Choral Music

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	Title	Voicing	Duration	Language	Composer
	Community of Unity – SA Version for treble choir and piano RCL-019	SA	3'	English	Campbell, Rich	Info/Listen/Buy »	“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 2 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]
“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 2 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]
	A Teasdale Triptych for mixed voices, a cappella CME-026	SATB	6'30"	English	Mallonee, Caroline	Info/Listen/Buy »	A Teasdale Triptych is a set of three miniatures. Each aims to crystallize the meaning of Sara Teasdale’s exquisite words and trace the journey on which the poems take the reader. The piece was commissioned by the San Francisco Choral Artists. It is dedicated to the singers of the group, and to their director, Magen Solomon. […]
A Teasdale Triptych is a set of three miniatures. Each aims to crystallize the meaning of Sara Teasdale’s exquisite words and trace the journey on which the poems take the reader. The piece was commissioned by the San Francisco Choral Artists. It is dedicated to the singers of the group, and to their director, Magen Solomon. […]
	Nature Motets for mixed choir, a cappella CME-018	SATB	15'	English	Mallonee, Caroline	Info/Listen/Buy »	“Nature Motets” is a set of four pieces for a cappella choir. The texts celebrate nature in all its glory, and are by John Muir, John Ruskin, and Sarah Teasdale. Each movement can be performed as a stand-alone piece.
“Nature Motets” is a set of four pieces for a cappella choir. The texts celebrate nature in all its glory, and are by John Muir, John Ruskin, and Sarah Teasdale. Each movement can be performed as a stand-alone piece.
	Mass of Reflection (BCP 1979, Rite Two) for SATB/unison voices and keyboard CHR-1501a	SATB ⋅ Unison	6'30"	English	Fawcett, David	Info/Listen/Buy »	An attractive and accessible setting of the Rite Two Holy Communion Liturgy from the 1979 Book of Common Prayer of the Episcopal Church. Intended primarily for use in churches where congregation and choir sing the service together, it could be used by congregation alone, as the melody line does not rise high. Ideally, though, an […]
An attractive and accessible setting of the Rite Two Holy Communion Liturgy from the 1979 Book of Common Prayer of the Episcopal Church. Intended primarily for use in churches where congregation and choir sing the service together, it could be used by congregation alone, as the melody line does not rise high. Ideally, though, an […]
	All the Pretty Little Horses for unison chorus and piano MGN-018	Equal Voices ⋅ Unison	2'27"		Growden, Mark	Info/Listen/Buy »	A moving setting of the classic American lullaby. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles. The students we arranged this for absolutely loved it. We hope your choir does too.
A moving setting of the classic American lullaby. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles. The students we arranged this for absolutely loved it. We hope your choir does too.
	Raisins and Almonds (SATB version) for mixed chorus a cappella PHD-003	SATB	2'40"	English ⋅ Yiddish	Hilliard, Peter	Info/Listen/Buy »	This beloved lullaby is presented with an evocative piano accompaniment and vocal solo, bringing out a melancholy beauty that will entrance your audience.
This beloved lullaby is presented with an evocative piano accompaniment and vocal solo, bringing out a melancholy beauty that will entrance your audience.
	Sing it to the Ocean for mixed choir a cappella MGN-010	SATB ⋅ SSAATTB	2' 20"	English	Growden, Mark	Info/Listen/Buy »	A heartfelt piece for SSATTB chorus.
A heartfelt piece for SSATTB chorus.
