Treble Voices

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	Title	Voicing	Duration	Language	Composer
	Alleluia for SSAA chorus a capella KSR-001	SSAA	4'		Shetler, Kirsten	Info/Listen/Buy »
Looking for a challenging piece for your high school or college women’s chorus? Kirsten Shetler’s setting of “Alleluia” will be a beautiful addition to any program in any season. More info & view score »
	Three Flower Songs for Women's Choir (SSA) GTT-021	SSA	6'30"	English	Thornett, Gordon	Info/Listen/Buy »
To Blossoms To Daffodils Gather ye Rosebuds All three of these poems are by the Seventeenth Century English lyric poet, Robert Herrick (1591-1674). While flowers are referred to in each of them, their main common theme is time – in particular the briefness of our lives here on this earth, and the need to use […] More info & view score »
	The Rain Song (SSAA) for SSAA Chorus and Body Percussion MGN-013	SSAA	3'45"	English	Growden, Mark	Info/Listen/Buy »
This piece was written while walking through the Mission District of San Francisco on a rainy evening. California has been experiencing a serious drought these past few years. I was thrilled to feel the raindrops, hence the celebratory feeling of the piece. — Mark Growden Also available in SATB and TTBB versions. More info & view score »
	Toodle-oo, Vindaloo! 13 performance rounds for hungry singers BKR-010	Equal Voices	1′30″ - 2′ each	English	Kogler, Brian	Info/Listen/Buy »
If music be the food of love . . . then you’ll simply love this collection of rounds that has Food as its theme. Expect some heartburn as you sing of pumpkins, peas, eels, gammon steak and applesauce—all washed down with ale and black coffee. The twelve rounds encompass many moods and offer more than […] More info & view score »
	Corde natus ex parentis for 2-part choir (with divisi) and piano POA-023	Equal Voices	2' 55"	Latin	O'Shea, Patrick	Info/Listen/Buy »
Corde natus ex parentis is a 4th century hymn by the Roman poet Aurelius Prudentius Clemens (348 – c. 413). This piece sets the first, fourth, and fifth stanzas of the nine-stanza poem (the ninth of which is a paraphrase of the Lesser Doxology), paired with the traditional chant associated with the text, “Divinum mysterium,” […] More info & view score »
	GA-ZE SSA choir with piano and optional percussion SPN-006	SSA	4'	Other	Paxton, Steven	Info/Listen/Buy »
GA-ZE (SSA) is from the northwestern part of Uganda (West Nile Region), bordering with the Democratic Republic of the Congo (DRC, formerly Zaire). It is closely associated with the traditional Gaze dance of the Lugbara people, and the lyrics are a mixture of Lugbara and Lingala. The Gaze play/dance songs encourage and inspire children, usually […] More info & view score »
	Lauda anima mea for SSA and organ PGN-007	SSA	3'	Latin	Gibson, Paul	Info/Listen/Buy »
This setting of the Offertory for the Third Sunday of Easter (Psalm 145:2) uses the Latin form of:Praise the Lord, O my soul:I will praise the Lord throughout my life;I will sing to my God for as long as I live,alleluia More info & view score »
	Wise Words of Love women’s chorus / piano ROM-0001		13'10"		Oswald, Rebecca	Info/Listen/Buy »
Wise Words of Love wends its way through a colorful landscape of various aspects of love in nine short movements. A unique collection of lines spoken by women characters in various plays by William Shakespeare (1564-1616) serves as the text. Drawing from Shakespeare’s comedies and tragedies alike, the viewpoint starts out firmly tongue-in-cheek, then swings, […] More info & view score »
	How Can I Keep from Singing SSA choir with piano SPN-009	SSA	3'30"	English	Paxton, Steven	Info/Listen/Buy »
The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […] More info & view score »
	Sweet Little Jesus Boy for baritone solo, treble choir and piano MDC-009		–		Connor, Michal Dawson	Info/Listen/Buy »

	Ave Maria for SSA voices and piano JDM-006	SSA	5'30"	Latin	Durham, Jennifer	Info/Listen/Buy »
