Earth in Delight

for mixed voices and string quartet

by Paul Gibson

This short cantata on spring evokes expressive texts by John Milton, anonymous, and E.E. Cummings.

SKU: PGN-012 Categories: Choral Music, Mixed Voices Instrumentation: Choral

Descriptive Tags:	Birds, Carol, Celebratory, Earth Week, Flowers, Fruitful Earth, Joy, Mountain, Nature, Poetry, Spring
Difficulty:	Advanced Student, Advanced
Duration:	5-10 Minutes
Instrumentation:	String Quartet
Language:	English
Sacred or Secular:	Secular
Season or Event:	Concert, Earth Day, General, Spring
Voicing:	SATB

$4.00

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Choose Format

Clear

Quantity

Explore More Music…

	Title	Voicing	Duration	Language	Composer
	Among The Trees Three songs for SATB Choir and piano WCL-001	SATB	14'	English	Campbell, William	Info/Listen/Buy »	Among The Trees The Clearing Rests In Song and Shade I Go Among the Trees and Sit Still All the Earth Shall Sing (The dark around us, come) Three Songs for SATB Choir & Piano Words by Wendell Berry These three songs are about finding peace and unity within nature. Balance comes to many of […]
Among The Trees The Clearing Rests In Song and Shade I Go Among the Trees and Sit Still All the Earth Shall Sing (The dark around us, come) Three Songs for SATB Choir & Piano Words by Wendell Berry These three songs are about finding peace and unity within nature. Balance comes to many of […]
	Ave Maria for SATB chorus a cappella SDE-001	SATB	1'40"	Latin	Dole, Sanford	Info/Listen/Buy »	Sanford Dole’s Ave Maria is a harmonized setting of the Gregorian chant antiphon. The soprano part is a metrical version of the Gregorian chant melody. The other parts create a harmonic world that is uniquely Dole’s; what his choirs refer to as the “Dolian mode.”
Sanford Dole’s Ave Maria is a harmonized setting of the Gregorian chant antiphon. The soprano part is a metrical version of the Gregorian chant melody. The other parts create a harmonic world that is uniquely Dole’s; what his choirs refer to as the “Dolian mode.”
	Bright was the Star for mixed choir and keyboard GTT-010	SATB	4'	English	Thornett, Gordon	Info/Listen/Buy »	This simple Christmas setting resulted from an international collaboration between Brian Holmes of California and Gordon Thornett from the UK. Brian’s poem has been set for mixed voices (SATB) and piano (or organ). The piece describes how the cold of winter is turned into spring by the coming of the Christ Child. Bright was the […]
This simple Christmas setting resulted from an international collaboration between Brian Holmes of California and Gordon Thornett from the UK. Brian’s poem has been set for mixed voices (SATB) and piano (or organ). The piece describes how the cold of winter is turned into spring by the coming of the Christ Child. Bright was the […]
	El Cantico del Alba for SATB a cappella PGN-008	SATB	1'40"	Other	Gibson, Paul	Info/Listen/Buy »	Beautiful morning song from the California Missions in a simple arrangement, from solo voice to SATB.
Beautiful morning song from the California Missions in a simple arrangement, from solo voice to SATB.
	Gloria for mixed choir a cappella with alto & baritone soli SDE-007	SATB	4'36"	Latin	Dole, Sanford	Info/Listen/Buy »	This energetic setting of Gloria in excelsis Deo, from the Latin Mass, opens with rhythmic patterns that enhance the text. Midway through, the chorus softly occults between two simple chords under an alto then baritone soloists. The opening patterns return before a fugal section at the text “cum santo spiritu.” The final Amen is another […]
This energetic setting of Gloria in excelsis Deo, from the Latin Mass, opens with rhythmic patterns that enhance the text. Midway through, the chorus softly occults between two simple chords under an alto then baritone soloists. The opening patterns return before a fugal section at the text “cum santo spiritu.” The final Amen is another […]
	My beloved spake for SATB divisi & organ CHR-1305	SATB	2' 12"	English	Fawcett, David	Info/Listen/Buy »	Originally written as an anthem to mark a Silver Wedding anniversary, this piece was rescored and incorporated as the opening piece in the contrasting set of “Three Anthems“, commissioned by the Purbeck Arts Choir in the UK. It is scored for SATB choir with divisi and organ. Although a dramatic and impactful work, it is […]
Originally written as an anthem to mark a Silver Wedding anniversary, this piece was rescored and incorporated as the opening piece in the contrasting set of “Three Anthems“, commissioned by the Purbeck Arts Choir in the UK. It is scored for SATB choir with divisi and organ. Although a dramatic and impactful work, it is […]
	One Silver Star for mixed voices, a cappella CME-017	SATB	3'	English	Mallonee, Caroline	Info/Listen/Buy »	A new choral piece depicting the Christmas star shining as the three Magi make their way to Bethlehem. Words by the composer. Commissioned by the San Francisco Choral Artists, and premiered in 2023 with Magen Solomon conducting.
A new choral piece depicting the Christmas star shining as the three Magi make their way to Bethlehem. Words by the composer. Commissioned by the San Francisco Choral Artists, and premiered in 2023 with Magen Solomon conducting.
	Paint Chips for SA choir and piano CME-010	SA ⋅ SS	2'	English	Mallonee, Caroline	Info/Listen/Buy »	A sweet and evocative, lyrical piece for treble voices and piano, this delicate song is a setting of a list of paint colors by Martha Stewart. The piece is also available in versions for solo voice and piano (baritone or soprano). It can be performed with or without a video/slide presentation of the paint colors.
A sweet and evocative, lyrical piece for treble voices and piano, this delicate song is a setting of a list of paint colors by Martha Stewart. The piece is also available in versions for solo voice and piano (baritone or soprano). It can be performed with or without a video/slide presentation of the paint colors.
	Psalm 117 (Hallelu et Adonai) for SSA adult or children's choir and piano SWM-020	SSA	2'	Hebrew	Kaulkin, Michael	Info/Listen/Buy »	Psalm 117 (Hallelu et Adonai) is a compact, ecstatic setting of the shortest psalm—a direct call for all peoples to praise—building to an exuberant “Halleluya!” Beyond its liturgical roots, it also works as a vivid, high-energy concert opener or closer, celebrating joy, invitation, and collective voice. At a glance SSA • piano • c. 2′ […]
Psalm 117 (Hallelu et Adonai) is a compact, ecstatic setting of the shortest psalm—a direct call for all peoples to praise—building to an exuberant “Halleluya!” Beyond its liturgical roots, it also works as a vivid, high-energy concert opener or closer, celebrating joy, invitation, and collective voice. At a glance SSA • piano • c. 2′ […]
	Sleep, Holy Babe for mixed chorus, trumpet PGN-011	SATB	3'	English	Gibson, Paul	Info/Listen/Buy »	A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.