Choral Music

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	Title	Voicing	Duration	Language	Composer
	Shout For Joy for SATB choir and piano POA-003	SATB	3'	English	O'Shea, Patrick	Info/Listen/Buy »	“Shout For Joy” was composed for the undergraduate commencement exercises of Saint Mary’s University of Minnesota in May, 2003, and is dedicated to the graduating class of that year. The text, from Psalm 33, is suitable for a range of liturgical occasions, and the work is also effective as a concert piece. The energetic opening […]
“Shout For Joy” was composed for the undergraduate commencement exercises of Saint Mary’s University of Minnesota in May, 2003, and is dedicated to the graduating class of that year. The text, from Psalm 33, is suitable for a range of liturgical occasions, and the work is also effective as a concert piece. The energetic opening […]
	In Those Years, No One Slept for treble choir and piano RCL-020	SSAA	3'35"	English	Campbell, Rich	Info/Listen/Buy »	This is the SSAA treble choir version of the award winning “In Those Years, No One Slept.” The text is a scene from a time of conflict/war, by Romanian-American immigrant Claudia Serea. The score is at once rhythmic and exciting, haunting and unsettling. It was a winner of the 2018 Uncommon Music Festival Composition Competition. […]
This is the SSAA treble choir version of the award winning “In Those Years, No One Slept.” The text is a scene from a time of conflict/war, by Romanian-American immigrant Claudia Serea. The score is at once rhythmic and exciting, haunting and unsettling. It was a winner of the 2018 Uncommon Music Festival Composition Competition. […]
	Poor Wayfarin’ Stranger for SATB choir, piano, and optional trumpet JDM-004	SATB	4'	English	Durham, Jennifer	Info/Listen/Buy »	This beloved folk tune has been arranged with optional, muted trumpet (the timbre adds to the mood of the piece). The piano accompaniment expands the 4-part harmony of the choir to suggest more contemporary harmony with a few jazz chords. It’s not overdone, however; “Poor Wayfarin’ Stranger” is still a traditional, compelling portrait of a […]
This beloved folk tune has been arranged with optional, muted trumpet (the timbre adds to the mood of the piece). The piano accompaniment expands the 4-part harmony of the choir to suggest more contemporary harmony with a few jazz chords. It’s not overdone, however; “Poor Wayfarin’ Stranger” is still a traditional, compelling portrait of a […]
	The Angel Gabriel for SSATBB choir & organ/piano ROC-004	SSATBB	6'	English	Oganovic, Robert	Info/Listen/Buy »	This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
	The Golden Kite for SA choir and piano PGN-004	SA	2'20"	English	Gibson, Paul	Info/Listen/Buy »	Using a text by Karen (Hallal) Ricks that captures the yearning feelings of a young person, this exuberant setting seeks to match word and tone.
Using a text by Karen (Hallal) Ricks that captures the yearning feelings of a young person, this exuberant setting seeks to match word and tone.
	She’s Like The Swallow for SATB choir, optional soprano solo, and piano POA-013	SATB	4' 25"	English	O'Shea, Patrick	Info/Listen/Buy »	One of Newfoundland’s best known folksongs, “She’s Like The Swallow” was first collected by Maud Karpeles in 1930, but certainly dates from well before that, as evidenced by the appearance of several verses in various British laments. The subject of the unfaithful lover is perhaps as old as song itself. “She’s Like the Swallow” is […]
One of Newfoundland’s best known folksongs, “She’s Like The Swallow” was first collected by Maud Karpeles in 1930, but certainly dates from well before that, as evidenced by the appearance of several verses in various British laments. The subject of the unfaithful lover is perhaps as old as song itself. “She’s Like the Swallow” is […]
	Adam Carol for SATB chorus & organ/piano ROC-005	SATB	5'	English	Oganovic, Robert	Info/Listen/Buy »	This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
	O Child for SATB a cappella MRS-001	SATB	4'30"	English	Roberts, Mike	Info/Listen/Buy »	“O Child” is written from the perspective of Joseph and Mary, imagining what they might have been thinking and feeling when they first beheld the newborn baby Jesus. Composer Michael T. Roberts also penned the words, inspired by his experience as a father of two.
