Mixed Voices

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for SATB choir and piano
RCL-011
SATB
4'20"
English
A setting of the brief yet powerful poem by Walt Whitman (from “Leaves of Grass”). The score takes its cue from the meditative nature of the text. There is a contemplative tone throughout, laced with subtle harmonies and perhaps inspired by the works of Randall Thompson. The score quietly expresses the expansive feeling one gets […]
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for SAB choir, unaccompanied
RDD-008
SAB
1'57"
English
I Sing of a Maiden (I syng of a mayden) is a Middle English poem or carol of the 15th century celebrating the Annunciation and the Virgin Birth of Jesus. The poem is written from a first person point of view, and contains five quatrains. No evidence of original music is known to exist, though […]
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for SATB chorus & organ/piano
ROC-005
SATB
5'
English
This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
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for Mixed choir, unaccompanied
RBT-004
SATB
3'
English
This work was the first prize winner in the 2010 Ithaca College Choral Composition Competition.
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for SATB chorus and piano/organ
SRD-001
SATB
4'
Hebrew
Sim Shalom is a solemn Hebrew prayer in D minor accompanied by piano or organ. It is ideal for a worship setting and has often been used for that purpose, though the lyrical choral refrain and soprano/tenor solos can work well for any choir that would prefer to focus on just a few phrases of […]
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for mixed choir and piano
JBN-007
SAB
2'55"
English
for SATB chorus and organ
EHE-004
SATB
1'30"
English
In this fresh, sparkling take on a beloved hymn tune, a perpetual motion accompaniment drives a whirlwind celebration of beauty in the world around us and our ability to perceive it.
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for SATB a cappella choir, with Soprano and Baritone solos
MDC-016
SATB
3'45"
English
‘Balm in Gilead’ is a fervent prayer to the heavens, to relieve the aches and weighty sorrows of an entire enslaved people. In his memorable autobiography, Frederick Douglass wrote these searing, and unforgettable words; “I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, […]
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for mixed choir, a cappella
CME-019
SATB
7'
English
A poignant set of modern-day madrigals is crafted from three exquisite poems by Christina Rossetti that pay homage to the moon. SSAA version also available »
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for mixed voices, a cappella
CME-027
4'15"
A rollicking Christmas song – with pirates! 
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SATB choir a cappella
POA-004
SATB
4'50"
Latin
“Nocte fletuum angelis” is a choral setting of a brief poem written on the evening of December 14, 2012, as the terrible dimensions of the shooting at Sandy Hook Elementary School in Newtown, Connecticut became apparent.  The poem and this musical setting are dedicated to the twenty children and six adult victims.  In paradisum deducant […]
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for SATB choir a cappella
RCL-005
SATB
4'
English
“Coney Island,” was written by Pulitzer prize winning American poet Sara Teasdale (1884-1933) and was first published in 1911 in the collection “Helen of Troy and Other Poems.”. Born in St. Louis, Missouri, she lived for many years in New York City. My immigrant great-grandparents settled in Brooklyn, New York, in the 1890’s, and lived […]
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for SSATBB choir, soprano solo, and piano
LJP-CC101
SATB
SSATBB
5'10"
English
Inspired by the imagery of my home Island of Guernsey in the Channel Islands, this is an evocative piece which celebrates the sea, using driving rhythms, a soaring high soprano solo, and an iconic ‘fog-horn’ motif. After it’s premiere by the Guernsey Glee Singers in 2007, this piece has been routinely performed by various choirs […]
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for SAB choir with piano and optional percussion
SPN-003
SAB
3'
French
This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for TTB chorus.
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for SATB choir and optional Soprano solo
POA-002
SATB
SSAATTBB
7'20"
Latin
“Cantemus in omni die” is a setting of a hymn to the Virgin Mary written by Cú Chuimne Sapiens, an Irish monk active at Iona by the early 8th century (died 747).  It is the earliest known Latin hymn to Mary originally composed in the Western Christian Church rather than translated into Latin from earlier […]
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SSAATTBB choir a capella
RP-032
SSAATTBB
5' 15"
Finnish
Vocables
In Runo XIV of the Kalevala, Lemminkäinen hunts the black swan that lives on the river of Tuoni in the underworld in order to win a daughter of Louhi as his wife. While searching for the swan, he is killed and his body is dumped into the river. In Runo XV, Lemminkäinen’s mother searches all […]
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for SATB choir, Soprano solo, and Organ
POA-018
11' 45"
This TE DEUM setting, originally written in 1997, has been slightly revised in 2016. A chamber orchestration (strings, flute, oboe, trumpet, timpani, organ and optional harp) is in preparation and is expected to be available in Fall 2017.