This setting of the traditional “Hail Mary” prayer takes a new approach, employing a lullaby rhythm in F minor. The voices become a haunting plea for forgiveness and intercession. The piano accompaniment provides support for the singers while still maintaining its own voice. More info & view score »
	Moon Madrigals (SSAA) for treble voices (SSAA), a cappella CME-022	SATB	7'	English	Mallonee, Caroline	Info/Listen/Buy »
A poignant set of modern-day madrigals is crafted from three exquisite poems by Christina Rossetti that pay homage to the moon. SATB version also available » More info & view score »
	Jane, Do Be Careful 13 performance rounds for young partnered voices BKR-003	Equal Voices ⋅ SSAA	Each round 1′30″ to 2′ (in performance)	English	Kogler, Brian	Info/Listen/Buy »
The round is the first tool of any music teacher wishing to develop in children an ability to listen to others while holding an independent line. Rounds also build cohesion among singers, providing opportunities to improve ensemble, sight-reading, articulation and breathing. Here are thirteen original rounds of varying difficulty for Youth Choir: while intended for […] More info & view score »
	The Golden Kite for SA choir and piano PGN-004	SA	2'20"	English	Gibson, Paul	Info/Listen/Buy »
Using a text by Karen (Hallal) Ricks that captures the yearning feelings of a young person, this exuberant setting seeks to match word and tone. More info & view score »
	Hallelujah, Fly Away 12 rounds in the Folk tradition for mixed voices BKR-009		Each round 1′30″ to 2′ (in performance)	English	Kogler, Brian	Info/Listen/Buy »
The voice of the English-speaking working classes is preserved in the rich body of song that developed in the centuries leading up to the Industrial Revolution and in the years surrounding the Great Depression. The songs abound with hope, despair, delight, passion and humour. This original collection of 12 folk-inspired rounds borrows lyrics from English […] More info & view score »
	Moonbook – Chapter 1: Moon Obsesses Me 4-part canon with optional accompaniment MWS-002		–		Winges, Mark	Info/Listen/Buy »

	Community of Unity for SSA choir and piano RCL-012	SSA	3'	English	Campbell, Rich	Info/Listen/Buy »
“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 3 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […] More info & view score »
	Snow Globe Upon a Sill (SA version) for treble voices and piano CME-023		3'30"		Mallonee, Caroline	Info/Listen/Buy »
“Snow Globe Upon a Sill” is a New Year’s piece. Using the childlike metaphor of a snow globe, the work is a tender and moving reflection on transition and the possibility of renewal that comes at the close of one year and the start of another. Perfect for a winter concert! Also available from Swirly […] More info & view score »
	Carol of the Seekers for treble choir, a cappella & optional handbells (A4-E6) ROM-9702		2'55"		Oswald, Rebecca	Info/Listen/Buy »
Carol of the Seekers is a short, sweet, simple Christmas carol for treble voices, either a cappella or with handbells. The refrain’s joyous, cascading “Noël” suggests tintinnabulation, while the five verses offer a metaphysical interpretation of the Christmas story: like the shepherds and the wise men, all who seek the infant Jesus will find him […] More info & view score »
	My Head Fell Off 13 Comic rounds for partnered voices BKR-002	Equal Voices ⋅ SSAA ⋅ SSAB	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »
The round in Western culture has been associated as closely with wit as it has with praise. Here are thirteen risible rounds of varying difficulty intended for a cappella performance. Admirably suited to treble voices, they may be sung by mixed groups of all ages. The lyrics are light and teasing, the music jaunty and […] More info & view score »
	Psalm of the Sky SSA for SSA chorus, piano, and violin SRD-004b	SA ⋅ SAA ⋅ SSA ⋅ SSAA	5'	English ⋅ Hebrew	Riskind, Sarah	Info/Listen/Buy »
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […] More info & view score »
