Mixed Voices

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for SATB chorus & organ/piano
ROC-005
SATB
5'
English

This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]

for SATB chorus a cappella
SDE-001
SATB
1'40"
Latin

Sanford Dole’s Ave Maria is a harmonized setting of the Gregorian chant antiphon. The soprano part is a metrical version of the Gregorian chant melody. The other parts create a harmonic world that is uniquely Dole’s; what his choirs refer to as the “Dolian mode.”

for Mixed choir, unaccompanied
RBT-004
SATB
3'
English

This work was the first prize winner in the 2010 Ithaca College Choral Composition Competition.

for mixed choir a cappella
MGN-010
SATB
SSAATTB
2' 20"
English

A heartfelt piece for SSATTB chorus.

for a cappella SATB chorus and drum
MGN-004
SATB
3'
English

Commissioned by The Watta Ribas Dance Company for their site-specific dance piece “Subject to Change” – Spring 2013

for SATB a cappella choir, with soprano solo
MDC-014
SATB
4'30"
English

This Spiritual has one of the most beautiful melodies in the entire canon, and is appropriate for inclusion in a worship service, or concert setting. The yearning and exalted words and simple melody, are as timely today as when this song was first composed.

for SATB a cappella choir
MDC-011
SATB
English

This hauntingly, simple tune is one of the finest melodies ever written- to spring forth from such pain and sorrow. The immense power of faith and determination are imbued in every line of this gorgeous hymn, promising a better tomorrow.

for SATB a cappella choir with soprano solo
MDC-002
SATB
3'45"
English

This early Nineteenth Century melody literally throbs with the pathos and dreams of an enslaved people, looking heavenward for deliverance. Scored for a cappella SATB choir, and soprano solo, this lush arrangement makes one stop in awe and wonderment, at such beauty born from the deepest despair.

for SATB a cappella choir, with soprano solo
MDC-004
SATB
4'15"
English
for mixed chorus and piano
POA-014
SATB
3' 55"
English

Also popularly known as “The Ryans and the Pittmans,” this song recounts the romantic entanglements of a sailor named Robert “Bob” Pittman. It is based on the English sea shanty “Spanish Ladies,” which has a number of variants known to sailors from New England to Australia. Most of the verses in this version may be […]

for SATB choir and piano
POA-022
SATB
4' 50"
Latin

The text of Ubi caritas comes from an antiphon for Holy (Maundy) Thursday, during the washing of the feet. This new setting is dedicated to all of the healthcare workers, first responders, essential workers, and all those who have given so much to assist and comfort us throughout the COVID-19 pandemic. The work was premiered […]

for SSAATB Chorus, a cappella
AFD-034
SATB
SSAATB
4'
Latin

“Misericordias Domini” was written for Grace Lutheran Church in Hockessin, DE and premiered during the Advent season on December 7th, 2014. The text comes from Psalm 89 and has been set by several composers including Orlando di Lasso and Wolfgang Amadeus Mozart. Although settings of this text are usually used during Advent, this setting is […]

for SATB choir a cappella (brief divisi, section or individual treble solo)
ROC-008
SATB
5'
English

This is a tuneful, contemporary setting of a multi-verse carol for choir a cappella using an original melody. It starts with a statement by the alto section and gradually adds parts and harmonic variations. The unusual time signature of 5/4 provides a lilt and propels the piece forward. All parts sing the melody along the […]

for Mixed Choir and Horn
JBN-025
SATB
5'
English
SATB with Divisi
MGN-005
SATB
2'50"
English

Music by Mark Growden Text by Pat Schneider THE PATIENCE OF ORDINARY THINGS by Pat Schneider It is a kind of love, is it not? How the cup holds the tea, How the chair stands sturdy and foursquare, How the floor receives the bottoms of shoes Or toes. How soles of feet know Where they’re […]

for 3-Part Mixed choir with piano and optional percussion
SPN-012
SAB
2'
Other

KONIKONECO (3-Part Mixed chorus) is a traditional call-and-response song of the Teso people, who live in eastern Uganda and in western Kenya. The lyrics, from the Ateso language combined with borrowings from other languages and dialects, roughly translates as “Let us celebrate our schools, our learning, and our empowerment.” The piano accompaniment suggests the arpeggios […]

for SATB choir a cappella
RCL-004
SATB
5'15"
English

“If Ever There Is” is a setting of “John’s Song,” by American poet Robert Creeley (1926-2005). The poem has a dedication to the poet John Taggart; the style of wordplay and repetition here can also be found in Taggart’s poetry. I hear it as a prayer for peace. In 1967 Creeley signed a “Writers and […]

for SSATBB choir a cappella
SDE-005
SATB
SSATBB
7'
English

This setting of Charles Baudelaire’s iconic poem captures the “luxury” and “voluptuousness” of Edna St. Vincent Millay’s radiant translation. The six-part texture allows for thick, evocative chords in Dole’s jazz-influenced harmonic world. Slowly evolving chord progressions paint a picture of a person truly in love with another, asking that they go on a long journey […]

for actor, soprano solo, SATB choir and Piano
ASA-001
SATB
12'
English

The Children’s Hour is a setting of Henry Wadsworth Longfellow’s poem of the same name (first published in 1860) composed by Alberto Roque Santana for the Bowdoin Chamber Choir during the summer of 2011. The work is written for an actor, soprano solo, mixed choir and piano, and the composer writes that “the weight of the […]

for mixed choir
SDE-010
SATB
4'50"
English

This arrangement opens by lining out the plainsong chant over a drone. Then, in succeeding verses we hear it in organum before more complex harmonies and rhythms are added. Finally all voices sing the melody in canon before a concluding fantasia.