“O Child” is written from the perspective of Joseph and Mary, imagining what they might have been thinking and feeling when they first beheld the newborn baby Jesus. Composer Michael T. Roberts also penned the words, inspired by his experience as a father of two.
	If Ever There Is for SATB choir a cappella RCL-004	SATB	5'15"	English	Campbell, Rich	Info/Listen/Buy »	“If Ever There Is” is a setting of “John’s Song,” by American poet Robert Creeley (1926-2005). The poem has a dedication to the poet John Taggart; the style of wordplay and repetition here can also be found in Taggart’s poetry. I hear it as a prayer for peace. In 1967 Creeley signed a “Writers and […]
“If Ever There Is” is a setting of “John’s Song,” by American poet Robert Creeley (1926-2005). The poem has a dedication to the poet John Taggart; the style of wordplay and repetition here can also be found in Taggart’s poetry. I hear it as a prayer for peace. In 1967 Creeley signed a “Writers and […]
	Planet Earth Lullaby for SATB choir w/piano accompaniment RCL-031	SATB	5'	English	Campbell, Rich	Info/Listen/Buy »	A request by Artistic Director Susan Glass for a new choral work addressing climate change resulted in the creation of “Planet Earth Lullaby.” Composer Rich Campbell contemplated and determined the piece would be both an alarm for help and a call to action. For over a century the internationally recognized distress signal has been the […]
A request by Artistic Director Susan Glass for a new choral work addressing climate change resulted in the creation of “Planet Earth Lullaby.” Composer Rich Campbell contemplated and determined the piece would be both an alarm for help and a call to action. For over a century the internationally recognized distress signal has been the […]
	Cantemus in omni die for SATB choir and optional Soprano solo POA-002	SATB ⋅ SSAATTBB	7'20"	Latin	O'Shea, Patrick	Info/Listen/Buy »	“Cantemus in omni die” is a setting of a hymn to the Virgin Mary written by Cú Chuimne Sapiens, an Irish monk active at Iona by the early 8th century (died 747). It is the earliest known Latin hymn to Mary originally composed in the Western Christian Church rather than translated into Latin from earlier […]
“Cantemus in omni die” is a setting of a hymn to the Virgin Mary written by Cú Chuimne Sapiens, an Irish monk active at Iona by the early 8th century (died 747). It is the earliest known Latin hymn to Mary originally composed in the Western Christian Church rather than translated into Latin from earlier […]
	Father Forgive for SATB with Flute EHN-001	SATB	4'55"		Heukeshoven, A. Eric	Info/Listen/Buy »	About the Coventry Litany of Reconciliation On the night of 14th November, 1940, Coventry and its Cathedral endured a one-off, but relentless, bombing campaign. Overnight, the ‘Moonlight Sonata’ offensive destroyed much of central Coventry, hundreds of its people and left its Cathedral in ruins. Only the outer shell of the walls and the tower remained […]
About the Coventry Litany of Reconciliation On the night of 14th November, 1940, Coventry and its Cathedral endured a one-off, but relentless, bombing campaign. Overnight, the ‘Moonlight Sonata’ offensive destroyed much of central Coventry, hundreds of its people and left its Cathedral in ruins. Only the outer shell of the walls and the tower remained […]
	If Ye Would Hear for SATB choir a cappella (brief divisi, section or individual treble solo) ROC-008	SATB	5'	English	Oganovic, Robert	Info/Listen/Buy »	This is a tuneful, contemporary setting of a multi-verse carol for choir a cappella using an original melody. It starts with a statement by the alto section and gradually adds parts and harmonic variations. The unusual time signature of 5/4 provides a lilt and propels the piece forward. All parts sing the melody along the […]
This is a tuneful, contemporary setting of a multi-verse carol for choir a cappella using an original melody. It starts with a statement by the alto section and gradually adds parts and harmonic variations. The unusual time signature of 5/4 provides a lilt and propels the piece forward. All parts sing the melody along the […]
	To Music for mixed chorus a cappella PGN-002	SATB	5'	English	Gibson, Paul	Info/Listen/Buy »	Word painting of a raw, intense poem by Paul Cummings is the essence of this homage to the miracle of music, which begins: Your harmony invades my being; / my body is captured by the embrace / of a melody that leads me out of dark places.