	Magnificat and Nunc Dimittis for 2-part choir & organ ROC-006	SA ⋅ SS	5'	English	Oganovic, Robert	Info/Listen/Buy »
The Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon) are biblical canticles. Mary sings the Magnificat (“My soul doth magnify the Lord”) on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). Simeon sings the Nunc dimittis (“Lord, now lettest thou thy servant depart in peace”) […] More info & view score »
	Let Him Return SSA / piano ROM-9001		6'30"		Oswald, Rebecca	Info/Listen/Buy »
Let Him Return acknowledges the fear, anger, sadness, and raw courage of the women throughout history who have prayed the universal prayer that their men return safely home from war. Primarily triadic, there are numerous modulations throughout this work, effectively preventing harmonic predictability. The vocals begin with the altos in unison, then sopranos divisi, and […] More info & view score »
	Justitiae Domini Rectae SSA choir unaccompanied SPN-011	SSA	4'	English ⋅ Latin	Paxton, Steven	Info/Listen/Buy »
JUSTITIAE DOMINI RECTAE (SSA) is based on the original Gregorian chant sung as an offertory on the Third Sunday of Lent. The Latin text is based on verses from Psalm 19 (18 in the Latin Vulgate): The laws of God are just, rejoicing the heart, sweeter than honey or the honeycomb; therefore your servant will observe them. […] More info & view score »
	Raisins and Almonds (SSAA version) For SSAA chorus a cappella PHD-004	SSAA	2'40"	Yiddish	Hilliard, Peter	Info/Listen/Buy »
Daniel Paulson and VoxMusica commissioned this beautiful a cappella arrangement of Avrom Goldfaden’s beloved Yiddish lullaby. A beautiful solo verse is followed by a lush contrapuntal setting your singers and audience will find very meaningful. More info & view score »
	Three Spring Songs for SSA choir and piano SPN-020	SSA	3'30"	English	Paxton, Steven	Info/Listen/Buy »
SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic. More info & view score »
	In Those Years, No One Slept for treble choir and piano RCL-020	SSAA	3'35"	English	Campbell, Rich	Info/Listen/Buy »
This is the SSAA treble choir version of the award winning “In Those Years, No One Slept.” The text is a scene from a time of conflict/war, by Romanian-American immigrant Claudia Serea. The score is at once rhythmic and exciting, haunting and unsettling. It was a winner of the 2018 Uncommon Music Festival Composition Competition. […] More info & view score »
	Shenandoah for SSA choir and optional piano accompaniment JDM-003	SSA	3'40"	English	Durham, Jennifer	Info/Listen/Buy »
“Shenandoah” is a new, rich arrangement for women’s voices. The piano accompaniment is optional but does provide support and some additional harmonies. Your women’s choir or trio will find “Shenandoah” to be well worth the effort. This piece is an excellent concert choice and would also be very appropriate for contests, festivals, and literary events. More info & view score »
	Celebrate a New Day for treble choir and piano RCL-002	SSA	4'	English	Campbell, Rich	Info/Listen/Buy »
“Celebrate A New Day,” is an uptempo, rhythmic piece that was composed for the 75th Anniversary of the Australian Boys Choir. It is ideal for special occasions like graduations and is suitable for all young treble choirs, mixed children’s choirs, as well as boys and girls choirs. The work received the “Audience Favorite” award at […] More info & view score »
	The Angels’ Song for treble choir GTT-031		4' 40"		Thornett, Gordon	Info/Listen/Buy »
The familiar words, “It came upon a midnight clear”, are set to a lively tune, with piano accompaniment, and a simple refrain is added, with the words “Deo, Deo, Gloria in excelsis Deo” (“Glory to God in the highest”). Written with women’s voices in mind, it could also be tackled by a good children’s choir. More info & view score »
	Ave Maria for chorus a cappella AJS-001		2' 37"		Jones, Alan Riley	Info/Listen/Buy »