for Mixed Chorus with Organ
DRY-026
SATB
3'40"
English

A traditional text for Psalm Sunday in the Christian Calendar. However, since it is also found in the Psalms, it is appropriate for uses at other times, especially for festive, celebrative occasions. Church choruses love this exuberant setting as do congregations. Organists will appreciate opportunities to shine as well.

for SATB choir
RDD-002
SATB
0'30"
English

This is a small colection of original descants with complete or partial hymns. The descants are for Come, Thou long expected Jesus; O Come All Ye Faithful (descant and verse 5); Joy to the World; and See amid the Winter’s Snow (refrain with descant). ISMN 979-0-9025253-2-9

for SATB voices and organ
EMH-014
SATB
6'30"
English

The impetus for this anthem was the Music in Worship event at the 2016 ACDA Southern Division conference in Chattanooga, Tennessee. Conductor Gerald Peel asked me if I would write something that his choir could sing for the event, which was to consist entirely of works featuring the word “alleluia.” In my search for texts, […]

for chorus and piano
AJS-003
SATB
4'23"

This lively arrangement in 7/4 meter re-fashions Lowry’s familiar hymn into a rhythmically-charged spiritual, using an unequal four beats per measure to carry the listener along on a joyous spiritual journey along the celestial river.

for SATB choir unaccompanied
SPN-019
SATB
4'30"
Latin

SATB a cappella settings of three ancient Latin texts in a style reminiscent of Renaissance polyphony, but mixing dissonant and tonal harmonies in a challenging but singable texture. Melodies are often disjunct, even passing from section to section, but always lyrical and poignantly expressive. De castitatis thalamo, virgo virginum, and Ave Maria. Ave Maria also […]

for a cappella SATB choir w/ divisi
SDE-004
SATB
5'45"
English

This delightful piece sets a whimsical poem by the American poet, Susan Kinsolving, about steps taken internationally to make the world a better place. Sanford Dole’s Dance Steps has artistic merit…no one can doubt the artistic merit of Dole’s entertaining piece. I was not looking forward to enduring Susan Kinsolving’s absurdist text, printed in the […]

Three songs for SATB Choir and piano
WCL-001
SATB
14'
English

Among The Trees  The Clearing Rests In Song and Shade I Go Among the Trees and Sit Still All the Earth Shall Sing (The dark around us, come) Three Songs for SATB Choir & Piano Words by Wendell Berry These three songs are about finding peace and unity within nature.  Balance comes to many of […]

for SATB choir a cappella
RCL-007
SATB
4'30"
English

The Metropolitan Transit Authority in New York has a “Poetry in Motion” series that puts posters of poetry in subway cars. I was on the 1 train on Manhattan’s West Side one day when I saw the poem “Heaven,” by Patrick Phillips. I was immediately captured by the simple beauty of Patrick’s poem, and the […]

10 Nativity Rounds for partnered voices
BKR-001
Equal Voices
SSAA
Each round 1′30″ to 2′ (in performance)
English
Latin

All vocal groups need short, portable items in their repertoire. A round is a melody which can unfold into harmony, the prime tool of choral directors who wish to develop in singers an ability to listen to others while holding an independent line. Rounds build cohesion among singers and provide opportunities for improving ensemble, sight-reading, […]

for SATB choir, a cappella
SDE-011
SATB
1' 45"
English

A metrical presentation of the Gregorian chant antiphon harmonised with jazz-inspired chords.

for SATB chorus & organ/piano
ROC-003
SATB
3'30"
English

This setting of the Gloria text in English is excerpted from a longer Anglican communion/mass service — Communion Service in D — also published on Swirly (including settings of the Hosanna, Benedictus, and Agnus Dei). The Gloria is a simple, tuneful arrangement that can be performed as a general-purpose anthem or during the Christmas season. […]

for mixed choir and piano
JBN-020
SATB
3'50"
English
SATB chorus and organ
ROC-010
4:08
Latin