Word painting of a raw, intense poem by Paul Cummings is the essence of this homage to the miracle of music, which begins: Your harmony invades my being; / my body is captured by the embrace / of a melody that leads me out of dark places.
	Kojo No Tsuki for mixed choir and piano JBN-012	SAB	–	Japanese	Bernstein, Jeffrey	Info/Listen/Buy »

	Thou God for Mixed Chorus, Organ, Church Choir DRY-027	SATB	4'	English	Ramsey, Dale	Info/Listen/Buy »	“Thou God” is the title of a text by Dag Hammarskjöld, Secretary-general of the United Nations from 1953 to 1961. A deeply moving and personal faith statement, it is set here as an anthem for mixed choir and organ. Hammarskjöld’s book Markings, from which this text comes, is an enduring spiritual classic still widely read […]
“Thou God” is the title of a text by Dag Hammarskjöld, Secretary-general of the United Nations from 1953 to 1961. A deeply moving and personal faith statement, it is set here as an anthem for mixed choir and organ. Hammarskjöld’s book Markings, from which this text comes, is an enduring spiritual classic still widely read […]
	Lucis Creator Optime for SATB chorus unaccompanied SPN-015	SATB	3'30"	Latin	Paxton, Steven	Info/Listen/Buy »	A melodic, prayerful, and emotionally engaging setting of the ancient Latin hymn text attributed to Pope St. Gregory the Great (540-604), Supreme Creator of Light. Lucis Creator optime, Supreme Creator of light, lucem dierum proferens, Bringing forth each day’s dawn, primordiis lucis novae, Creating anew the primordial light, mundi parans originem: Which first shown when the […]
A melodic, prayerful, and emotionally engaging setting of the ancient Latin hymn text attributed to Pope St. Gregory the Great (540-604), Supreme Creator of Light. Lucis Creator optime, Supreme Creator of light, lucem dierum proferens, Bringing forth each day’s dawn, primordiis lucis novae, Creating anew the primordial light, mundi parans originem: Which first shown when the […]
	I Saw a Peacock with a Fiery Tail for double choir CME-003	SATB ⋅ SATB+SATB	3'	English	Mallonee, Caroline	Info/Listen/Buy »	A 17th-century riddle poem, “I Saw a Peacock With a Fiery Tail” at first seems fantastical: A peacock with a fiery tail! I saw a comet drop down hail! Full of evocative text painting, this choral setting reveals the sense of the poem by dividing each line between the two choirs and then reordering the […]
A 17th-century riddle poem, “I Saw a Peacock With a Fiery Tail” at first seems fantastical: A peacock with a fiery tail! I saw a comet drop down hail! Full of evocative text painting, this choral setting reveals the sense of the poem by dividing each line between the two choirs and then reordering the […]
	Copypasta for SATB chorus and piano EHE-010	SATB	5'	English	Hope, Emily	Info/Listen/Buy »	Merriam-Webster.com defines copypasta as “data (such as a block of text) that has been copied and spread widely online.” This piece, Copypasta, is a setting of three of my favorite text memes that originated on Tumblr. The first movement, Spiders Georg, illustrates the statistical concept of outliers using the example of an arachnid-eating recluse. The […]
Merriam-Webster.com defines copypasta as “data (such as a block of text) that has been copied and spread widely online.” This piece, Copypasta, is a setting of three of my favorite text memes that originated on Tumblr. The first movement, Spiders Georg, illustrates the statistical concept of outliers using the example of an arachnid-eating recluse. The […]
	At the cry of the first bird for SATB voices unaccompanied EMH-015	SATB	2'50"	English	McGrath, Ethan	Info/Listen/Buy »	As is often the case with my work, this music seemed to naturally grow out of the text—a haunting medieval poem about the death of Jesus Christ. The poem’s enigmatic symbolism and otherworldly affect resulted in what was for me an unusually mysterious and ethereal composition. Some of the inspiration for the work came from […]
