Choral Music

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for SATB choir and optional Soprano solo
POA-002
SATB
⋅
SSAATTBB
7'20"
Latin

“Cantemus in omni die” is a setting of a hymn to the Virgin Mary written by Cú Chuimne Sapiens, an Irish monk active at Iona by the early 8th century (died 747).  It is the earliest known Latin hymn to Mary originally composed in the Western Christian Church rather than translated into Latin from earlier […]

for mixed or children's choir and piano
GTT-035
Equal Voices
⋅
SAB
⋅
Unison
2'
English

‘Long live music – long live life!’  This little song, originally composed for a children’s choir in the USA, was adapted for a small community choir in Birmingham, UK.  The words and music are simple and straightforward, about the joy of music and singing, and the song can be quickly learnt by choirs of all […]

16 painless rounds for Young voices
BKR-005
Equal Voices
⋅
SSAA
Each round 1′30″ to 2′ (in performance)
English

Without doubt, children of all ages enjoy singing rounds. The rounds they learn are likely to be the old worthies of past centuries: “Sumer is icumen in”, “Fie, Nay, Prithee, John” or “Well Rung, Tom!” This original collection balances the standard repertoire with a variety of easy, feel-good rounds: the sweet, the comic and the […]

for children's choir and piano
GTT-003
SA
⋅
Unison
2'50"
English

Christmas Time in the Eyes of a Child is a light-hearted secular Christmas song for children, although it could be performed by adults. This version is specifically arranged for children’s choir with piano accompaniment, and can either be sung in unison or in two parts (SA). There is also a solo version and a mixed choir (SATB) version available, the […]

for treble choir and piano
RCL-019
SA
3'
English

“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 2 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]

Three songs for SATB Choir and piano
WCL-001
SATB
14'
English

Among The Trees  The Clearing Rests In Song and Shade I Go Among the Trees and Sit Still All the Earth Shall Sing (The dark around us, come) Three Songs for SATB Choir & Piano Words by Wendell Berry These three songs are about finding peace and unity within nature.  Balance comes to many of […]

for SAB choir with piano and optional percussion
SPN-003
SAB
3'
French

This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for TTB chorus.

for SATB chorus and organ
EHE-004
SATB
1'30"
English

In this fresh, sparkling take on a beloved hymn tune, a perpetual motion accompaniment drives a whirlwind celebration of beauty in the world around us and our ability to perceive it.

for treble voices (SSAA), a cappella
CME-022
SATB
7'
English

A poignant set of modern-day madrigals is crafted from three exquisite poems by Christina Rossetti that pay homage to the moon. SATB version also available »

for SATB, divisi
RDD-010
SATB
3'01"
English

(Choral SATB, divisi) When Shiloh Came is a Christmas poem by Marie Radcliffe Butler, published in 1877, associating the coming of the baby Jesus with initiating the hope of the Gospels. The birth of this work started with notes of E, F and A. Starting as a minimalist, dissonant piece, it turned out to be […]

for 3-Part Mixed choir with piano and optional percussion
SPN-012
SAB
2'
Other

KONIKONECO (3-Part Mixed chorus) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios […]

for SSAA chorus and piano
EHE-002
SSAA
2'30"
English

This sweet and gentle setting of a classic Southern Harmony hymn features the Alto section in its first verse, then opens out into a joyful depiction of the sensation of flight. The second verse features birdcalls in the piano accompaniment. Recording by First Readings Project. This recording is of the SATB version of the piece, […]

for SSATBB choir & organ/piano
ROC-004
SSATBB
6'
English

This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]

for mixed choir and piano
JBN-017
SATB
7'25"
English
for mixed choir a cappella
MDC-008
SATB
–
English
for SATB chorus & organ/piano
ROC-005
SATB
5'
English

This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]

for SATB choir a cappella
RCL-008
SATB
4'20"
English

THE SMALLEST SONG, a setting of a text by American poet Martha Collins, is a gentle piece, full of warmth and intimate emotion. The wordplay in the text is matched in the composition; phrases are slightly altered, inverted and developed as the work builds. Jazz-like harmonies infuse the piece with a soothing vitality throughout. “A […]

for solo voice or choir (SATB)
GTT-033
1' 35"