ROC-010 Confitemini Domino The Latin text “Confitemini Domino” – “Give thanks to the Lord” — appears in several Psalms and has been set to music across centuries – from early composers like Giovanni Gabrieli, Heinrich Schütz, and Jean-Baptiste Lully to modern masters like Knut Nystedt. This setting for SATB chorus (with brief soprano/bass divisi) is […]

for mixed choir, a cappella
CME-019
SATB
7'
English

A poignant set of modern-day madrigals is crafted from three exquisite poems by Christina Rossetti that pay homage to the moon. SSAA version also available »

for SATB a cappella choir, with Soprano and Baritone solos
MDC-016
SATB
3'45"
English

‘Balm in Gilead’ is a fervent prayer to the heavens, to relieve the aches and weighty sorrows of an entire enslaved people. In his memorable autobiography, Frederick Douglass wrote these searing, and unforgettable words; “I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, […]

SATB voices unaccompanied
EMH-005
SATB
2'
Latin

A short, meditative setting of the familiar Latin hymn text, particularly suitable for use as an introit during the seasons of Advent, Christmas, and Epiphany. Scored for 4-part SATB voices, this motet is simple enough to be enjoyed by volunteer church choirs and professional/collegiate choirs alike.

for Mixed choir, unaccompanied
RBT-003
3'50"

The author of the text of this composition, Norbert Čapek (1870-1942) was the founder of the Unitarian movement in what is now the Czech Republic. Originally destined for the Catholic priesthood, he converted to the Baptist faith; however, his views gradually became more liberal, and he was forced to emigrate to the United States. After […]

for mixed voices, a cappella
CME-024
3'30"

“Snow Globe Upon a Sill” is a New Year’s piece. Using the childlike metaphor of a snow globe, the work is a tender and moving reflection on transition and the possibility of renewal that comes at the close of one year and the start of another.  Perfect for a winter concert! Also available from Swirly […]

for SATB/unison voices and keyboard
CHR-1501a
SATB
Unison
6'30"
English

An attractive and accessible setting of the Rite Two Holy Communion Liturgy from the 1979 Book of Common Prayer of the Episcopal Church. Intended primarily for use in churches where congregation and choir sing the service together, it could be used by congregation alone, as the melody line does not rise high. Ideally, though, an […]

for mixed choir a cappella
JBN-016
SATB
2'40"
English
for baritone solo, and a cappella SATB choir
MDC-010
SATB
English
for mixed chorus and organ
DPT-007
SATB
5'
English

This piece was commissioned by St. Paul’s Episcopal Church, Natick, Massachusetts for the celebration of its 125th Anniversary. It was premiered there on September 15, 1996. Benjamin Burrell, Director of Music.

for SATB choir
CME-008
SATB
3'30"
English

A lyrical carol for SATB choir, this Christmas piece imagines sunrise on the first Christmas morning. “O Gift of Glorious Sunrise” was premiered in Buffalo, NY in December 2015 by the Vocalis Chamber Choir (James Burritt conducting).

for SATB choir and piano
RCL-015
SATB
3'20"
English

“Entrance” is a new choral composition for SATB choir w/piano accompaniment. The inspiring, secular text is by Dana Gioia, former US poet laureate. It invites the listener to find new discoveries, new creations: “step out…. of the room that lets you feel secure. / Infinity is open to your sight.” With a jazz-influenced, uptempo piano […]

for SAB choir, unaccompanied
RDD-008
SAB
1'57"
English

I Sing of a Maiden (I syng of a mayden) is a Middle English poem or carol of the 15th century celebrating the Annunciation and the Virgin Birth of Jesus. The poem is written from a first person point of view, and contains five quatrains. No evidence of original music is known to exist, though […]

for SATB chorus and organ
ROC-009
SA
SATB
4'40"
English

This carol originated in the city of Wexford in the southeastern Republic of Ireland. It was transcribed from a local singer by the noted Irish author, composer, musicologist, and historian W. H. Grattan Flood (1859–1928). It eventually made its way into the Oxford Book of Carols. It has a modal (Mixolydian) feel, constantly shifting between […]

for mixed chorus, trumpet
PGN-011
SATB
3'
English

A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.

for SSAATTBB Chorus, a cappella
AFD-011
SATB
SSAATTBB
3'45"
English

Gorgeous Blue Eyes comes from a larger set entitled the Four Wedding Songs which was dedicated as a wedding gift to Stephen and Stacey Squier on the eve of their wedding on July 29th, 2010. The four movements of the work were inspired by the tradition to give a bride “something old, something new, something […]

for SSATB Choir, unaccompanied
SDE-012
SSATB
6'
English

An English translation of the poem “Friede auf Erden” by Conrad Ferdinand Meyer (1825-1898) is set for SSATB choir unaccompanied. Referencing the Christmas story, this setting brings to life the text with lush harmonies freely changing key centers as the story progresses. Each of the four stanzas ends with a variation on the musical material […]

for Chorus and Body Percussion
MGN-007
SATB
SSAA
TTBB
3'45"
English

This piece was written while walking through the Mission District of San Francisco on a rainy evening. California has been experiencing a serious drought these past few years. I was thrilled to feel the raindrops, hence the celebratory feeling of the piece. — Mark Growden Also available in TTBB and SSAA versions.

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