“Picardy” is a French province where this beautiful 17th century melody originates. It is popularly associated with the hymn “Let All Mortal Flesh Keep Silence” which originates from first century Jerusalem. This setting, in keeping with its roots, is gentle and reflective. The violin is the perfect instrument to express its sensitivity and beauty. The organ accompaniment borrows from […]
A dramatic, contemporary setting of the Biblical passage “The Trumpet Shall Sound”, which was also used in Handel’s “Messiah”. The baritone and trumpet dialog throughout with the organ underpinning and expanding the harmonic structure. The trumpet begins and ends using a straight mute, but plays open in middle portions. It is appropriate for memorial services, […]
Variations on “Adoro te devote” is organ music appropriate for worship, especially as a Prelude or during Eucharist. The melody is always present being accompanied by a variety of harmonies and styles of music. It culminates with a fugue in which the melody appears in segments in the pedal. It is possible to select from […]
“Madrid” is a traditional Spanish melody that is most often associated with the hymn “Come Christians Join to Sing”. It is found in most protestant hymn books, and is sung regularly in many “Mainline” churches. The complete set of variations is one that will find many uses in worship services as a longer prelude or […]
Dale Ramsey’s Prelude for Organ is a quiet, melodic piece for the Oboe stop on the organ. Intended as a prelude piece for a wedding, it works well as a prelude for general worship, or any time a brief, quiet piece is appropriate.
An organ “Fantasy” based on the hymntune Crucifer, which is used with the popular hymn “Lift High the Cross”. This seven-minute work was the first prize winner of an international competition celebrating the 75th anniversary of the Greater Kansas City Area Chapter of the American Guild of Organists, and was premiered by organist Chelsea Chen […]
These pieces for violin and organ are based on folk melodies that are commonly used in contemporary hymnbooks. As such, they are individually useful for worship services. As a group they work quite well for recitals or study purposes. Protestant congregations will most likely be familiar with some of the melodies — some perhaps even […]
A grand, stately processional, perfect for a formal wedding or a festive occasion or concert. Based on a nine-tone scale, it has a modern quality, but without harshness. The piece is sectional in nature, making it easily adjustable to a specific wedding party and space. The piece is also available in an Organ and Brass […]
Organ Voluntary on an Ancient Hymn tune from Medieval times, often associated with Festival Celebrations in Christian Churches. The tune is also known as “Deo Gratias”. It is most often associated with the hymn “O Love, How Deep, How Broad, How High”. This dramatic piece works perfectly as a prelude to a worship service in […]
“Festival Flourish” is an adventurous fantasy piece on the well-loved hymntune, “Union Seminary” which is commonly associated with the words “Draw Us in the Spirit’s Tether”. The music is appropriate for Festival Sunday Worship or Concert. The middle section, which directly quotes the melody, can be used as an introduction to the hymn before singing.
This group of “character” pieces are not profound, intellectual, historic, serious or sacred. Rather, they are light-hearted, brief, clever perhaps, even cheerful secular works. Still, they are written in a modern style and are pieces that informed music lovers should find entertaining. The titles suggest various “conversations” one might have with others: A Pronouncement, A […]
ROC-010 Confitemini Domino The Latin text “Confitemini Domino” – “Give thanks to the Lord” — appears in several Psalms and has been set to music across centuries – from early composers like Giovanni Gabrieli, Heinrich Schütz, and Jean-Baptiste Lully to modern masters like Knut Nystedt. This setting for SATB chorus (with brief soprano/bass divisi) is […]
This short prelude was written as a processional to precede a festive arrangement of the ancient cherubic hymn, “Let all mortal flesh keep silence”, which received its first performance at Berlin Cathedral on November 29th 2017. This was commissioned to mark the 25th anniversary of John F Kennedy School’s annual Advent services, in collaboration with […]
This Processional was used four times in weddings of the composer’s family. It is also available in an organ only version. Being sectionalized, it is easily abbreviated to fit a particular time frame for a particular wedding party and sanctuary space. This is not a traditional wedding march, but unique and different, should such be […]
Based on the hymn tune, “National City”, this is a festive Easter work for trumpet and organ, appropriate as a prelude for festival Sundays or concert settings. The tune was written by Dr. Lawrence Schreiber, who was organist and minister of music for the National City Christian Church in Washington D. C. for 40 years. […]
A quiet, reflective meditation on the well-known and loved Twenty-third Psalm. Suitable for worship during communion, as a quiet prelude, or for funeral services.