Click here to follow the score: https://youtu.be/kSR8gohqJVY This setting of ‘Jesus, friend of little children’ was written about 30 years ago, for the baptism of our younger daughter. It was written as a soprano solo with piano accompaniment. In this current version, it may still be performed as a solo, if desired, but I have added […]

for mixed choir a cappella
MDC-019
SATB
–
English

This haunting melody, is one of the most beautiful songs that the slaves composed; bone-weary and sorrow-filled… with their eyes firmly fixed on a Great Deliverer somewhere up in heaven. The itinerant preachers that visited the plantations, selected specific passages from the Bible- guaranteeing them entrance to the Promised Land- if they worked hard for […]

for a cappella SATB choir
SDE-002
SATB
2'30"
Latin

A very rhythmic drive characterizes this exuberant setting of the traditional Christmas text, “Christ is born today” set in Latin. Choirs love to sing the jazzy rhythms and harmonies that require care in tuning, but once mastered create a contemporary sound world that will energize any Christmas concert or service.

for 2-part choir & organ
ROC-006
SA
⋅
SS
5'
English

The Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon) are biblical canticles. Mary sings the Magnificat (“My soul doth magnify the Lord”) on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). Simeon sings the Nunc dimittis (“Lord, now lettest thou thy servant depart in peace”) […]

for SATB choir a cappella
POA-020
SATB
4' 10"
Italian

Due Sonetti de Petrarca are settings of sonnets by Francesco Petrarca (Petrarch) (1304-1374), great Italian scholar and poet and one of the earliest humanists. The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2009, with the composer conducting.

for SATB a cappella
MRS-001
SATB
4'30"
English

“O Child” is written from the perspective of Joseph and Mary, imagining what they might have been thinking and feeling when they first beheld the newborn baby Jesus. Composer Michael T. Roberts also penned the words, inspired by his experience as a father of two. 

for SATB voices unaccompanied
EMH-015
SATB
2'50"
English

As is often the case with my work, this music seemed to naturally grow out of the text—a haunting medieval poem about the death of Jesus Christ. The poem’s enigmatic symbolism and otherworldly affect resulted in what was for me an unusually mysterious and ethereal composition. Some of the inspiration for the work came from […]

for mixed chorus a cappella
DPT-009
SATB
8'30"
English

“The Day of Light” was commissioned by Mark Ludwig, Director of the Terezin Music Foundation in 2014 as part of a larger project to commemorate the 70th anniversary of the liberation of the concentration camps and the end of World War II in 1945. The text is a setting of the poem “The Day of […]

for SATB choir
RDD-001
SATB
0'20"
Greek

Kyries for Worship Services is a 4 piece set of Kyie Eleison, Christe Eleison, Kyrie Eleison responses written for SATB voices. The first is in a minor key. The rest are in various church modes. This format is typically used in Protestant services after a Prayer of Confession. ISMN 979-0-9025253-0-5

for SATB choir with piano and optional percussion
SPN-013
SATB
2'
Other

KONIKONECO (SATB chorus) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios typical […]

for mixed choir a cappella
JBN-010
SATB
5'
English
for SATB choir a cappella
POA-021
SATB
3' 40"
Italian

Due Sonetti de Petrarca are settings of sonnets by Francesco Petrarca (Petrarch) (1304-1374), great Italian scholar and poet and one of the earliest humanists. The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2009, with the composer conducting.

for SATB choir and violin
POA-008
SATB
3'
Italian

Tre Madrigali Amorosi are settings of poems by Torquato Tasso (1544-1595), a favorite poet of Italian madrigal composers of the sixteenth century.  The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2013, with the composer conducting and Chun Chim (David) Leung, violin. […]

for mixed & children's choirs and orchestra
GTT-023
SATB
⋅
SSATTBB
⋅
Unison
6' 30"
English

  ‘Rejoice! A Christmas Fanfare’ was written as the opening number for a series of four Christmas Concerts held in Birmingham’s Symphony Hall in December 2015. As a number of youth choirs and a community chorus were taking part in these concerts, they were all involved individually and jointly in the piece, which was built […]

for treble voices a cappella
GTT-018
SA
⋅
SSA
2'20"
Latin

Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […]

3 short anthems for SATB Choir
SDE-006
SATB
1'45"-2'30"
English

Based on traditional hymns and chants, these three brief anthems present the seasonal texts in a new and compelling way. “Savior of the nations, come!” and “Creator of the stars of night” are easy and very accessible. “Come thou redeemer of the world,” while more advanced, with close harmonies and disparate key changes, repays the […]

for SATB choir a cappella
RCL-024
SATB
3'15"
English

“Border” is an artistic response to the immigration/refugee crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill […]

for SSAA Children's Chorus
JWS-002
SSAA
2'20"

This piece was written for the Boston Children’s Chorus for the Martin Luther King Celebration on National ABC Television. Recorded on there second CD sounds Harmony in 2009 and available from CD baby. “Dreams” It’s about building community and breaking down barriers. The song that you will hear aim to tell a story and teach […]

for SSAA choir
CME-002
SSAA
3'
English

This inspirational piece for treble voices begins and ends with a canon. Originally written for a high school girl’s choir, it is appropriate for younger singers as well as professionals.