This new setting of the traditional Latin prayer features traditional harmonies and a simple unhurried rhythm, providing ample space for prayer and contemplation of the one blessed among women. More info & view score »
	Gather Ye Rosebuds for treble choir GTT-002	SSA	2'	English	Thornett, Gordon	Info/Listen/Buy »
This short SSA piece was written for the University of Michigan Women’s Glee Club. It is an unaccompanied 3-part setting of the poem by the English poet, Robert Herrick. Jaclyn Johnson, Interim Director of the Glee Club said, “This is a WONDERFUL piece! I love that you have composed in an older polyphonic style to match […] More info & view score »
	Sweet Chiming Christmas Bells for upper voices (SSA) and piano GTT-034		3'30"		Thornett, Gordon	Info/Listen/Buy »
This arrangement of the traditional carol, which combines the words of “While shepherds watched their flocks by night” with the refrain, “Sweet chiming Christmas bells”, is written for three-part upper voices (SSA) and piano. It’s very light and jolly, and incidentally makes reference to one or two other Christmas tunes in the piano accompaniment! […] More info & view score »
	If I Had a Ribbon Bow SSA choir with piano SPN-010	SSA	2'30"	English	Paxton, Steven	Info/Listen/Buy »
This traditional folksong from Kentucky first appeared in print in 1919 in John Jacob Niles’s Seven Kentucky Mountain Ballads—nobody knows how long it’s actually been around. This arrangement, with a steadily flowing piano accompaniment, moves along quickly and captures both the poignancy and frustration of a lonely mountain girl: If I had a ribbon bow to […] More info & view score »
	Rounds for Squares 12 performance rounds for incurable fuddy-duddies BKR-006	Equal Voices ⋅ SSAA	1′30-2′ each	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »
Are you a square? Can you easily retrieve a gas bill from 1979? Do you pine for the return of spats? Do you chew each mouthful forty times while letting the bottle “breathe”? And when you watch TV, do you recoil from all murders except those committed on the village green? If so, these rounds […] More info & view score »
	The Rain Song (SATB) for Chorus and Body Percussion MGN-007	SATB ⋅ SSAA ⋅ TTBB	3'45"	English	Growden, Mark	Info/Listen/Buy »
This piece was written while walking through the Mission District of San Francisco on a rainy evening. California has been experiencing a serious drought these past few years. I was thrilled to feel the raindrops, hence the celebratory feeling of the piece. — Mark Growden Also available in TTBB and SSAA versions. More info & view score »
	Star of Wonder for choir (SATB with divisions) + organ, piano or orchestra GTT-030	SATB	5' 20"	English	Thornett, Gordon	Info/Listen/Buy »
Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […] More info & view score »
	O Magnum Mysterium for treble choir a cappella KEM-1013	SSAA	4'30"	Latin	Erickson, Kurt	Info/Listen/Buy »
Commissioned premiere performance at Davies Symphony Hall (San Francisco) by the San Francisco Girls Chorus. The explosive Lang work was appropriately contrasted by the excellent, gentle and more subtle O Magnum Mysterium by Kurt Erickson. This world premiere was commissioned by the William and Flora Hewlett Foundation. Here the “mystery” part of the thematic trinity […] More info & view score »
	A Very Valentine for SSA choir w/ piano accompaniment RCL-030	SSA	2'	English	Campbell, Rich	Info/Listen/Buy »
A brief, delightful and whimsical setting of a text by American poet Gertrude Stein. It may be learned quickly. It is almost entirely built on a round, which underscores the poem’s wordplay. For 3-part treble choir, with piano accompaniment. Secular. More info & view score »
	Hidden Memories Women's Choir (SSA) GTT-005	SSA	2'45"	English	Thornett, Gordon	Info/Listen/Buy »
This setting of a poem by Linda Marcus is entirely pentatonic (i.e. uses only 5 notes – C, D, F, G and A) apart from the very last measure. The pentatonic setting is intended to create a naive effect, recalling childhood. (The very opening is based on a universal 3-note ‘song of childhood’.) The points […] More info & view score »