	Spiritus for mixed choir a cappella AMH-001	SATB	5'20"	Latin	March, Andrew	Info/Listen/Buy »	The text comprises a solitary verse, St. John 3:8, taken from Nicodemus’ well-known nocturnal conversation with Jesus. The anthem is intended for use in a generous acoustic, such as a Cathedral, where during the many bar rests, the fragmented and overlapping phrases can be given opportunity to resound and reflect until the reverberation dissipates. The […]
The text comprises a solitary verse, St. John 3:8, taken from Nicodemus’ well-known nocturnal conversation with Jesus. The anthem is intended for use in a generous acoustic, such as a Cathedral, where during the many bar rests, the fragmented and overlapping phrases can be given opportunity to resound and reflect until the reverberation dissipates. The […]
	May the Lord Bless You and Keep You for SATB choir a cappella KEM 1001	SATB	2'15"	English	Erickson, Kurt	Info/Listen/Buy »	Short choral blessing (text from the Old Testament) written as part of 2001-2003 Composer Residency at San Francisco’s National Shrine of Saint Francis of Assisi. Premiered by resident ensemble, Schola Cantorum SF
Short choral blessing (text from the Old Testament) written as part of 2001-2003 Composer Residency at San Francisco’s National Shrine of Saint Francis of Assisi. Premiered by resident ensemble, Schola Cantorum SF
	Listen to the Song in You for Mixed choir, unaccompanied RBT-011	SATB	3'	English	Bernhardt, Ross C.	Info/Listen/Buy »

	For the Beauty of the Earth for SATB chorus and organ EHE-004	SATB	1'30"	English	Hope, Emily	Info/Listen/Buy »	In this fresh, sparkling take on a beloved hymn tune, a perpetual motion accompaniment drives a whirlwind celebration of beauty in the world around us and our ability to perceive it.
In this fresh, sparkling take on a beloved hymn tune, a perpetual motion accompaniment drives a whirlwind celebration of beauty in the world around us and our ability to perceive it.
	The House that Jack Built for SATB chorus a cappella EHE-013	SATB	3'30"	English	Hope, Emily	Info/Listen/Buy »	The cumulative rhyme, “The House that Jack Built” follows a series of connected objects, animals, and people, from the titular house through to an unrelated “farmer sowing his corn.” This setting features a light, skipping melody that slows down periodically to linger on the developing romance between the “maiden all forlorn” and the “man all […]
The cumulative rhyme, “The House that Jack Built” follows a series of connected objects, animals, and people, from the titular house through to an unrelated “farmer sowing his corn.” This setting features a light, skipping melody that slows down periodically to linger on the developing romance between the “maiden all forlorn” and the “man all […]
	‘Tis You That Are the Music for Mixed choir, unaccompanied RBT-010		3'		Bernhardt, Ross C.	Info/Listen/Buy »

	How Clear, How Lovely Bright for Mixed choir, unaccompanied RBT-007	SATB	2'30"	English	Bernhardt, Ross C.	Info/Listen/Buy »	This work won special commendation in the Phoenix Choral Composition Competion (UK) in 2010. It was premiered by the Phoenix Singers of Shrewsbury in St. Mary’s Church, Shrewsbury, England in April 2011.
This work won special commendation in the Phoenix Choral Composition Competion (UK) in 2010. It was premiered by the Phoenix Singers of Shrewsbury in St. Mary’s Church, Shrewsbury, England in April 2011.
	Sally SATB Chorus, Piano, and B♭ Trumpet MGN-009	SATB	3'14"	English	Growden, Mark	Info/Listen/Buy »	A lively and playful piece featuring SATB chorus, B♭trumpet and piano.
A lively and playful piece featuring SATB chorus, B♭trumpet and piano.