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for SATB Chorus
CME-001
SATB
SSAATTBB
3'
Latin
O Lux is at once reminiscent of Renaissance motets and at home in the contemporary canon. The lyrical and ultimately transcendent piece features a cascading theme that is layered canonically. The piece has been performed by both high school and professional choirs.
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for mixed choir, a cappella
CME-018
SATB
15'
English
“Nature Motets” is a set of four pieces for a cappella choir. The texts celebrate nature in all its glory, and are by John Muir, John Ruskin, and Sarah Teasdale. Each movement can be performed as a stand-alone piece. 
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for mixed choir a cappella
WCL-006
SATB
4'20"
Latin
BENEDICTION was written in February-March of 2013 for my friend Keith Haan upon his retirement as Director of Choral Activities St. Ambrose University. The “threefold blessing” seemed perfect for the occasion as we gathered to wish our colleague well on his way. I used the latin text because I wanted that elevated sound those open […]
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for treble and mixed choirs and piano
RCL-022
SA
SATB
3'
English
“We Will Shine Like The Sun” is an uptempo piece; this arrangement is for combined SA treble choir & SATB choir with piano accompaniment.. The empowering text inspires imagination with optimistic lyrics that are ideal for young singers. The score includes a driving piano accompaniment, a clapping section, and an optional tambourine part. The rousing […]
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for mixed voices, a cappella
CME-026
SATB
6'30"
English
A Teasdale Triptych is a set of three miniatures. Each aims to crystallize the meaning of Sara Teasdale’s exquisite words and trace the journey on which the poems take the reader. The piece was commissioned by the San Francisco Choral Artists. It is dedicated to the singers of the group, and to their director, Magen Solomon.   […]
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SATB voices unaccompanied
EMH-005
SATB
2'
Latin
A short, meditative setting of the familiar Latin hymn text, particularly suitable for use as an introit during the seasons of Advent, Christmas, and Epiphany. Scored for 4-part SATB voices, this motet is simple enough to be enjoyed by volunteer church choirs and professional/collegiate choirs alike.
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for SATB choir a cappella
RCL-024
SATB
3'15"
English
“Border” is an artistic response to the immigration/refugee crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill […]
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for 3-Part Mixed choir with piano and optional percussion
SPN-012
SAB
2'
Other
KONIKONECO (3-Part Mixed chorus) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios […]
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for SSAB choir, a cappella, with optional hand drum
RDD-003
SSAB
2'30"
Latin
Personent Hodie is a Christmas carol originally published in the 1582 Finnish song book Piae Cantiones. A melody found in a 1360 German manuscript is highly similar, and it is from this manuscript that the music is usually dated. The carol became more prominent in England after being arranged for unison voices and orchestra in […]
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for double choir
CME-003
SATB
SATB+SATB
3'
English
A 17th-century riddle poem, “I Saw a Peacock With a Fiery Tail” at first seems fantastical: A peacock with a fiery tail! I saw a comet drop down hail! Full of evocative text painting, this choral setting reveals the sense of the poem by dividing each line between the two choirs and then reordering the […]
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for SB choir and keyboard
RDD-004
SB
2'00"
English
A two part mixed voice anthem with keyboard accompaniment. The text is from the Biblical verse, 2 Samuel 18:33 which records King David’s reaction to the news that his son Absolom, who had rebelled against him, had been killed. When David heard that Absalom was slain He went up to his chamber over the gate […]
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for mixed chorus and piano
POA-014
SATB
3' 55"
English
Also popularly known as “The Ryans and the Pittmans,” this song recounts the romantic entanglements of a sailor named Robert “Bob” Pittman. It is based on the English sea shanty “Spanish Ladies,” which has a number of variants known to sailors from New England to Australia. Most of the verses in this version may be […]
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SATB choir English Horn (or soprano sax), cello and percussion or piano
SPN-021
SATB
6'30"
English
Steven Paxton’s VISIONS for SATB choir is a moving setting of the poem by Wisconsin poet Charlotte A. Cote: “You catch sometimes a glimpse of forever — a lake… .” It was commissioned by Paul Rusterholz and the La Crosse Chamber Chorale in celebration of the 1998 Wisconsin Sesquicentennial. Two versions are available, one with […]
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for mixed voices, a cappella
CME-024
3'30"
“Snow Globe Upon a Sill” is a New Year’s piece. Using the childlike metaphor of a snow globe, the work is a tender and moving reflection on transition and the possibility of renewal that comes at the close of one year and the start of another.  Perfect for a winter concert! Also available from Swirly […]
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for SATB choir and piano
RCL-006
SATB
5'
English
Apple Pie is a novel, fun, upbeat and humorous tale of two friends searching for their favorite dessert. It was the winner of the Wasatch Chorale Ars Nova Composition Competition; their call for scores asked for a piece suitable for an afternoon family concert. With a rollicking piano part moving it along, the chorus tells […]
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for SATB a cappella choir, with treble solo
MDC-005
SATB
English
for SATB a cappella with divisi and boy soprano obligato
ROM-9601
4' 45"
From an Oregon Bach Festival concert review by Tom Manoff, in the (Eugene, Oregon) Register-Guard , July 11, 2002: “Rebecca Oswald is not a showy composer, but she’s an honorable one. ‘The Soul Contemplates the Creator In the Creation’ is splendid choral writing. This unpretentious style isn’t calculated to impress the trendy set, but in […]
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for Mixed choir, unaccompanied
RBT-008
SATB
4'
English
This work sets war poems by World War I poets Wilfred Owen and Rupert Brooke.
