also available »
A poignant set of modern-day madrigals is crafted from three exquisite poems by Christina Rossetti that pay homage to the moon. SSAA version also available »
	Two short hours with you SATB (divisi) a cappella CHR-1601	SATB	4' 23"	English	Fawcett, David	Info/Listen/Buy »	A setting for unaccompanied SATB choir (with divisi) of words by Eric Gosney, a poet from England’s Isle of Purbeck. A wistful and nostalgic love song, in which the poet wishes to “thwart old Time’s irrevocable plan and live again those two short hours with you”. These evocative words are set with suitably tender harmonies […]
A setting for unaccompanied SATB choir (with divisi) of words by Eric Gosney, a poet from England’s Isle of Purbeck. A wistful and nostalgic love song, in which the poet wishes to “thwart old Time’s irrevocable plan and live again those two short hours with you”. These evocative words are set with suitably tender harmonies […]
	My Lord, What a Morning for SATB a cappella choir with soprano solo MDC-002	SATB	3'45"	English	Connor, Michal Dawson	Info/Listen/Buy »	This early Nineteenth Century melody literally throbs with the pathos and dreams of an enslaved people, looking heavenward for deliverance. Scored for a cappella SATB choir, and soprano solo, this lush arrangement makes one stop in awe and wonderment, at such beauty born from the deepest despair.
This early Nineteenth Century melody literally throbs with the pathos and dreams of an enslaved people, looking heavenward for deliverance. Scored for a cappella SATB choir, and soprano solo, this lush arrangement makes one stop in awe and wonderment, at such beauty born from the deepest despair.
	Songs of Crystal for SATB choir CME-015	SATB	9'30"	English	Mallonee, Caroline	Info/Listen/Buy »	The Vocális Chamber Choir commissioned Songs of Crystal for their 15th anniversary. The traditional gift for a fifteenth anniversary is crystal, so for this commission Mallonee linked four poems by Sara Teasdale and created a set that explores each of the four seasons.
The Vocális Chamber Choir commissioned Songs of Crystal for their 15th anniversary. The traditional gift for a fifteenth anniversary is crystal, so for this commission Mallonee linked four poems by Sara Teasdale and created a set that explores each of the four seasons.
	‘Tis You That Are the Music for Mixed choir, unaccompanied RBT-010		3'		Bernhardt, Ross C.	Info/Listen/Buy »

	21st Century 23rd Psalm for mixed choir and piano JBN-020	SATB	3'50"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Shout For Joy for SATB choir and piano POA-003	SATB	3'	English	O'Shea, Patrick	Info/Listen/Buy »	“Shout For Joy” was composed for the undergraduate commencement exercises of Saint Mary’s University of Minnesota in May, 2003, and is dedicated to the graduating class of that year. The text, from Psalm 33, is suitable for a range of liturgical occasions, and the work is also effective as a concert piece. The energetic opening […]
“Shout For Joy” was composed for the undergraduate commencement exercises of Saint Mary’s University of Minnesota in May, 2003, and is dedicated to the graduating class of that year. The text, from Psalm 33, is suitable for a range of liturgical occasions, and the work is also effective as a concert piece. The energetic opening […]
	Await Light for mixed choir and piano JBN-023	SATB	4'25"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Hosanna in excelsis! for Mixed Chorus with Organ DRY-026	SATB	3'40"	English	Ramsey, Dale	Info/Listen/Buy »	A traditional text for Psalm Sunday in the Christian Calendar. However, since it is also found in the Psalms, it is appropriate for uses at other times, especially for festive, celebrative occasions. Church choruses love this exuberant setting as do congregations. Organists will appreciate opportunities to shine as well.
A traditional text for Psalm Sunday in the Christian Calendar. However, since it is also found in the Psalms, it is appropriate for uses at other times, especially for festive, celebrative occasions. Church choruses love this exuberant setting as do congregations. Organists will appreciate opportunities to shine as well.
