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Treble Voices

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for treble choir and piano
RCL-002
SSA
4'
English
“Celebrate A New Day,” is an uptempo, rhythmic piece that was composed for the 75th Anniversary of the Australian Boys Choir. It is ideal for special occasions like graduations and is suitable for all young treble choirs, mixed children’s choirs, as well as boys and girls choirs. The work received the “Audience Favorite” award at […]
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for SSA women's choir
RCL-001
SSA
2'30"
English
“Winter Stars” was written by Pulitzer Prize winning American poet Sara Teasdale (1884-1933) and was first published in 1920 in the collection “Flame & Shadow.” She grew up in St. Louis, Missouri, found acclaim while living in New York City, and became disillusioned in her later years. Perhaps she was writing this poem with World […]
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women’s chorus / piano
ROM-0001
13'10"
Wise Words of Love wends its way through a colorful landscape of various aspects of love in nine short movements. A unique collection of lines spoken by women characters in various plays by William Shakespeare (1564-1616) serves as the text. Drawing from Shakespeare’s comedies and tragedies alike, the viewpoint starts out firmly tongue-in-cheek, then swings, […]
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for Chorus and Body Percussion
MGN-007
SATB
SSAA
TTBB
3'45"
English
This piece was written while walking through the Mission District of San Francisco on a rainy evening. California has been experiencing a serious drought these past few years. I was thrilled to feel the raindrops, hence the celebratory feeling of the piece. — Mark Growden Also available in TTBB and SSAA versions.
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12 performance rounds for incurable fuddy-duddies
BKR-006
Equal Voices
SSAA
1′30-2′ each
English
Latin
Are you a square? Can you easily retrieve a gas bill from 1979? Do you pine for the return of spats? Do you chew each mouthful forty times while letting the bottle “breathe”? And when you watch TV, do you recoil from all murders except those committed on the village green? If so, these rounds […]
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13 Comic rounds for partnered voices
BKR-002
Equal Voices
SSAA
SSAB
Each round 1′30″ to 2′ (in performance)
English
Latin
The round in Western culture has been associated as closely with wit as it has with praise. Here are thirteen risible rounds of varying difficulty intended for a cappella performance. Admirably suited to treble voices, they may be sung by mixed groups of all ages. The lyrics are light and teasing, the music jaunty and […]
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13 performance rounds for hungry singers
BKR-010
Equal Voices
1′30″ - 2′ each
English
If music be the food of love . . . then you’ll simply love this collection of rounds that has Food as its theme. Expect some heartburn as you sing of pumpkins, peas, eels, gammon steak and applesauce—all washed down with ale and black coffee. The twelve rounds encompass many moods and offer more than […]
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12 rounds in the Folk tradition for mixed voices
BKR-009
Each round 1′30″ to 2′ (in performance)
English
The voice of the English-speaking working classes is preserved in the rich body of song that developed in the centuries leading up to the Industrial Revolution and in the years surrounding the Great Depression. The songs abound with hope, despair, delight, passion and humour. This original collection of 12 folk-inspired rounds borrows lyrics from English […]
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13 performance rounds for young partnered voices
BKR-003
Equal Voices
SSAA
Each round 1′30″ to 2′ (in performance)
English
The round is the first tool of any music teacher wishing to develop in children an ability to listen to others while holding an independent line. Rounds also build cohesion among singers, providing opportunities to improve ensemble, sight-reading, articulation and breathing. Here are thirteen original rounds of varying difficulty for Youth Choir: while intended for […]
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for treble choir, a cappella & optional handbells (A4-E6)
ROM-9702
2'55"
Carol of the Seekers is a short, sweet, simple Christmas carol for treble voices, either a cappella or with handbells. The refrain’s joyous, cascading “Noël” suggests tintinnabulation, while the five verses offer a metaphysical interpretation of the Christmas story: like the shepherds and the wise men, all who seek the infant Jesus will find him […]
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for treble choir and piano
RCL-020
SSAA
3'35"
English
This is the SSAA treble choir version of the award winning “In Those Years, No One Slept.” The text is a scene from a time of conflict/war, by Romanian-American immigrant Claudia Serea. The score is at once rhythmic and exciting, haunting and unsettling. It was a winner of the 2018 Uncommon Music Festival Composition Competition. […]
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for SSA choir and optional piano accompaniment
JDM-003
SSA
3'40"
English
“Shenandoah” is a new, rich arrangement for women’s voices. The piano accompaniment is optional but does provide support and some additional harmonies. Your women’s choir or trio will find “Shenandoah” to be well worth the effort. This piece is an excellent concert choice and would also be very appropriate for contests, festivals, and literary events.
