Christus Factus Est

for SSATTB Chorus, a cappella

Christus Factus Est was commissioned by Marion Jacob to be premiered at her senior recital on May 15th, 2010. Although the musical content of the piece does not come straight from the original Christus Factus Est chant, several of the original motives can be heard quoted in places such as the opening soprano line and in the men’s chant. The two chant themes are then overlapped in the music, mimicking the echoes of voices in the domes of an ancient cathedral. Sung in the original Latin, the text speaks of Christ’s sacrifice and death and then crescendos into the second section rejoicing in Christ’s glory and grace.
This piece is the perfect setting for a Holy Week service or concert. It is also available accompanied by organ or, from the original setting of the piece, with string ensemble.

Christus factus est pro nobis
Obediens jusque ad morte
Mortem autem crucis.
Propter quod et Deus exaltavit illum,
Et dedit illi nomen,
Quod est super omne nomen.

Christ was made obedient for us
Even unto death,
Even the death of the cross.
Therefore God also has exalted him,
And given him a name
Which is above every name.

SKU: AFD-010 Categories: , Instrumentation:
Voicing: SATB, SSAATB
Instrumentation: A Cappella
Language: Latin
Sacred or Secular: Sacred
Duration: 5-10 Minutes

$2.50

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Quantity

Explore More Music…

Filters Sort results
Reset Apply
Title
View
Voicing
Duration
Language
Composer
for chorus a cappella
AJS-001
2' 37"
This new setting of the traditional Latin prayer features traditional harmonies and a simple unhurried rhythm, providing ample space for prayer and contemplation of the one blessed among women.
for SATB a cappella
CHR-1606
SATB
2' 10"
Latin
This communion motet, setting the famous 14th century words attributed to Innocent VI, took the prize in the Composition Competition of The Wessex Festival in August 2016. It has since been sung in venues including Ripon Cathedral, UK. Set largely homophonically for SATB choir without divisions, its well-structured melody is complemented by the texture created […]
for mixed choir a cappella with alto & baritone soli
SDE-007
SATB
4'36"
Latin
This energetic setting of Gloria in excelsis Deo, from the Latin Mass, opens with rhythmic patterns that enhance the text. Midway through, the chorus softly occults between two simple chords under an alto then baritone soloists. The opening patterns return before a fugal section at the text “cum santo spiritu.” The final Amen is another […]
for SSATBB choir a cappella
ROC-001
SSATBB
3:30
Latin
This original anthem is suitable for all occasions and offers a gentle, contemporary setting of the text used by Anton Bruckner in his well-known composition of the same name composed in 1869. "This place was made by God, a priceless sacrament; it is without reproach." Genesis 28:16 Exodus 3:5.
SATB choir a cappella
POA-004
SATB
4'50"
Latin
“Nocte fletuum angelis” is a choral setting of a brief poem written on the evening of December 14, 2012, as the terrible dimensions of the shooting at Sandy Hook Elementary School in Newtown, Connecticut became apparent.  The poem and this musical setting are dedicated to the twenty children and six adult victims.  In paradisum deducant […]
for treble voices a cappella
GTT-018
SA
⋅
SSA
2'20"
Latin
Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […]
for a cappella SATB choir
SDE-003
SATB
3'15"
Latin
Using jazz-influenced harmonies Dole seeks to capture the mystery implied in the text. Adding the text Noe, and omitting the concluding O beata Virgo verse, the piece builds to a peppier Noel! section before returning to the opening O magnum music and leaving the audience with the quiet chords of the mystery of the scene […]
SATB voices unaccompanied
EMH-005
SATB
2'
Latin
A short, meditative setting of the familiar Latin hymn text, particularly suitable for use as an introit during the seasons of Advent, Christmas, and Epiphany. Scored for 4-part SATB voices, this motet is simple enough to be enjoyed by volunteer church choirs and professional/collegiate choirs alike.
for Chorus, Soprano Solo, Chamber Orchestra & Organ
DRY-017
33'
Latin
Mr. Ramsey’s Requiem sets the traditional Latin mass for the dead. It is intended to be a liturgical work, but is also at home in a sacred concert setting. The music stands in the traditions of Duruflé and Fauré, but is different from both. Two performances prove it to be within reach of non-professional, church […]
for unison treble voices (or solo voice) and organ
MWS-015
Unison
2'
English
⋅
Latin
Shepherds Left Their Flocks / Quem pastores is an arrangement of a 14th century German Christmas carol for unison treble voices (or solo voice) and organ. Latin text with English translation. In verses one and three, the voices have the melody. In verse two, the voices have an obbligato while the organ has the melody. 
Shopping Cart