	We Three Kings for a cappella treble chorus (SSAA) KEM-1044		3'30"		Erickson, Kurt	Info/Listen/Buy »
Nearly every December, Christmas sneaks up on me far too quickly, busy as I am with end-of-semester grading and final exams. I’m an admittedly nostalgic guy who unabashedly loves Christmas music, and every year I think to myself ‘I really should have written a Christmas piece this year’. Christmas 2015 followed a similar pattern, except […] More info & view score »
	Shine On, O Moon of Summer for treble voices and piano CME-011	SA ⋅ SS ⋅ SSAA	4'		Mallonee, Caroline	Info/Listen/Buy »
A delicate piece for SSA choir and piano, “Shine On, O Moon of Summer” sets a poem by American poet Carl Sandburg. More info & view score »
	Foweles in the Frith 12 performance rounds for partnered treble voices BKR-004	Equal Voices ⋅ SSAA	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »
The clear, rinsed sound of Women’s voices is hardly more thrilling than in the recital of rounds. And when the rounds offer plenty of movement among the parts, as do most in this collection, the effect can be delightful. These twelve rounds, set largely to medieval texts, are of varying difficulty and may require rehearsal. […] More info & view score »
	Non nobis, Domine (‘Not unto us, O Lord’) for treble voices a cappella GTT-018	SA ⋅ SSA	2'20"	Latin	Thornett, Gordon	Info/Listen/Buy »
Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […] More info & view score »
	Justitiae Domini for SSA choir a cappella PGN-006	SSA	5'15"	English ⋅ Latin ⋅ Other	Gibson, Paul	Info/Listen/Buy »
Set in three languages (Spanish, English, and Latin), each iteration takes a slightly different style for the message of Psalm 18 (19): “The ordinances of the Lord are right…” More info & view score »
	Full Fathom Five 12 performance rounds from Shakespeare to Synge BKR-008	Equal Voices ⋅ SSAA	Each round 1′30″ to 2′ (in performance)	English	Kogler, Brian	Info/Listen/Buy »
The sixteenth, seventeenth and eighteenth centuries in Britain form a golden age of round-singing; even the nineteenth provided some fine examples. These twelve rounds, set to texts by Shakespeare, Skelton, Swift, Dryden, Johnson, Carroll and Synge, are of varying difficulty and may require rehearsal. Keeping as they do to the style of the period, they […] More info & view score »
	Psalm 117 (Halelu et Adonai) for SSA adult or children's choir and piano SWM-020	SSA	2'	Hebrew	Kaulkin, Michael	Info/Listen/Buy »
Composed in the summer of 2020, Psalm 117 is a fun and uplifting setting of this psalm (“Praise the Lord, all nations!”) sung in Hebrew (IPA pronunciation guide included). The recording here is an electronic demo. More info & view score »
	I Think of Thee for SSA choir a cappella PGN-003	SSA	5'30"	English	Gibson, Paul	Info/Listen/Buy »
This marvelous love poem by Elizabeth Barrett Browning is dynamically dressed with a rich palette of word painting. More info & view score »
	The King of Blis 10 Nativity Rounds for partnered voices BKR-001	Equal Voices ⋅ SSAA	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »
All vocal groups need short, portable items in their repertoire. A round is a melody which can unfold into harmony, the prime tool of choral directors who wish to develop in singers an ability to listen to others while holding an independent line. Rounds build cohesion among singers and provide opportunities for improving ensemble, sight-reading, […] More info & view score »
	Winter Stars for SSA women's choir RCL-001	SSA	2'30"	English	Campbell, Rich	Info/Listen/Buy »
“Winter Stars” was written by Pulitzer Prize winning American poet Sara Teasdale (1884-1933) and was first published in 1920 in the collection “Flame & Shadow.” She grew up in St. Louis, Missouri, found acclaim while living in New York City, and became disillusioned in her later years. Perhaps she was writing this poem with World […] More info & view score »