Personent Hodie

for SSAB choir, a cappella, with optional hand drum

Personent Hodie is a Christmas carol originally published in the 1582 Finnish song book Piae Cantiones. A melody found in a 1360 German manuscript is highly similar, and it is from this manuscript that the music is usually dated. The carol became more prominent in England after being arranged for unison voices and orchestra in 1916 by Gustav Holst.

This arrangement is written for a choir that usually sings SAB music and can split the soprano. Originally notated in D Dorian and sung by male voices, this version is transposed up a whole tone for a better fit for women’s voices and harmony.

ISMN 979-0-9025253-1-2

SKU: RDD-003 Categories: ,
Language:Latin
Voicing:SSAB
Sacred or Secular:Sacred
Descriptive Tags:Carol, Medieval

$2.00/copy

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed with a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Quantity

    Explore More Music…

    Filters Sort results
    Reset Apply
    Title
    View
    Voicing
    Duration
    Language
    Composer
    14 rounds from the Chapel for mixed voices
    BKR-007
    Equal Voices
    SSAA
    Each round 1′30″ to 2′ (in performance)
    English
    Latin
    The modern Chapel is a meeting-place for diverse musical expression, a place where choral polyphony has long had a home. The term “a cappella” (“in the style of the chapel”) evokes the sound of a Renaissance chorus unaided by any church organ. This original collection of 14 sacred and biblical rounds (a “poor man’s polyphony”) […]
    More info & view score »
    for SATB choir and optional Soprano solo
    POA-002
    SATB
    SSAATTBB
    7'20"
    Latin
    “Cantemus in omni die” is a setting of a hymn to the Virgin Mary written by Cú Chuimne Sapiens, an Irish monk active at Iona by the early 8th century (died 747).  It is the earliest known Latin hymn to Mary originally composed in the Western Christian Church rather than translated into Latin from earlier […]
    More info & view score »
    for mixed choir a cappella with alto & baritone soli
    SDE-007
    SATB
    4'36"
    Latin
    This energetic setting of Gloria in excelsis Deo, from the Latin Mass, opens with rhythmic patterns that enhance the text. Midway through, the chorus softly occults between two simple chords under an alto then baritone soloists. The opening patterns return before a fugal section at the text “cum santo spiritu.” The final Amen is another […]
    More info & view score »
    for Soprano Solo, Mixed Choir, Organ, Brass and Timpani
    GTT-016
    SATB
    10' 15"
    English
    Latin
    Gloria in D was premièred in December 2014 by the Bel Canto Chorus, Milwaukee in their ‘Christmas in the Basilica’ concerts.  It is written for a large chorus, soprano soloist, brass ensemble, consisting of three trumpets and three trombones, timpani and organ. Richard Hynson, who conducted the premiére in Milwaukee, writes: “As music Director of […]
    More info & view score »
    for SATB Choir with optional Organ
    POA-001
    SATB
    2' 30"
    Latin
    A short call to worship for SATB choir with optional organ accompaniment.  Composed for the installation of The Reverend Kenneth Crawford at the Parish of St. James the Great, Darlington, England, July, 2014.
    More info & view score »
    for treble voices a cappella
    GTT-018
    SA
    SSA
    2'20"
    Latin
    Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […]
    More info & view score »
    for SSATB Chorus, a cappella
    AFD-024
    SATB
    SSATB
    3'30"
    Latin
    Rorate Caeli was written for Grace Lutheran Church in Hockessin, DE and premiered during the Advent season on December 7th, 2013. The text comes from the book of Isaiah and speaks of the yearning of the Jewish people for the coming of Messiah. Originally set to plainchant, several composers throughout history have set the text […]
    More info & view score »
    for treble choir
    GTT-031
    4' 40"
    The familiar words, “It came upon a midnight clear”, are set to a lively tune, with piano accompaniment, and a simple refrain is added, with the words “Deo, Deo, Gloria in excelsis Deo” (“Glory to God in the highest”). Written with women’s voices in mind, it could also be tackled by a good children’s choir.
    More info & view score »
    for SSATB Chorus, a cappella
    AFD-025
    SATB
    SSATB
    2'30"
    Latin
    “Tu Lumen” was written for Grace Lutheran Church in Hockessin, Delaware and premiered as a short, contemplative prelude for the Service of Light on March 30th, 2014. The text is an excerpt from the 6th century hymn Christe Redemptor Omnium. Although the hymn is typically used during the advent season, this portion of the text […]
    More info & view score »
    for SATB chorus
    WCL-007
    SATB
    5'40"
    Latin
    Commissioned by Richard Geiger for the Academy for the Study of St. Ambrose of Milan “Veni, Redemptor (Come, Redeemer)” is a new composition based on a hymn written in the 4th Century by St. Ambrose of Milan. The hymn was originally titled, “Intende qui regis Israel,” and the words invite Christ’s presence into this world […]
    More info & view score »
    Shopping Cart