As is often the case with my work, this music seemed to naturally grow out of the text—a haunting medieval poem about the death of Jesus Christ. The poem’s enigmatic symbolism and otherworldly affect resulted in what was for me an unusually mysterious and ethereal composition. Some of the inspiration for the work came from […]
	The Ballad of the Lost Lamb for unaccompanied mixed choir with soloists SWM-018	SATB	5'30"	Yiddish	Kaulkin, Michael	Info/Listen/Buy »	A theatrical setting of Di Balade Funem Farloyrenem Shefel, a colorful allegory by Yiddish poet Itzik Manger telling the story of a shepherd boy searching high and low for his lost lamb, only to discover that he has found something more important that he didn’t know he was looking for. Follow the score with English subtitles in […]
A theatrical setting of Di Balade Funem Farloyrenem Shefel, a colorful allegory by Yiddish poet Itzik Manger telling the story of a shepherd boy searching high and low for his lost lamb, only to discover that he has found something more important that he didn’t know he was looking for. Follow the score with English subtitles in […]
	Rise heart, thy Lord is risen for SATB divisi & organ CHR-1401b	SATB	3' 17"	English	Fawcett, David	Info/Listen/Buy »	This Easter anthem sets selected words from a famous text by George Herbert. It is scored for large SATB choir with divisi and organ. Although highly suitable for use by church choirs at Eastertide services, it also forms the triumphant climax of the contrasting set of “Three Anthems”, commissioned by the Purbeck Arts Choir. The […]
This Easter anthem sets selected words from a famous text by George Herbert. It is scored for large SATB choir with divisi and organ. Although highly suitable for use by church choirs at Eastertide services, it also forms the triumphant climax of the contrasting set of “Three Anthems”, commissioned by the Purbeck Arts Choir. The […]
	If I Can Sing, I Still am Free for SATB choir and piano RCL-003	SATB	3'30"	English	Campbell, Rich	Info/Listen/Buy »	2016 Idaho All-State, 2018 Arkansas All-State selection “If I Can Sing, I Still Am Free” was the winner of the San Diego choir SACRA/PROFANA’s 2014 composition competition. It’s an ideal piece for festivals and large ensembles, with a text that champions inner strength in the face of adversity. It has quickly become one of Campbell’s […]
2016 Idaho All-State, 2018 Arkansas All-State selection “If I Can Sing, I Still Am Free” was the winner of the San Diego choir SACRA/PROFANA’s 2014 composition competition. It’s an ideal piece for festivals and large ensembles, with a text that champions inner strength in the face of adversity. It has quickly become one of Campbell’s […]
	As The River Runs for a cappella SATB chorus and drum MGN-004	SATB	3'	English	Growden, Mark	Info/Listen/Buy »	Commissioned by The Watta Ribas Dance Company for their site-specific dance piece “Subject to Change” – Spring 2013
Commissioned by The Watta Ribas Dance Company for their site-specific dance piece “Subject to Change” – Spring 2013
	The Rain Song (SSAA) for SSAA Chorus and Body Percussion MGN-013	SSAA	3'45"	English	Growden, Mark	Info/Listen/Buy »	This piece was written while walking through the Mission District of San Francisco on a rainy evening. California has been experiencing a serious drought these past few years. I was thrilled to feel the raindrops, hence the celebratory feeling of the piece. — Mark Growden Also available in SATB and TTBB versions.
This piece was written while walking through the Mission District of San Francisco on a rainy evening. California has been experiencing a serious drought these past few years. I was thrilled to feel the raindrops, hence the celebratory feeling of the piece. — Mark Growden Also available in SATB and TTBB versions.