	Spiritus for mixed choir a cappella AMH-001	SATB	5'20"	Latin	March, Andrew	Info/Listen/Buy »	The text comprises a solitary verse, St. John 3:8, taken from Nicodemus’ well-known nocturnal conversation with Jesus. The anthem is intended for use in a generous acoustic, such as a Cathedral, where during the many bar rests, the fragmented and overlapping phrases can be given opportunity to resound and reflect until the reverberation dissipates. The […]
The text comprises a solitary verse, St. John 3:8, taken from Nicodemus’ well-known nocturnal conversation with Jesus. The anthem is intended for use in a generous acoustic, such as a Cathedral, where during the many bar rests, the fragmented and overlapping phrases can be given opportunity to resound and reflect until the reverberation dissipates. The […]
	Hymn to the Virgin (SATB) for SATB choir a cappella CHR-1101a	SATB	3' 12"	English ⋅ Latin	Fawcett, David	Info/Listen/Buy »	The words of this carol/motet are well-known from Britten’s teenage tour-de-force, but that double-chorus setting is out of the reach of most church choirs. The powerful text, alternating English and Latin in the style of medieval carols, warrants an additional, simpler setting. The work is suitable for concert performance, as well as for liturgical use […]
The words of this carol/motet are well-known from Britten’s teenage tour-de-force, but that double-chorus setting is out of the reach of most church choirs. The powerful text, alternating English and Latin in the style of medieval carols, warrants an additional, simpler setting. The work is suitable for concert performance, as well as for liturgical use […]
	Water My Azaleas 12 Frivolous rounds for mixed voices BKR-011	SATB	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »	Most rounds in popular collections are either sober or light-hearted. Where are the truly chucklesome examples? They do exist, of course: one thinks of classics such as “Thy Jolly Red Nose” or “The Old Man from Calcutta”; even, perhaps, of the bawdy catches of Henry Purcell and John Blow. But they are rarely found between […]
Most rounds in popular collections are either sober or light-hearted. Where are the truly chucklesome examples? They do exist, of course: one thinks of classics such as “Thy Jolly Red Nose” or “The Old Man from Calcutta”; even, perhaps, of the bawdy catches of Henry Purcell and John Blow. But they are rarely found between […]
	The Human Journey for SATB divided choir, piano, cello and timpani JBN-015	SATB	12'	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Konikoneco (SATB version) for SATB choir with piano and optional percussion SPN-013	SATB	2'	Other	Paxton, Steven	Info/Listen/Buy »	KONIKONECO (SATB chorus) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios typical […]
KONIKONECO (SATB chorus) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios typical […]
	Requiem for Chorus, Soprano Solo, Chamber Orchestra & Organ DRY-017		33'	Latin	Ramsey, Dale	Info/Listen/Buy »	Mr. Ramsey’s Requiem sets the traditional Latin mass for the dead. It is intended to be a liturgical work, but is also at home in a sacred concert setting. The music stands in the traditions of Duruflé and Fauré, but is different from both. Two performances prove it to be within reach of non-professional, church […]
Mr. Ramsey’s Requiem sets the traditional Latin mass for the dead. It is intended to be a liturgical work, but is also at home in a sacred concert setting. The music stands in the traditions of Duruflé and Fauré, but is different from both. Two performances prove it to be within reach of non-professional, church […]
	Dresden Meditation for Mixed choir, unaccompanied RBT-003		3'50"		Bernhardt, Ross C.	Info/Listen/Buy »	The author of the text of this composition, Norbert Čapek (1870-1942) was the founder of the Unitarian movement in what is now the Czech Republic. Originally destined for the Catholic priesthood, he converted to the Baptist faith; however, his views gradually became more liberal, and he was forced to emigrate to the United States. After […]
The author of the text of this composition, Norbert Čapek (1870-1942) was the founder of the Unitarian movement in what is now the Czech Republic. Originally destined for the Catholic priesthood, he converted to the Baptist faith; however, his views gradually became more liberal, and he was forced to emigrate to the United States. After […]
	Pablo Neruda In Love for mixed choir and piano JBN-017	SATB	7'25"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	O Lux for SATB Chorus CME-001	SATB ⋅ SSAATTBB	3'	Latin	Mallonee, Caroline	Info/Listen/Buy »	O Lux is at once reminiscent of Renaissance motets and at home in the contemporary canon. The lyrical and ultimately transcendent piece features a cascading theme that is layered canonically. The piece has been performed by both high school and professional choirs.
O Lux is at once reminiscent of Renaissance motets and at home in the contemporary canon. The lyrical and ultimately transcendent piece features a cascading theme that is layered canonically. The piece has been performed by both high school and professional choirs.