for SATB chorus and piano
EHE-011
SATB
3'30"
English

Emily Dickinson’s poem, “Hope is the thing with feathers” is one of the most beloved among her corpus of work, and for good reason. This setting is an expression of the poem’s sweetness as well as its dramatic intensity, with a “tune without the words” established early in the piece that returns after the harrowing […]

for SATB with Flute
EHN-001
SATB
4'55"

About the Coventry Litany of Reconciliation On the night of 14th November, 1940, Coventry and its Cathedral endured a one-off, but relentless, bombing campaign. Overnight, the ‘Moonlight Sonata’ offensive destroyed much of central Coventry, hundreds of its people and left its Cathedral in ruins. Only the outer shell of the walls and the tower remained […]

for SATB choir a cappella
SWM-019
SATB
4'24"
English

Premiered in June 2018 by San Francisco Choral Artists, “Fare Ye Well My Darlin'” is a tender, dramatic arrangement of an American folksong, perhaps dating from the Civil War. A soldier bids farewell to his beloved as he leaves for war. Will he ever return? At a glance Difficulty: moderate For strong univiersity, community, or […]

for SATB choir a cappella
RCL-016
SATB
3'35"
English

The text of “In Those Years, No One Slept” is a scene from a time of conflict/war, by Romanian-American immigrant Claudia Serea. The score is at once rhythmic and exciting, haunting and unsettling. It was a winner of the 2018 Uncommon Music Festival Composition Competition. It is accessible for all fine high school, collegiate and […]

for mixed chorus a cappella
PGN-013
SATB
5'50"
English

Near the turn of the 20th century, Colin Sterne penned a tender Christmas text, which has been transformed into a Christmas lullaby.

for SSA and piano
PGN-015
SSA
4'50"
English

Setting a romantic, old-style text by David Umeda, this piece for girls’ choirs is written so that groups of differing abilities may take part.

12 performance rounds for partnered treble voices
BKR-004
Equal Voices
⋅
SSAA
Each round 1′30″ to 2′ (in performance)
English
⋅
Latin

The clear, rinsed sound of Women’s voices is hardly more thrilling than in the recital of rounds. And when the rounds offer plenty of movement among the parts, as do most in this collection, the effect can be delightful. These twelve rounds, set largely to medieval texts, are of varying difficulty and may require rehearsal. […]

4-part canon with optional accompaniment
MWS-002
–
14 rounds from the Chapel for mixed voices
BKR-007
Equal Voices
⋅
SSAA
Each round 1′30″ to 2′ (in performance)
English
⋅
Latin

The modern Chapel is a meeting-place for diverse musical expression, a place where choral polyphony has long had a home. The term “a cappella” (“in the style of the chapel”) evokes the sound of a Renaissance chorus unaided by any church organ. This original collection of 14 sacred and biblical rounds (a “poor man’s polyphony”) […]

for mixed chorus a cappella
SWM-013
SATB
2'24"
Yiddish

“An exceptionally ingenious arrangement” — Der Küsnachter, Switzerland Tumbalalayka is a rhythmic, harmonically rich setting of the beloved Yiddish folksong. The voices imitate the strumming of the balalaika in this classic riddle-courtship song—by turns playful and tender. Performed regularly by choirs around the world. It is included on French vocal quartet Quatour Aesthesis’ 2022 CD O […]

for a cappella SATB choir w/ divisi
SDE-004
SATB
5'45"
English

This delightful piece sets a whimsical poem by the American poet, Susan Kinsolving, about steps taken internationally to make the world a better place. Sanford Dole’s Dance Steps has artistic merit…no one can doubt the artistic merit of Dole’s entertaining piece. I was not looking forward to enduring Susan Kinsolving’s absurdist text, printed in the […]

SSAATTBB choir, unaccompanied
RBT-001
SSAATTBB
1'
English
for mixed chorus a cappella
PHD-002
SATB
⋅
SSATB
2'
English

“Love is strong as death”  This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike.

for SATB choir and optional organ
POA-005
SATB
⋅
SSAATTB
4'
English

“O Pray for the Peace of Jerusalem” was written for John Patrick Cardinal Foley, the Grand Master of the Equestrian Order of the Holy Sepulchre of Jerusalem.  It received its first performance on February 11th, 2011 in St. Peter’s Basilica at the Vatican by the Saint Mary’s University Chamber Singers, with the composer conducting.

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