	Pace non trovo for SATB choir a cappella POA-021	SATB	3' 40"	Italian	O'Shea, Patrick	Info/Listen/Buy »	Due Sonetti de Petrarca are settings of sonnets by Francesco Petrarca (Petrarch) (1304-1374), great Italian scholar and poet and one of the earliest humanists. The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2009, with the composer conducting.
Due Sonetti de Petrarca are settings of sonnets by Francesco Petrarca (Petrarch) (1304-1374), great Italian scholar and poet and one of the earliest humanists. The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2009, with the composer conducting.
	Chanukah Candle Blessing SATB Chorus and piano BLS-007	SATB	2'	Hebrew	Lazarus, Bruce	Info/Listen/Buy »	Chanukah Candle Blessing is an original SATB setting of the traditional Jewish prayer recited before lighting the menorah. Short, not difficult, and sung in Hebrew, this piece is appropriate for winter concerts and synagogue use. Click on Soundcloud above to listen to an excerpt. Ba-ruch A-tah Ado-nai E-lo-he-nu Me-lech ha-olam a-sher ki-de-sha-nu be-mitz-vo-tav ve-tzi-va-nu le-had-lik […]
Chanukah Candle Blessing is an original SATB setting of the traditional Jewish prayer recited before lighting the menorah. Short, not difficult, and sung in Hebrew, this piece is appropriate for winter concerts and synagogue use. Click on Soundcloud above to listen to an excerpt. Ba-ruch A-tah Ado-nai E-lo-he-nu Me-lech ha-olam a-sher ki-de-sha-nu be-mitz-vo-tav ve-tzi-va-nu le-had-lik […]
	Laus Trinitati for mixed chorus a cappella PGN-009	SATB	4'35"	Latin	Gibson, Paul	Info/Listen/Buy »	Hildegard’s ecstatic praise of the Holy Trinity is mirrored in this expressive setting, built on an original chant inspired by Hildegard’s music. Premiere given 5/20/22 in Leipzig by Neue Kammer + Friends, conducted by Franziska Kuba.
Hildegard’s ecstatic praise of the Holy Trinity is mirrored in this expressive setting, built on an original chant inspired by Hildegard’s music. Premiere given 5/20/22 in Leipzig by Neue Kammer + Friends, conducted by Franziska Kuba.
	Saguaro for a cappella SATB chorus MGN-012	SATB	4'00"	English	Growden, Mark	Info/Listen/Buy »	Saguaro (pronounced sa-Wah-ro) was written in response to the Tucson shootings on January 8, 2011 – now known as the Tucson Tragedy. It is a song of compassion and tenderness.
Saguaro (pronounced sa-Wah-ro) was written in response to the Tucson shootings on January 8, 2011 – now known as the Tucson Tragedy. It is a song of compassion and tenderness.
	Majestic Ride — a Choral Sequence for Holy Week for mixed choir and organ GTT-015	SATB ⋅ Unison	12'30"	English	Thornett, Gordon	Info/Listen/Buy »	Majestic Ride is a choral sequence for the beginning of Holy Week. It consists of three new hymn settings, linked by optional solo/choral passages and narration drawn from the Bible, centred mainly on the events of Palm Sunday. The three hymns are ‘All glory, laud and honour’, ‘My song is love unknown’ and ‘Ride […]
Majestic Ride is a choral sequence for the beginning of Holy Week. It consists of three new hymn settings, linked by optional solo/choral passages and narration drawn from the Bible, centred mainly on the events of Palm Sunday. The three hymns are ‘All glory, laud and honour’, ‘My song is love unknown’ and ‘Ride […]
	Mary Had A Baby for SATB a cappella choir, with soprano solo MDC-007	SATB	–	English	Connor, Michal Dawson	Info/Listen/Buy »

	Kyries for Worship Services for SATB choir RDD-001	SATB	0'20"	Greek	Donald, Randall	Info/Listen/Buy »	Kyries for Worship Services is a 4 piece set of Kyie Eleison, Christe Eleison, Kyrie Eleison responses written for SATB voices. The first is in a minor key. The rest are in various church modes. This format is typically used in Protestant services after a Prayer of Confession. ISMN 979-0-9025253-0-5
Kyries for Worship Services is a 4 piece set of Kyie Eleison, Christe Eleison, Kyrie Eleison responses written for SATB voices. The first is in a minor key. The rest are in various church modes. This format is typically used in Protestant services after a Prayer of Confession. ISMN 979-0-9025253-0-5
	Community of Unity – SA Version for treble choir and piano RCL-019	SA	3'	English	Campbell, Rich	Info/Listen/Buy »	“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 2 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]
“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 2 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]
	Paint Chips for SA choir and piano CME-010	SA ⋅ SS	2'	English	Mallonee, Caroline	Info/Listen/Buy »	A sweet and evocative, lyrical piece for treble voices and piano, this delicate song is a setting of a list of paint colors by Martha Stewart. The piece is also available in versions for solo voice and piano (baritone or soprano). It can be performed with or without a video/slide presentation of the paint colors.