	As The River Runs for a cappella SATB chorus and drum MGN-004	SATB	3'	English	Growden, Mark	Info/Listen/Buy »	Commissioned by The Watta Ribas Dance Company for their site-specific dance piece “Subject to Change” – Spring 2013
Commissioned by The Watta Ribas Dance Company for their site-specific dance piece “Subject to Change” – Spring 2013
	The Elm At The Crossroads for mixed choir a cappella JBN-005	SATB	4'50"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Introit for SATB Choir with optional Organ POA-001	SATB	2' 30"	Latin	O'Shea, Patrick	Info/Listen/Buy »	A short call to worship for SATB choir with optional organ accompaniment. Composed for the installation of The Reverend Kenneth Crawford at the Parish of St. James the Great, Darlington, England, July, 2014.
A short call to worship for SATB choir with optional organ accompaniment. Composed for the installation of The Reverend Kenneth Crawford at the Parish of St. James the Great, Darlington, England, July, 2014.
	The Red Wheelbarrow for SATB choir and piano RCL-028	SATB	3'	English	Campbell, Rich	Info/Listen/Buy »	Composer’s Note: “The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin’s Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that […]
Composer’s Note: “The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin’s Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that […]
	Lord of All Hopefulness for SATB choir and piano LJP-CC102	SATB	3'30"	English	Pugh, Lydia Jane	Info/Listen/Buy »	A beautiful re-imagination of this classic Irish Hymn, setting in a lilting 4/4 time with contemporary harmony – A joy for all choirs to sing!
A beautiful re-imagination of this classic Irish Hymn, setting in a lilting 4/4 time with contemporary harmony – A joy for all choirs to sing!
	The Smallest Song for SATB choir a cappella RCL-008	SATB	4'20"	English	Campbell, Rich	Info/Listen/Buy »	THE SMALLEST SONG, a setting of a text by American poet Martha Collins, is a gentle piece, full of warmth and intimate emotion. The wordplay in the text is matched in the composition; phrases are slightly altered, inverted and developed as the work builds. Jazz-like harmonies infuse the piece with a soothing vitality throughout. “A […]
THE SMALLEST SONG, a setting of a text by American poet Martha Collins, is a gentle piece, full of warmth and intimate emotion. The wordplay in the text is matched in the composition; phrases are slightly altered, inverted and developed as the work builds. Jazz-like harmonies infuse the piece with a soothing vitality throughout. “A […]
	Moonbook – Chapter 1: Moon Obsesses Me 4-part canon with optional accompaniment MWS-002		–		Winges, Mark	Info/Listen/Buy »

	O mistress mine for SATB, unaccompanied, with divisi EMH-003	SATB	1'15"	English	McGrath, Ethan	Info/Listen/Buy »	A short, vivacious setting of a favorite passage from Shakespeare’s comedy, Twelfth Night.
A short, vivacious setting of a favorite passage from Shakespeare’s comedy, Twelfth Night.
	Search Three Google Searches for SATB Choir CME-009	SATB	8'	English	Mallonee, Caroline	Info/Listen/Buy »	I. Curiosity (Why are…?) II. Desperation (How do I? How do you?) III. Contemplation (I Wonder Why) PROGRAM NOTE Search was commissioned by the Young People’s Chorus of New York City for the Radio Radiance program. The text was assembled by the composer from the suggestions Google makes when one types a question word into […]
I. Curiosity (Why are…?) II. Desperation (How do I? How do you?) III. Contemplation (I Wonder Why) PROGRAM NOTE Search was commissioned by the Young People’s Chorus of New York City for the Radio Radiance program. The text was assembled by the composer from the suggestions Google makes when one types a question word into […]
	We Will Shine Like The Sun for treble and mixed choirs and piano RCL-022	SA ⋅ SATB	3'	English	Campbell, Rich	Info/Listen/Buy »	“We Will Shine Like The Sun” is an uptempo piece; this arrangement is for combined SA treble choir & SATB choir with piano accompaniment.. The empowering text inspires imagination with optimistic lyrics that are ideal for young singers. The score includes a driving piano accompaniment, a clapping section, and an optional tambourine part. The rousing […]
“We Will Shine Like The Sun” is an uptempo piece; this arrangement is for combined SA treble choir & SATB choir with piano accompaniment.. The empowering text inspires imagination with optimistic lyrics that are ideal for young singers. The score includes a driving piano accompaniment, a clapping section, and an optional tambourine part. The rousing […]
	My beloved spake for SATB divisi & organ CHR-1305	SATB	2' 12"	English	Fawcett, David	Info/Listen/Buy »	Originally written as an anthem to mark a Silver Wedding anniversary, this piece was rescored and incorporated as the opening piece in the contrasting set of “Three Anthems“, commissioned by the Purbeck Arts Choir in the UK. It is scored for SATB choir with divisi and organ. Although a dramatic and impactful work, it is […]
Originally written as an anthem to mark a Silver Wedding anniversary, this piece was rescored and incorporated as the opening piece in the contrasting set of “Three Anthems“, commissioned by the Purbeck Arts Choir in the UK. It is scored for SATB choir with divisi and organ. Although a dramatic and impactful work, it is […]
	Father Forgive for SATB with Flute EHN-001	SATB	4'55"		Heukeshoven, A. Eric	Info/Listen/Buy »	About the Coventry Litany of Reconciliation On the night of 14th November, 1940, Coventry and its Cathedral endured a one-off, but relentless, bombing campaign. Overnight, the ‘Moonlight Sonata’ offensive destroyed much of central Coventry, hundreds of its people and left its Cathedral in ruins. Only the outer shell of the walls and the tower remained […]
About the Coventry Litany of Reconciliation On the night of 14th November, 1940, Coventry and its Cathedral endured a one-off, but relentless, bombing campaign. Overnight, the ‘Moonlight Sonata’ offensive destroyed much of central Coventry, hundreds of its people and left its Cathedral in ruins. Only the outer shell of the walls and the tower remained […]
	The Gift Disguised for Mixed choir, unaccompanied RBT-004	SATB	3'	English	Bernhardt, Ross C.	Info/Listen/Buy »	This work was the first prize winner in the 2010 Ithaca College Choral Composition Competition.
This work was the first prize winner in the 2010 Ithaca College Choral Composition Competition.
	Visions SATB choir English Horn (or soprano sax), cello and percussion or piano SPN-021	SATB	6'30"	English	Paxton, Steven	Info/Listen/Buy »	Steven Paxton’s VISIONS for SATB choir is a moving setting of the poem by Wisconsin poet Charlotte A. Cote: “You catch sometimes a glimpse of forever — a lake… .” It was commissioned by Paul Rusterholz and the La Crosse Chamber Chorale in celebration of the 1998 Wisconsin Sesquicentennial. Two versions are available, one with […]
Steven Paxton’s VISIONS for SATB choir is a moving setting of the poem by Wisconsin poet Charlotte A. Cote: “You catch sometimes a glimpse of forever — a lake… .” It was commissioned by Paul Rusterholz and the La Crosse Chamber Chorale in celebration of the 1998 Wisconsin Sesquicentennial. Two versions are available, one with […]
	Sally SATB Chorus, Piano, and B♭ Trumpet MGN-009	SATB	3'14"	English	Growden, Mark	Info/Listen/Buy »	A lively and playful piece featuring SATB chorus, B♭trumpet and piano.
A lively and playful piece featuring SATB chorus, B♭trumpet and piano.