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12 performance rounds for partnered treble voices
BKR-004
Equal Voices
SSAA
Each round 1′30″ to 2′ (in performance)
English
Latin
The clear, rinsed sound of Women’s voices is hardly more thrilling than in the recital of rounds. And when the rounds offer plenty of movement among the parts, as do most in this collection, the effect can be delightful. These twelve rounds, set largely to medieval texts, are of varying difficulty and may require rehearsal. […]
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10 Nativity Rounds for partnered voices
BKR-001
Equal Voices
SSAA
Each round 1′30″ to 2′ (in performance)
English
Latin
All vocal groups need short, portable items in their repertoire. A round is a melody which can unfold into harmony, the prime tool of choral directors who wish to develop in singers an ability to listen to others while holding an independent line. Rounds build cohesion among singers and provide opportunities for improving ensemble, sight-reading, […]
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for SSA choir and piano
RCL-012
SSA
3'
English
“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 3 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]
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for treble choir
GTT-002
SSA
2'
English
This short SSA piece was written for the University of Michigan Women’s Glee Club.   It is an unaccompanied 3-part setting of the poem by the English poet, Robert Herrick.   Jaclyn Johnson, Interim Director of the Glee Club said,  “This is a WONDERFUL piece! I love that you have composed in an older polyphonic style to match […]
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Women's Choir (SSA)
GTT-005
SSA
2'45"
English
This setting of a poem by Linda Marcus is entirely pentatonic (i.e. uses only 5 notes – C, D, F, G and A) apart from the very last measure. The pentatonic setting is intended to create a naive effect, recalling childhood. (The very opening is based on a universal 3-note ‘song of childhood’.) The points […]
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for SSAA choir, a cappella
ROM-0601
3' 15"
Walk With Me is a charming, romantic invitation to share the simple activities of life with one’s companion of the heart. The text reflects the passage of time — spending a day, or metaphorically, a lifetime, alongside the beloved. While this piece is basically tonal, a few surprising and challenging modulations maintain a certain freshness […]
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SSA / piano
ROM-9001
6'30"
Let Him Return acknowledges the fear, anger, sadness, and raw courage of the women throughout history who have prayed the universal prayer that their men return safely home from war. Primarily triadic, there are numerous modulations throughout this work, effectively preventing harmonic predictability. The vocals begin with the altos in unison, then sopranos divisi, and […]
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12 performance rounds from Shakespeare to Synge
BKR-008
Equal Voices
SSAA
Each round 1′30″ to 2′ (in performance)
English
The sixteenth, seventeenth and eighteenth centuries in Britain form a golden age of round-singing; even the nineteenth provided some fine examples. These twelve rounds, set to texts by Shakespeare, Skelton, Swift, Dryden, Johnson, Carroll and Synge, are of varying difficulty and may require rehearsal. Keeping as they do to the style of the period, they […]
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for SSA choir w/ piano accompaniment
RCL-030
SSA
2'
English
A brief, delightful and whimsical setting of a text by American poet Gertrude Stein. It may be learned quickly. It is almost entirely built on a round, which underscores the poem’s wordplay. For 3-part treble choir, with piano accompaniment. Secular.
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for SSAA Chorus and Body Percussion
MGN-013
SSAA
3'45"
English
This piece was written while walking through the Mission District of San Francisco on a rainy evening. California has been experiencing a serious drought these past few years. I was thrilled to feel the raindrops, hence the celebratory feeling of the piece. — Mark Growden Also available in SATB and TTBB versions.
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for 2-part choir (with divisi) and piano
POA-023
Equal Voices
2' 55"
Latin
Corde natus ex parentis is a 4th century hymn by the Roman poet Aurelius Prudentius Clemens (348 – c. 413). This piece sets the first, fourth, and fifth stanzas of the nine-stanza poem (the ninth of which is a paraphrase of the Lesser Doxology), paired with the traditional chant associated with the text, “Divinum mysterium,” […]
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for SSA adult or children's choir and piano
SWM-020
SSA
2'
Hebrew
Composed in the summer of 2020, Psalm 117 is a fun and uplifting setting of this psalm (“Praise the Lord, all nations!”) sung in Hebrew (IPA pronunciation guide included). The recording here is an electronic demo.
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for SSA chorus, piano, and violin
SRD-004b
SA
SAA
SSA
SSAA
5'
English
Hebrew
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
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for 2-part choir & organ
ROC-006
SA
SS
5'
English
The Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon) are biblical canticles. Mary sings the Magnificat (“My soul doth magnify the Lord”) on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). Simeon sings the Nunc dimittis (“Lord, now lettest thou thy servant depart in peace”) […]
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for upper voices (SSA) and piano
GTT-034
3'30"
This arrangement of the traditional carol, which combines the words of “While shepherds watched their flocks by night” with the refrain, “Sweet chiming Christmas bells”, is written for three-part upper voices (SSA) and piano. It’s very light and jolly, and incidentally makes reference to one or two other Christmas tunes in the piano accompaniment!   […]
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for unison choir or solo cantor
ADY-054
Unison
0'30"-1'
for chorus or solo cantor
ADY-053
The communion verse is a good accessible entry into Gregorian chant. These pieces are relatively short, but still provide the essentials of the musical principles and styles of the eight chant modes. They can be learned quickly and have a variety of uses. The transcriptions are based in general on the accentualist principles of Dom […]
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for treble choir
GTT-031
4' 40"
The familiar words, “It came upon a midnight clear”, are set to a lively tune, with piano accompaniment, and a simple refrain is added, with the words “Deo, Deo, Gloria in excelsis Deo” (“Glory to God in the highest”). Written with women’s voices in mind, it could also be tackled by a good children’s choir.