A sweet and evocative, lyrical piece for treble voices and piano, this delicate song is a setting of a list of paint colors by Martha Stewart. The piece is also available in versions for solo voice and piano (baritone or soprano). It can be performed with or without a video/slide presentation of the paint colors.
	Nocte fletuum angelis SATB choir a cappella POA-004	SATB	4'50"	Latin	O'Shea, Patrick	Info/Listen/Buy »	“Nocte fletuum angelis” is a choral setting of a brief poem written on the evening of December 14, 2012, as the terrible dimensions of the shooting at Sandy Hook Elementary School in Newtown, Connecticut became apparent. The poem and this musical setting are dedicated to the twenty children and six adult victims. In paradisum deducant […]
“Nocte fletuum angelis” is a choral setting of a brief poem written on the evening of December 14, 2012, as the terrible dimensions of the shooting at Sandy Hook Elementary School in Newtown, Connecticut became apparent. The poem and this musical setting are dedicated to the twenty children and six adult victims. In paradisum deducant […]
	Search Three Google Searches for SATB Choir CME-009	SATB	8'	English	Mallonee, Caroline	Info/Listen/Buy »	I. Curiosity (Why are…?) II. Desperation (How do I? How do you?) III. Contemplation (I Wonder Why) PROGRAM NOTE Search was commissioned by the Young People’s Chorus of New York City for the Radio Radiance program. The text was assembled by the composer from the suggestions Google makes when one types a question word into […]
I. Curiosity (Why are…?) II. Desperation (How do I? How do you?) III. Contemplation (I Wonder Why) PROGRAM NOTE Search was commissioned by the Young People’s Chorus of New York City for the Radio Radiance program. The text was assembled by the composer from the suggestions Google makes when one types a question word into […]
	Moonbook – Chapter 1: Moon Obsesses Me 4-part canon with optional accompaniment MWS-002		–		Winges, Mark	Info/Listen/Buy »

	Standing In The Need Of Prayer for SATB a cappella choir, with treble solo MDC-005	SATB	–	English	Connor, Michal Dawson	Info/Listen/Buy »

	Sweet Little Jesus Boy for baritone solo, treble choir and piano MDC-009		–		Connor, Michal Dawson	Info/Listen/Buy »

	The Star of Bethlehem: A Choral Benediction for SATB voices, unaccompanied EMH-018	SATB	1'05"	English	McGrath, Ethan	Info/Listen/Buy »	An effective way to close a service or concert during the seasons of Christmas and Epiphany, this short choral benediction is easy to learn and will be an enjoyable addition to the repertoire of choirs of varying sizes and skill levels.
An effective way to close a service or concert during the seasons of Christmas and Epiphany, this short choral benediction is easy to learn and will be an enjoyable addition to the repertoire of choirs of varying sizes and skill levels.
	The Gift Disguised for Mixed choir, unaccompanied RBT-004	SATB	3'	English	Bernhardt, Ross C.	Info/Listen/Buy »	This work was the first prize winner in the 2010 Ithaca College Choral Composition Competition.
This work was the first prize winner in the 2010 Ithaca College Choral Composition Competition.