	Circumnavigation of the World for Mixed Choir and Horn JBN-025	SATB	5'	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Benediction for mixed choir a cappella WCL-006	SATB	4'20"	Latin	Campbell, William	Info/Listen/Buy »	BENEDICTION was written in February-March of 2013 for my friend Keith Haan upon his retirement as Director of Choral Activities St. Ambrose University. The “threefold blessing” seemed perfect for the occasion as we gathered to wish our colleague well on his way. I used the latin text because I wanted that elevated sound those open […]
BENEDICTION was written in February-March of 2013 for my friend Keith Haan upon his retirement as Director of Choral Activities St. Ambrose University. The “threefold blessing” seemed perfect for the occasion as we gathered to wish our colleague well on his way. I used the latin text because I wanted that elevated sound those open […]
	Puzzle For SATB choir w/ piano accompaniment RCL-034	SATB	3'30"	English	Campbell, Rich	Info/Listen/Buy »	This is the combined choir (SATB) version of “Puzzle.” There is also 2-part, SA choral piece for children’s choir/ elementary choir. Lyrics by Linda Trott Dickman. How can we resolve our disagreements? “Puzzle” suggests there is a way. The text begins “How to get along together / it’s a puzzle / Will we understand each […]
This is the combined choir (SATB) version of “Puzzle.” There is also 2-part, SA choral piece for children’s choir/ elementary choir. Lyrics by Linda Trott Dickman. How can we resolve our disagreements? “Puzzle” suggests there is a way. The text begins “How to get along together / it’s a puzzle / Will we understand each […]
	Come Down, O Love Divine for SATB chorus and organ EHE-003	SATB	4'30"	English ⋅ Latin	Hope, Emily	Info/Listen/Buy »	This setting of Ralph Vaughan Williams’ stately, mixed-meter hymn tune uses shimmering tone clusters to depict the textual themes of light and fire in the first two verses. The third verse emphasizes themes of humility and service in an earthy a cappella setting, after which a building organ interlude leads into a towering and majestic […]
This setting of Ralph Vaughan Williams’ stately, mixed-meter hymn tune uses shimmering tone clusters to depict the textual themes of light and fire in the first two verses. The third verse emphasizes themes of humility and service in an earthy a cappella setting, after which a building organ interlude leads into a towering and majestic […]
	Jacob Wrestling for SATB chorus a cappella EHE-005	SATB	4'45"	English	Hope, Emily	Info/Listen/Buy »	Charles Wesley’s hymn text based on the story of Jacob wrestling with the angel depicts a deeply human struggle for truth and understanding. This a cappella setting of the text grows with the building intensity of Jacob’s determination, finally breaking into the joy of revelation and reassurance in the final verse.
Charles Wesley’s hymn text based on the story of Jacob wrestling with the angel depicts a deeply human struggle for truth and understanding. This a cappella setting of the text grows with the building intensity of Jacob’s determination, finally breaking into the joy of revelation and reassurance in the final verse.
	Grandmother Daydreams for a cappella SATB chorus MGN-003	SATB	2'40"	English	Growden, Mark	Info/Listen/Buy »	This composition is dedicated to my grandmother Dorothy Jane Farrar. Memory, my fickle friend I’ve never known you well The faded scenes you recommend They ring a distant bell The blemishes the blooms The laughter and perfume My children’s children have children of their own Memory, my weathered friend Don’t leave me here alone Apples […]
This composition is dedicated to my grandmother Dorothy Jane Farrar. Memory, my fickle friend I’ve never known you well The faded scenes you recommend They ring a distant bell The blemishes the blooms The laughter and perfume My children’s children have children of their own Memory, my weathered friend Don’t leave me here alone Apples […]
	Zoom for SATB a cappella MRS-006	SATB	3'00"	English	Roberts, Mike	Info/Listen/Buy »	I was composer-in-residence with International Orange Chorale in San Francisco in 2020, when the world shut down and all of life, it seemed, moved online to this video conferencing thingy called Zoom. Like everyone else, I was trying to figure out how this platform worked, how life was going to go from now on, and […]
I was composer-in-residence with International Orange Chorale in San Francisco in 2020, when the world shut down and all of life, it seemed, moved online to this video conferencing thingy called Zoom. Like everyone else, I was trying to figure out how this platform worked, how life was going to go from now on, and […]
	Set Me As a Seal for mixed chorus a cappella PHD-002	SATB ⋅ SSATB	2'	English	Hilliard, Peter	Info/Listen/Buy »	“Love is strong as death” This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike.
“Love is strong as death” This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike.
	Loch Lomond for mixed choir a cappella JBN-014	SATB	4'	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Earth in Delight for mixed voices and string quartet PGN-012	SATB	7'30"	English	Gibson, Paul	Info/Listen/Buy »	This short cantata on spring evokes expressive texts by John Milton, anonymous, and E.E. Cummings.
This short cantata on spring evokes expressive texts by John Milton, anonymous, and E.E. Cummings.
	Raisins and Almonds (SATB version) for mixed chorus a cappella PHD-003	SATB	2'40"	English ⋅ Yiddish	Hilliard, Peter	Info/Listen/Buy »	This beloved lullaby is presented with an evocative piano accompaniment and vocal solo, bringing out a melancholy beauty that will entrance your audience.
This beloved lullaby is presented with an evocative piano accompaniment and vocal solo, bringing out a melancholy beauty that will entrance your audience.

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