	Coney Island for SATB choir a cappella RCL-005	SATB	4'	English	Campbell, Rich	Info/Listen/Buy »	“Coney Island,” was written by Pulitzer prize winning American poet Sara Teasdale (1884-1933) and was first published in 1911 in the collection “Helen of Troy and Other Poems.”. Born in St. Louis, Missouri, she lived for many years in New York City. My immigrant great-grandparents settled in Brooklyn, New York, in the 1890’s, and lived […]
“Coney Island,” was written by Pulitzer prize winning American poet Sara Teasdale (1884-1933) and was first published in 1911 in the collection “Helen of Troy and Other Poems.”. Born in St. Louis, Missouri, she lived for many years in New York City. My immigrant great-grandparents settled in Brooklyn, New York, in the 1890’s, and lived […]
	Await Light for mixed choir and piano JBN-023	SATB	4'25"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	We’ll Rant And We’ll Roar for mixed chorus and piano POA-014	SATB	3' 55"	English	O'Shea, Patrick	Info/Listen/Buy »	Also popularly known as “The Ryans and the Pittmans,” this song recounts the romantic entanglements of a sailor named Robert “Bob” Pittman. It is based on the English sea shanty “Spanish Ladies,” which has a number of variants known to sailors from New England to Australia. Most of the verses in this version may be […]
Also popularly known as “The Ryans and the Pittmans,” this song recounts the romantic entanglements of a sailor named Robert “Bob” Pittman. It is based on the English sea shanty “Spanish Ladies,” which has a number of variants known to sailors from New England to Australia. Most of the verses in this version may be […]
	Snow Globe Upon a Sill for mixed voices, a cappella CME-024		3'30"		Mallonee, Caroline	Info/Listen/Buy »	“Snow Globe Upon a Sill” is a New Year’s piece. Using the childlike metaphor of a snow globe, the work is a tender and moving reflection on transition and the possibility of renewal that comes at the close of one year and the start of another. Perfect for a winter concert! Also available from Swirly […]
“Snow Globe Upon a Sill” is a New Year’s piece. Using the childlike metaphor of a snow globe, the work is a tender and moving reflection on transition and the possibility of renewal that comes at the close of one year and the start of another. Perfect for a winter concert! Also available from Swirly […]
	Foweles in the Frith 12 performance rounds for partnered treble voices BKR-004	Equal Voices ⋅ SSAA	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »	The clear, rinsed sound of Women’s voices is hardly more thrilling than in the recital of rounds. And when the rounds offer plenty of movement among the parts, as do most in this collection, the effect can be delightful. These twelve rounds, set largely to medieval texts, are of varying difficulty and may require rehearsal. […]
The clear, rinsed sound of Women’s voices is hardly more thrilling than in the recital of rounds. And when the rounds offer plenty of movement among the parts, as do most in this collection, the effect can be delightful. These twelve rounds, set largely to medieval texts, are of varying difficulty and may require rehearsal. […]
	Wayfarin’ Stranger for lower voices a cappella JBN-004	TBB ⋅ TTBB	3'	English	Bernstein, Jeffrey	Info/Listen/Buy »	TTB American folksong arrangement
TTB American folksong arrangement
	Invitation to a Voyage for SSATBB choir a cappella SDE-005	SATB ⋅ SSATBB	7'	English	Dole, Sanford	Info/Listen/Buy »	This setting of Charles Baudelaire’s iconic poem captures the “luxury” and “voluptuousness” of Edna St. Vincent Millay’s radiant translation. The six-part texture allows for thick, evocative chords in Dole’s jazz-influenced harmonic world. Slowly evolving chord progressions paint a picture of a person truly in love with another, asking that they go on a long journey […]
This setting of Charles Baudelaire’s iconic poem captures the “luxury” and “voluptuousness” of Edna St. Vincent Millay’s radiant translation. The six-part texture allows for thick, evocative chords in Dole’s jazz-influenced harmonic world. Slowly evolving chord progressions paint a picture of a person truly in love with another, asking that they go on a long journey […]
	21st Century 23rd Psalm for mixed choir and piano JBN-020	SATB	3'50"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Majestic Ride — a Choral Sequence for Holy Week for mixed choir and organ GTT-015	SATB ⋅ Unison	12'30"	English	Thornett, Gordon	Info/Listen/Buy »	Majestic Ride is a choral sequence for the beginning of Holy Week. It consists of three new hymn settings, linked by optional solo/choral passages and narration drawn from the Bible, centred mainly on the events of Palm Sunday. The three hymns are ‘All glory, laud and honour’, ‘My song is love unknown’ and ‘Ride […]
Majestic Ride is a choral sequence for the beginning of Holy Week. It consists of three new hymn settings, linked by optional solo/choral passages and narration drawn from the Bible, centred mainly on the events of Palm Sunday. The three hymns are ‘All glory, laud and honour’, ‘My song is love unknown’ and ‘Ride […]
	Viva la Musica! (Viva la Vida!) for mixed or children's choir and piano GTT-035	Equal Voices ⋅ SAB ⋅ Unison	2'	English	Thornett, Gordon	Info/Listen/Buy »	‘Long live music – long live life!’ This little song, originally composed for a children’s choir in the USA, was adapted for a small community choir in Birmingham, UK. The words and music are simple and straightforward, about the joy of music and singing, and the song can be quickly learnt by choirs of all […]
‘Long live music – long live life!’ This little song, originally composed for a children’s choir in the USA, was adapted for a small community choir in Birmingham, UK. The words and music are simple and straightforward, about the joy of music and singing, and the song can be quickly learnt by choirs of all […]
	The Day of Light for mixed chorus a cappella DPT-009	SATB	8'30"	English	Post, David	Info/Listen/Buy »	“The Day of Light” was commissioned by Mark Ludwig, Director of the Terezin Music Foundation in 2014 as part of a larger project to commemorate the 70th anniversary of the liberation of the concentration camps and the end of World War II in 1945. The text is a setting of the poem “The Day of […]
“The Day of Light” was commissioned by Mark Ludwig, Director of the Terezin Music Foundation in 2014 as part of a larger project to commemorate the 70th anniversary of the liberation of the concentration camps and the end of World War II in 1945. The text is a setting of the poem “The Day of […]
	An Irish Benediction for SATB choir a cappella POA-017	SATB	2' 50"	English	O'Shea, Patrick	Info/Listen/Buy »	This modern English version of a 9th Century Old Irish benediction lends itself well to both concert and liturgical performance. Liturgically, it fits well as a call to worship or as a communion meditation. The text recalls the doxology given in Revelation 7:12.
This modern English version of a 9th Century Old Irish benediction lends itself well to both concert and liturgical performance. Liturgically, it fits well as a call to worship or as a communion meditation. The text recalls the doxology given in Revelation 7:12.
	Shepherds Left Their Flocks / Quem Pastores for unison treble voices (or solo voice) and organ MWS-015	Unison	2'	English ⋅ Latin	Winges, Mark	Info/Listen/Buy »	Shepherds Left Their Flocks / Quem pastores is an arrangement of a 14th century German Christmas carol for unison treble voices (or solo voice) and organ. Latin text with English translation. In verses one and three, the voices have the melody. In verse two, the voices have an obbligato while the organ has the melody.
Shepherds Left Their Flocks / Quem pastores is an arrangement of a 14th century German Christmas carol for unison treble voices (or solo voice) and organ. Latin text with English translation. In verses one and three, the voices have the melody. In verse two, the voices have an obbligato while the organ has the melody.
	Roll the Tide for mixed chorus a cappella SWM-006	SATB	2'50"	English	Kaulkin, Michael	Info/Listen/Buy »	Roll the Tide is a short, a cappella setting in a quasi-spiritual style of Elisabeth T. Eliassen’s poem of peace and longing.
Roll the Tide is a short, a cappella setting in a quasi-spiritual style of Elisabeth T. Eliassen’s poem of peace and longing.
	Rosa mystica (Vocal Score) for Soprano solo, children’s voices (or women’s semichorus), mixed chorus, chamber orchestra and piano. CHR-1504VS	SATB	11' 00"	English	Fawcett, David	Info/Listen/Buy »	Rosa mystica is a sacred devotional cantata combining various texts in which a rose or flower is used as an analogy for the Blessed Virgin Mary, including the Rosa Mystica tradition, and Mary as the stem of the rose from which, arising out of the root of Jesse, grew Jesus, the Spotless Rose. In three […]
Rosa mystica is a sacred devotional cantata combining various texts in which a rose or flower is used as an analogy for the Blessed Virgin Mary, including the Rosa Mystica tradition, and Mary as the stem of the rose from which, arising out of the root of Jesse, grew Jesus, the Spotless Rose. In three […]
	Non nobis, Domine (‘Not unto us, O Lord’) for treble voices a cappella GTT-018	SA ⋅ SSA	2'20"	Latin	Thornett, Gordon	Info/Listen/Buy »	Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […]
Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […]
	Locus iste for SSATBB choir a cappella ROC-001	SSATBB	3:30	Latin	Oganovic, Robert	Info/Listen/Buy »	This original anthem is suitable for all occasions and offers a gentle, contemporary setting of the text used by Anton Bruckner in his well-known composition of the same name composed in 1869. “This place was made by God, a priceless sacrament; it is without reproach.” Genesis 28:16 Exodus 3:5.
This original anthem is suitable for all occasions and offers a gentle, contemporary setting of the text used by Anton Bruckner in his well-known composition of the same name composed in 1869. “This place was made by God, a priceless sacrament; it is without reproach.” Genesis 28:16 Exodus 3:5.
	I Got A Robe for baritone solo, and a cappella SATB choir MDC-010	SATB	–	English	Connor, Michal Dawson	Info/Listen/Buy »

	Christmas Time in the Eyes of a Child for SATB choir and piano GTT-004	SATB ⋅ Unison	2'50"		Thornett, Gordon	Info/Listen/Buy »	Christmas Time in the Eyes of a Child is a light-hearted secular Christmas song for mixed choir (SATB) This version is for mixed choir (SATB), and also incorporates an optional part for children’s choir (in unison) if available. The piece would suit a community choir, or maybe a school choir. There is also an S(A) version for children’s choir, and […]
Christmas Time in the Eyes of a Child is a light-hearted secular Christmas song for mixed choir (SATB) This version is for mixed choir (SATB), and also incorporates an optional part for children’s choir (in unison) if available. The piece would suit a community choir, or maybe a school choir. There is also an S(A) version for children’s choir, and […]
	How I Wish for chorus a cappella AJS-002		3' 19"		Jones, Alan Riley	Info/Listen/Buy »	Choral elegy in memory of friend and fellow musician Haskell Fitz-Simons. The text speaks of lost opportunities to tell those in our lives how dear they are to us while they are still here.
Choral elegy in memory of friend and fellow musician Haskell Fitz-Simons. The text speaks of lost opportunities to tell those in our lives how dear they are to us while they are still here.
	Thou God for Mixed Chorus, Organ, Church Choir DRY-027	SATB	4'	English	Ramsey, Dale	Info/Listen/Buy »	“Thou God” is the title of a text by Dag Hammarskjöld, Secretary-general of the United Nations from 1953 to 1961. A deeply moving and personal faith statement, it is set here as an anthem for mixed choir and organ. Hammarskjöld’s book Markings, from which this text comes, is an enduring spiritual classic still widely read […]
“Thou God” is the title of a text by Dag Hammarskjöld, Secretary-general of the United Nations from 1953 to 1961. A deeply moving and personal faith statement, it is set here as an anthem for mixed choir and organ. Hammarskjöld’s book Markings, from which this text comes, is an enduring spiritual classic still widely read […]
	Nocturne for SATB chorus and piano EHE-008	SATB	5'	English	Hope, Emily	Info/Listen/Buy »	The bass section plays a featured role in this setting of the wistful and evocative poetry of Sadakichi Hartmann. A barcarolle-style accompaniment and layered, drifting harmonies express the themes of ocean waves, drifting ships, and nostalgia for things past.
The bass section plays a featured role in this setting of the wistful and evocative poetry of Sadakichi Hartmann. A barcarolle-style accompaniment and layered, drifting harmonies express the themes of ocean waves, drifting ships, and nostalgia for things past.