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SATB
Unison
12'30"
English
Majestic Ride is a choral sequence for the beginning of Holy Week. It consists of three new hymn settings, linked by optional   solo/choral passages and narration drawn from the Bible, centred mainly on the events of Palm Sunday.  The three hymns are  ‘All glory, laud and honour’, ‘My song is love unknown’ and ‘Ride […]
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for a cappella SATB choir w/ divisi
SDE-004
SATB
5'45"
English
This delightful piece sets a whimsical poem by the American poet, Susan Kinsolving, about steps taken internationally to make the world a better place. Sanford Dole’s Dance Steps has artistic merit…no one can doubt the artistic merit of Dole’s entertaining piece. I was not looking forward to enduring Susan Kinsolving’s absurdist text, printed in the […]
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for mixed chorus a cappella
DPT-009
SATB
8'30"
English
“The Day of Light” was commissioned by Mark Ludwig, Director of the Terezin Music Foundation in 2014 as part of a larger project to commemorate the 70th anniversary of the liberation of the concentration camps and the end of World War II in 1945. The text is a setting of the poem “The Day of […]
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Melody-only edition for use with congregations
CHR-1501b
6' 30"
This is the melody-only booklet to accompany the full SATB & organ/piano vocal score, available here, where you will find full details and recorded samples. For use with congregations.
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for mixed choir a cappella
JBN-010
SATB
5'
English
for SATB choir unaccompanied
SPN-019
SATB
4'30"
Latin
SATB a cappella settings of three ancient Latin texts in a style reminiscent of Renaissance polyphony, but mixing dissonant and tonal harmonies in a challenging but singable texture. Melodies are often disjunct, even passing from section to section, but always lyrical and poignantly expressive. De castitatis thalamo, virgo virginum, and Ave Maria. Ave Maria also […]
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for mixed chorus a cappella
SWM-009
SATB
2'
English
Ducks in the Garden is a short a cappella piece based on a very silly poem by Will T. Laughlin. It was premiered in June, 2012 by the San Francisco Choral Artists, Magen Solomon, Artistic Director.  Hear the work performed in the amusing video embedded above. Morning comes — The day is fine; Ducks in […]
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for mixed choir and piano
JBN-001
SATB
5'
English
A setting of William Blake’s poem “The Garden of Love”, from Songs of Experience.
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for mixed choir and piano
JBN-024
SATB
2'45"
Japanese
for SSATBB choir & organ/piano
ROC-004
SSATBB
6'
English
This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
More info & view score »
for SATB voices unaccompanied
EMH-015
SATB
2'50"
English
As is often the case with my work, this music seemed to naturally grow out of the text—a haunting medieval poem about the death of Jesus Christ. The poem’s enigmatic symbolism and otherworldly affect resulted in what was for me an unusually mysterious and ethereal composition. Some of the inspiration for the work came from […]
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for SATB choir and piano
GTT-004
SATB
Unison
2'50"
Christmas Time in the Eyes of a Child is a light-hearted secular Christmas song for mixed choir (SATB) This version is for  mixed choir (SATB), and also incorporates an optional part for children’s choir (in unison) if available. The piece would suit a community choir, or maybe a school choir.   There is also an S(A) version for children’s choir, and […]
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12 performance rounds from Shakespeare to Synge
BKR-008
Equal Voices
SSAA
Each round 1′30″ to 2′ (in performance)
English
The sixteenth, seventeenth and eighteenth centuries in Britain form a golden age of round-singing; even the nineteenth provided some fine examples. These twelve rounds, set to texts by Shakespeare, Skelton, Swift, Dryden, Johnson, Carroll and Synge, are of varying difficulty and may require rehearsal. Keeping as they do to the style of the period, they […]
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SATB
3'30"
Wordless
Sometimes, our joys (and sorrows!) are so intense that they seem to transcend words. This idea forms the basis of Luminous Joy, whose text is only phonemes which have no meaning. Or rather, the “meaning” is left up to each individual singer, and, indeed, each individual listener. What is perhaps more concrete is the character […]
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for SATB choir and piano
RCL-028
SATB
3'
English
Composer’s Note: “The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin’s Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that […]
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