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for choir (SATB with divisions) + organ, piano or orchestra
GTT-030
5' 20"
Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
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for SSA voices and piano
JDM-006
SSA
5'30"
Latin
This setting of the traditional “Hail Mary” prayer takes a new approach, employing a lullaby rhythm in F minor. The voices become a haunting plea for forgiveness and intercession. The piano accompaniment provides support for the singers while still maintaining its own voice.
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for SA choir and piano
CME-010
SA
SS
2'
English
A sweet and evocative, lyrical piece for treble voices and piano, this delicate song is a setting of a list of paint colors by Martha Stewart. The piece is also available in versions for solo voice and piano (baritone or soprano). It can be performed with or without a video/slide presentation of the paint colors.
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for treble voices and piano
CME-011
SA
SS
SSAA
4'
A delicate piece for SSA choir and piano, “Shine On, O Moon of Summer” sets a poem by American poet Carl Sandburg.
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for SSAA chorus, unaccompanied
ADY-049
3'10"
A song of the sea, as experienced on the Pacific Coast just south of Carmel, California, dedicated to one who is passionate about the ocean.
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for SSAA chorus a capella
KSR-001
SSAA
4'
Looking for a challenging piece for your high school or college women’s chorus? Kirsten Shetler’s setting of “Alleluia” will be a beautiful addition to any program in any season.
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for a cappella treble chorus (SSAA)
KEM-1044
3'30"
Nearly every December, Christmas sneaks up on me far too quickly, busy as I am with end-of-semester grading and final exams. I’m an admittedly nostalgic guy who unabashedly loves Christmas music, and every year I think to myself ‘I really should have written a Christmas piece this year’. Christmas 2015 followed a similar pattern, except […]
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SSA
6' 40"
English
Four texts from the Bible and from ancient Christian sources dating from the late 3rd or 4th Centuries that are sung or chanted in the Orthodox Vesper service that begins the liturgical day.
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for SSAA, percussion (finger cymbals, tambourine, small drum
ADY-032
1' 30"
A traditional Catalan Christmas song dating from the 16th Century. Various versions of the Catalan text exist, including two verses included here that seem to have little to do with Christmas. “Fum”is the Catalan word for smoke, but here most likely suggests the strumming of a guitar or perhaps drum beats. A phonetic (for English-speakers) […]
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for women's or men's chorus and piano
ADY-031
3'45"
A vigorous traditional song of the sea, with a rhythmically intense piano accompaniment in versions for either women’s or men’s chorus.
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for chorus a cappella
AJS-001
2' 37"
This new setting of the traditional Latin prayer features traditional harmonies and a simple unhurried rhythm, providing ample space for prayer and contemplation of the one blessed among women.
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for SSA chorus a cappella
ADY-026
SSA
3'
French
German
A traditional Alsatian Christmas song, with both French and German texts. A reference (non-singing) English translation of both is included.
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for SSA chorus
ADY-020
SSA
2'40"
English
Composed for the Bodø (Norway) Damekor.
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for SSA chorus
ADY-016
SSA
6'55"
English
Four delightful 16th-Century poems in a variety of settings that make a great addition to a choral concert. Ideal for middle school, high school, and college choruses, but fun for adults as well.
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for SSAA chorus, piano, and strings
ADY-018
SSAA
14'
English
The work was commissioned by the Contra Costa Children’s Chorus for its 25th anniversary season (2008-09) and was first performed December 20, 2008. The poem “My Voice” was written especially for this work by author Patricia Doherty to celebrate the Contra Costa Children’s Chorus’s achievement, as well as the role of music in the lives […]
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for SSAA chorus, piano, and double bass
ADY-017
SSAA
4'
English
A close-harmony setting for SSAA chorus, piano, and bass of Shakespeare’s lovely invitation to music from King Lear (Act V, Scene 1). Shakespeare and jazz — together again!
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for Women's Choir (SSA)
GTT-021
SSA
6'30"
English
To Blossoms To Daffodils Gather ye Rosebuds All three of these poems are by the Seventeenth Century English lyric poet, Robert Herrick (1591-1674). While flowers are referred to in each of them, their main common theme is time – in particular the briefness of our lives here on this earth, and the need to use […]
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