	Gather Ye Rosebuds for treble choir GTT-002	SSA	2'	English	Thornett, Gordon	Info/Listen/Buy »	This short SSA piece was written for the University of Michigan Women’s Glee Club. It is an unaccompanied 3-part setting of the poem by the English poet, Robert Herrick. Jaclyn Johnson, Interim Director of the Glee Club said, “This is a WONDERFUL piece! I love that you have composed in an older polyphonic style to match […]
This short SSA piece was written for the University of Michigan Women’s Glee Club. It is an unaccompanied 3-part setting of the poem by the English poet, Robert Herrick. Jaclyn Johnson, Interim Director of the Glee Club said, “This is a WONDERFUL piece! I love that you have composed in an older polyphonic style to match […]
	There Is a Balm in Gilead for SATB a cappella choir, with Soprano and Baritone solos MDC-016	SATB	3'45"	English	Connor, Michal Dawson	Info/Listen/Buy »	‘Balm in Gilead’ is a fervent prayer to the heavens, to relieve the aches and weighty sorrows of an entire enslaved people. In his memorable autobiography, Frederick Douglass wrote these searing, and unforgettable words; “I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, […]
‘Balm in Gilead’ is a fervent prayer to the heavens, to relieve the aches and weighty sorrows of an entire enslaved people. In his memorable autobiography, Frederick Douglass wrote these searing, and unforgettable words; “I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, […]
	Light Through Windows for SATB choir CME-012	SATB	3'15"	English	Mallonee, Caroline	Info/Listen/Buy »	Light Through Windows was written in 2016. Meant to evoke the wonder one feels when a darkened window reveals its glory, the a cappella choral piece draws a parallel between a stained-glass window and an illuminated manuscript. The piece was recently recorded by Vox16, conducted by Markdavin Obenza. TEXT Hushed, grey, a tall cathedral, washed […]
Light Through Windows was written in 2016. Meant to evoke the wonder one feels when a darkened window reveals its glory, the a cappella choral piece draws a parallel between a stained-glass window and an illuminated manuscript. The piece was recently recorded by Vox16, conducted by Markdavin Obenza. TEXT Hushed, grey, a tall cathedral, washed […]
	Gorgeous Blue Eyes for SSAATTBB Chorus, a cappella AFD-011	SATB ⋅ SSAATTBB	3'45"	English	Ward, Alexis Renee	Info/Listen/Buy »	Gorgeous Blue Eyes comes from a larger set entitled the Four Wedding Songs which was dedicated as a wedding gift to Stephen and Stacey Squier on the eve of their wedding on July 29th, 2010. The four movements of the work were inspired by the tradition to give a bride “something old, something new, something […]
Gorgeous Blue Eyes comes from a larger set entitled the Four Wedding Songs which was dedicated as a wedding gift to Stephen and Stacey Squier on the eve of their wedding on July 29th, 2010. The four movements of the work were inspired by the tradition to give a bride “something old, something new, something […]
	How Can I Keep from Singing SATB choir with piano SPN-007	SATB	3'30"	English	Paxton, Steven	Info/Listen/Buy »	The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
	Excelsior for Mixed choir, unaccompanied RBT-002	SATB	5'		Bernhardt, Ross C.	Info/Listen/Buy »	This composition won first prize in the Longfellow Choral Composition Competition in 2011. I have enjoyed Longfellow’s poetry for many years–“Excelsior” in particular. However, I’ve never managed to develop a huge amount of sympathy for the poem’s protagonist. Here we have a youth who ignores the advice of everyone around him that his journey was […]
This composition won first prize in the Longfellow Choral Composition Competition in 2011. I have enjoyed Longfellow’s poetry for many years–“Excelsior” in particular. However, I’ve never managed to develop a huge amount of sympathy for the poem’s protagonist. Here we have a youth who ignores the advice of everyone around him that his journey was […]
	At the cry of the first bird for SATB voices unaccompanied EMH-015	SATB	2'50"	English	McGrath, Ethan	Info/Listen/Buy »	As is often the case with my work, this music seemed to naturally grow out of the text—a haunting medieval poem about the death of Jesus Christ. The poem’s enigmatic symbolism and otherworldly affect resulted in what was for me an unusually mysterious and ethereal composition. Some of the inspiration for the work came from […]
As is often the case with my work, this music seemed to naturally grow out of the text—a haunting medieval poem about the death of Jesus Christ. The poem’s enigmatic symbolism and otherworldly affect resulted in what was for me an unusually mysterious and ethereal composition. Some of the inspiration for the work came from […]
	The Lone Wild Bird for SATB chorus and piano EHE-001	SATB	2'30"	English	Hope, Emily	Info/Listen/Buy »	This sweet and gentle setting of a classic Southern Harmony hymn features the Alto section in its first verse, then opens out into a joyful depiction of the sensation of flight. The second verse features birdcalls in the piano accompaniment. Recording by First Readings Project. Find the SSAA version of this piece here.