	Most This Amazing for SATB chorus, two pianos and percussion SWM-003	SATB	12'	English	Kaulkin, Michael	Info/Listen/Buy »	Most This Amazing is a colorful, pulse-driven setting of E. E. Cummings’ well-known poem of gratitude and wonder. Two pianos and percussion add rhythmic energy, sparkle, and a magical sheen, with the choir carrying the text in broad, singable phrases. 📖 Download the Perusal Score Choose the “free perusal score” option in the shopping cart. […]
Most This Amazing is a colorful, pulse-driven setting of E. E. Cummings’ well-known poem of gratitude and wonder. Two pianos and percussion add rhythmic energy, sparkle, and a magical sheen, with the choir carrying the text in broad, singable phrases. 📖 Download the Perusal Score Choose the “free perusal score” option in the shopping cart. […]
	Shenandoah for mixed choir and piano JBN-007	SAB	2'55"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Sleep, Holy Babe for mixed chorus, trumpet PGN-011	SATB	3'	English	Gibson, Paul	Info/Listen/Buy »	A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
	Little Birch Tree for unison chorus and piano MGN-019	Unison	3' 11"	English	Growden, Mark	Info/Listen/Buy »	A dramatic setting of the classic Russian folk song. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles.
A dramatic setting of the classic Russian folk song. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles.
	I Think of Thee for SSA choir a cappella PGN-003	SSA	5'30"	English	Gibson, Paul	Info/Listen/Buy »	This marvelous love poem by Elizabeth Barrett Browning is dynamically dressed with a rich palette of word painting.
This marvelous love poem by Elizabeth Barrett Browning is dynamically dressed with a rich palette of word painting.
	A Clear Midnight for SATB choir and piano RCL-011	SATB	4'20"	English	Campbell, Rich	Info/Listen/Buy »	A setting of the brief yet powerful poem by Walt Whitman (from “Leaves of Grass”). The score takes its cue from the meditative nature of the text. There is a contemplative tone throughout, laced with subtle harmonies and perhaps inspired by the works of Randall Thompson. The score quietly expresses the expansive feeling one gets […]
A setting of the brief yet powerful poem by Walt Whitman (from “Leaves of Grass”). The score takes its cue from the meditative nature of the text. There is a contemplative tone throughout, laced with subtle harmonies and perhaps inspired by the works of Randall Thompson. The score quietly expresses the expansive feeling one gets […]
	Water My Azaleas 12 Frivolous rounds for mixed voices BKR-011	SATB	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »	Most rounds in popular collections are either sober or light-hearted. Where are the truly chucklesome examples? They do exist, of course: one thinks of classics such as “Thy Jolly Red Nose” or “The Old Man from Calcutta”; even, perhaps, of the bawdy catches of Henry Purcell and John Blow. But they are rarely found between […]
Most rounds in popular collections are either sober or light-hearted. Where are the truly chucklesome examples? They do exist, of course: one thinks of classics such as “Thy Jolly Red Nose” or “The Old Man from Calcutta”; even, perhaps, of the bawdy catches of Henry Purcell and John Blow. But they are rarely found between […]
	Community of Unity for SSA choir and piano RCL-012	SSA	3'	English	Campbell, Rich	Info/Listen/Buy »	“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 3 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]
“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 3 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]
	A Prayer of St. Anselm for SATB choir with divisi POA-015	SATB	3'30"	English	O'Shea, Patrick	Info/Listen/Buy »	Anselm of Canterbury (c. 1033 – 21 April 1109), a benedictine abbot and philosopher and theologian, left significant writings, some of great complexity. Others, like this simple prayer, convey a deep longing for a closeness to God. This setting was composed for joint performance by the Caritas Chamber Choir (Canterbury, UK) and the Saint Mary’s […]
Anselm of Canterbury (c. 1033 – 21 April 1109), a benedictine abbot and philosopher and theologian, left significant writings, some of great complexity. Others, like this simple prayer, convey a deep longing for a closeness to God. This setting was composed for joint performance by the Caritas Chamber Choir (Canterbury, UK) and the Saint Mary’s […]

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