Woodwinds
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Title | View | Instrumentation | Duration | Composer | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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for alto saxophone and piano | Saxophone | 6'30" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Designed as a lyrical showpiece to spotlight the elegance of the saxophone’s altissimo register, Fantasia on Lyun Joon Kim’s Elegy was composed in 2009 for the 70th anniversary of Hanyang University, of which Lyun Joon Kim was the founder. Also a poet and composer, Lyun Joon Kim wrote many Korean art songs, from which the Elegy is one […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for clarinet and piano | Clarinet | 6'30" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Fantasia on Lyun Joon Kim’s Elegy is a lyrical showpiece composed in 2009 for the 70th anniversary of Hanyang University, of which Lyun Joon Kim was the founder. Also a poet and composer, Lyun Joon Kim wrote many Korean art songs, from which the Elegy is one of the more widely-known in Korea. This rhapsodic fantasia […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for 2 Flutes plus Alto Flute, or Three Flutes | Alto Flute ⋅ Flute | 6' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Trio for Three Flutes may be played by three flutes or two flutes plus alto flute. For larger groups, the third part may be played by a mix of alto and soprano flute, depending upon availability of instruments. The Trio is an excellent contest piece, providing a range of playing styles and tempos in a compact length of […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for oboe, clarinet in B♭ and bassoon | Bassoon ⋅ Clarinet ⋅ Oboe | 11-12' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| I wrote the Divertimento for oboe, clarinet and bassoon in 1995 as an entry in the New England Reed Trio annual composition competition. I had admired the playing of this group and their promotion of wonderful, if rarely heard repertoire of this combination, much of it French. The prospect of writing for reed trio seemed […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for mixed septet | Cello ⋅ Clarinet ⋅ Double Bass ⋅ Flute ⋅ Percussion ⋅ Piano ⋅ Viola | 13'30" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Chiaroscuro was composed in 1991 for the CONVERGENCE Ensemble, a group of dancers and musicians, who gave the first performance at The Painted Bride Gallery in Philadelphia. In the concept of the dance, lighting played a major role, sometimes silhouetting dancers posed like sculptures against a light background, sometimes presenting them brightly against the dark, […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for saxophone quartet | Saxophone | 7' 30" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| A high-energy, post-mimalist piece written for the PRISM Saxophone Quartet, Hammering Away (at the Great Unknown) is a tour de force for four saxophones. It was commissioned by The Walden School in 2005. Hammering Away (at the Great Unknown) attacks one chord structure. Listen for canons, chains of suspensions, inversion, augmentation, and other fun compositional […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for flute alone | Flute | 4'30" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| A showpiece for the solo flutist, Far Corners is a set of five variations which explore unexpectedly interesting aspects of the opening musical idea. To this end I exploited harmonics, quick changes of register, and my own quirky sense of humor. Several listeners have mentioned that the second variation tricked them into thinking there were really two […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for flute and piano | Flute | 3'25" | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| “Picnic” asks the mid-level flutist to interact with the score, to find the most naturally beautiful tone of their instrument which will bring the emotional core of the piece to life. The elements of “Picnic” will blossom when the musician strives and discovers an honest, heartfelt interpretation. “Picnic” was awarded 2nd place in the 2022 […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for clarinet and piano | Clarinet | 7' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Passacaglia, written between 2012 and 2014 in versions for multiple instruments, is a lyrical single-movement concert piece, about 7 minutes in duration, that takes a fresh look at an old form. The ground bass upon which the passacaglia is based contains a “rogue” bar, shorter in duration than the rest, which meanders throughout each repetition […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for flute, clarinet and piano | 6' | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| The Trio for flute, clarinet and piano (1998) has to be interpreted as a long Recitative. The intention is to describe a mountain climb with various happenings until the reaching of the summit. The work is divided into sections and it comprehends various combinations of instruments: flute starts alone with the first recitative, then the […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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