This sweet and gentle setting of a classic Southern Harmony hymn features the Alto section in its first verse, then opens out into a joyful depiction of the sensation of flight. The second verse features birdcalls in the piano accompaniment. Recording by First Readings Project. Find the SSAA version of this piece here.
	It Came upon the Midnight Clear for SATB chorus and piano EHE-007	SATB	4'	English	Hope, Emily	Info/Listen/Buy »	This setting of the classic Christmas carol begins with a quiet and intimate first verse that broadens out into an angelic, celebratory interlude section culminating in an exciting fanfare. The second verse features a soaring duet between tenor melody and soprano descant, but devolves into chaos as the text reflects on the world’s “babel sounds,” […]
This setting of the classic Christmas carol begins with a quiet and intimate first verse that broadens out into an angelic, celebratory interlude section culminating in an exciting fanfare. The second verse features a soaring duet between tenor melody and soprano descant, but devolves into chaos as the text reflects on the world’s “babel sounds,” […]
	Benediction for mixed choir a cappella WCL-006	SATB	4'20"	Latin	Campbell, William	Info/Listen/Buy »	BENEDICTION was written in February-March of 2013 for my friend Keith Haan upon his retirement as Director of Choral Activities St. Ambrose University. The “threefold blessing” seemed perfect for the occasion as we gathered to wish our colleague well on his way. I used the latin text because I wanted that elevated sound those open […]
BENEDICTION was written in February-March of 2013 for my friend Keith Haan upon his retirement as Director of Choral Activities St. Ambrose University. The “threefold blessing” seemed perfect for the occasion as we gathered to wish our colleague well on his way. I used the latin text because I wanted that elevated sound those open […]
	Acquainted With The Night for SATB choir w/piano accompaniment RCL-029	SATB	4'	English	Campbell, Rich	Info/Listen/Buy »	A setting of Robert Frost’s metaphorical rendering of feelings of depression, isolation and alienation. Rhythmic and thought-provoking. Medium difficulty, appropriate for high school, collegiate and community choirs. Commissioned by Penn High School Choirs, IN.
A setting of Robert Frost’s metaphorical rendering of feelings of depression, isolation and alienation. Rhythmic and thought-provoking. Medium difficulty, appropriate for high school, collegiate and community choirs. Commissioned by Penn High School Choirs, IN.
	Cycle of Friends for soprano solo, chorus and chamber orchestra SWM-002	SATB ⋅ SSAATTB	25'	English	Kaulkin, Michael	Info/Listen/Buy »	A lyrical meditation on friendship and loss, Cycle of Friends is a concert centerpiece with texts ranging from Sappho and Emily Dickinson to Tang-dynasty China and pre-Columbian Mexico. A soprano soloist serves as an intimate narrator, while the orchestra supplies vivid, transparent color around lyrical choral writing. Completed and premiered in 1996, a newly revised […]
A lyrical meditation on friendship and loss, Cycle of Friends is a concert centerpiece with texts ranging from Sappho and Emily Dickinson to Tang-dynasty China and pre-Columbian Mexico. A soprano soloist serves as an intimate narrator, while the orchestra supplies vivid, transparent color around lyrical choral writing. Completed and premiered in 1996, a newly revised […]
	Confitemini Domino SATB chorus and organ ROC-010		4:08	Latin	Oganovic, Robert	Info/Listen/Buy »	ROC-010 Confitemini Domino The Latin text “Confitemini Domino” – “Give thanks to the Lord” — appears in several Psalms and has been set to music across centuries – from early composers like Giovanni Gabrieli, Heinrich Schütz, and Jean-Baptiste Lully to modern masters like Knut Nystedt. This setting for SATB chorus (with brief soprano/bass divisi) is […]
ROC-010 Confitemini Domino The Latin text “Confitemini Domino” – “Give thanks to the Lord” — appears in several Psalms and has been set to music across centuries – from early composers like Giovanni Gabrieli, Heinrich Schütz, and Jean-Baptiste Lully to modern masters like Knut Nystedt. This setting for SATB chorus (with brief soprano/bass divisi) is […]

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