A Clear Midnight

for SATB choir and piano

by Rich Campbell

A setting of the brief yet powerful poem by Walt Whitman (from “Leaves of Grass”). The score takes its cue from the meditative nature of the text. There is a contemplative tone throughout, laced with subtle harmonies and perhaps inspired by the works of Randall Thompson. The score quietly expresses the expansive feeling one gets scanning the night sky. This is a work of medium difficulty, appropriate for high school, collegiate and community choirs.

SKU: RCL-011 Categories: Choral Music, Mixed Voices Instrumentation: Choral

Instrumentation:	Piano
Difficulty:	Intermediate
Descriptive Tags:	Comfort, Inspiration
Sacred or Secular:	Secular
Voicing:	SATB
Duration:	1-5 Minutes
Language:	English

$2.50

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Choose Format

Clear

Quantity

Explore More Music…

	Title	Voicing	Duration	Language	Composer
	Are Friends Delight or Pain for double SATB chorus (SATB + SATB) SWM-002a	SATB+SATB	1' 45"	English	Kaulkin, Michael	Info/Listen/Buy »
“Are Friends Delight or Pain?” is a brief a cappella double-choir movement (SATB + SATB, ~1’45”) excerpted from Cycle of Friends, setting Emily Dickinson’s epigram with concentrated intensity. The entire piece rests on a single sustained E—a pedal point whose meaning keeps shifting as the harmony moves through changing modes and colors.
	British Folksongs Medley for SATB choir and piano GTT-027		6'45"		Thornett, Gordon	Info/Listen/Buy »
These simple folksong arrangements were made for two community choirs based in Selly Oak, Birmingham, but they would be equally suitable for school choirs or other groups. Included are well known songs from England, Wales, Scotland and Ireland, which are woven into a continuous piece lasting about six and a half minutes. The medley starts […]
	Full Fathom Five 12 performance rounds from Shakespeare to Synge BKR-008	Equal Voices ⋅ SSAA	Each round 1′30″ to 2′ (in performance)	English	Kogler, Brian	Info/Listen/Buy »
The sixteenth, seventeenth and eighteenth centuries in Britain form a golden age of round-singing; even the nineteenth provided some fine examples. These twelve rounds, set to texts by Shakespeare, Skelton, Swift, Dryden, Johnson, Carroll and Synge, are of varying difficulty and may require rehearsal. Keeping as they do to the style of the period, they […]
	Gloria in D for Soprano Solo, Mixed Choir, Organ, Brass and Timpani GTT-016	SATB	10' 15"	English ⋅ Latin	Thornett, Gordon	Info/Listen/Buy »
Gloria in D was premièred in December 2014 by the Bel Canto Chorus, Milwaukee in their ‘Christmas in the Basilica’ concerts. It is written for a large chorus, soprano soloist, brass ensemble, consisting of three trumpets and three trombones, timpani and organ. Richard Hynson, who conducted the première in Milwaukee, writes: “As music Director of […]
	Listen for SATB chorus and piano PHD-001	SATBB	3'	English	Hilliard, Peter	Info/Listen/Buy »
“Without listening, there is no song…” The text by Matt Boresi emphasizes the importance of listening in music and in life, a timely message for our world. A flowing piano part, lush harmonies and a soaring melody will make this a satisfying and meaningful addition to your library. “Listen” was written to celebrate the 70th […]
	My Head Fell Off 13 Comic rounds for partnered voices BKR-002	Equal Voices ⋅ SSAA ⋅ SSAB	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »
The round in Western culture has been associated as closely with wit as it has with praise. Here are thirteen risible rounds of varying difficulty intended for a cappella performance. Admirably suited to treble voices, they may be sung by mixed groups of all ages. The lyrics are light and teasing, the music jaunty and […]
	Puzzle For SATB choir w/ piano accompaniment RCL-034	SATB	3'30"	English	Campbell, Rich	Info/Listen/Buy »
This is the combined choir (SATB) version of “Puzzle.” There is also 2-part, SA choral piece for children’s choir/ elementary choir. Lyrics by Linda Trott Dickman. How can we resolve our disagreements? “Puzzle” suggests there is a way. The text begins “How to get along together / it’s a puzzle / Will we understand each […]
	Song of Becoming (Perusal Score) for SSAATTBB choir a cappella SWM-023	SSAATTBB	5'45"	English ⋅ Persian	Kaulkin, Michael	Info/Listen/Buy »
“Song of Becoming” (2025) traces an arc through the four classical elements—Air, Earth, Fire, and Water—as symbols of transformation. Mostly sung in English, the score weaves in short phrases of original Persian as mantra-like refrains. Air opens in longing and awakening; Earth turns toward humility and groundedness; Fire burns with passion and surrender; Water dissolves, […]
	Three Marian Hymns for SATB choir unaccompanied SPN-019	SATB	4'30"	Latin	Paxton, Steven	Info/Listen/Buy »
SATB a cappella settings of three ancient Latin texts in a style reminiscent of Renaissance polyphony, but mixing dissonant and tonal harmonies in a challenging but singable texture. Melodies are often disjunct, even passing from section to section, but always lyrical and poignantly expressive. De castitatis thalamo, virgo virginum, and Ave Maria. Ave Maria also […]
	Three Spring Songs for SSA choir and piano SPN-020	SSA	3'30"	English	Paxton, Steven	Info/Listen/Buy »
SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic.