Are Friends Delight or Pain

for double SATB chorus (SATB + SATB)

This a cappella setting of Emily Dickinson’s poem is an excerpt from Michael Kaulkin’s larger work Cycle of Friends for soprano solo, chorus and chamber orchestra. It is for mixed chorus divided into two ideally antiphonal SATB groups.

Program Note

Completed and premiered in 1996, Cycle of Friends for soprano solo, chorus and orchestra is my first large-scale work and possibly still my favorite. It is a lush, emotional journey through five texts taken from such diverse sources as Tang Dynasty poetry of China, Sappho and Emily Dickinson, each dealing in its own way with the universal theme of friendship.

Being the third of the five movements, “Are Friends Delight or Pain” is literally central to the piece, posing the key dramatic question with its title. It is bookended by two anecdotal poems from Tang-era China that are ultimately more about the memory and loss of friendship than friendship itself. By setting the Dickinson poem as an a cappella movement in the middle of an orchestral piece, and structuring it entirely around a relentless “E” pedal, I hoped to heighten the directness of the question and its function as a chorus in the Greek sense, by commenting on the other texts used in the piece.

— Michael Kaulkin

SKU: SWM-002a Categories: , Instrumentation:
Descriptive Tags:Friendship
Voicing:SATB+SATB
Instrumentation:A Cappella
Language:English
Sacred or Secular:Secular

$2.00/copy

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Quantity

    Explore More Music…

    Filters Sort results
    Reset Apply
    Title/Info
    for SATB chorus and piano
    This upbeat mixed-meter setting of Psalm 100 in Hebrew was inspired by Bernstein’s Chichester Psalms. The difficulty level is moderate, suitable for high school, college, and community choirs. It was premiered by Triad: Boston’s Choral Collective. The English translation is as follows: 1 Shout for joy to the Lord, all the earth. 2 Worship the […]
    More info & view score »
    SATB a cappella
    by
    3'30"
    A popular song in Victorian times, In the Gloaming was written by English composer Annie Fortescue Harrison (1851-1944), with words by Scottish poet and author Meta Orred (1844-1925) which were first published in her 1877 book entitled Poems. With layered dynamics, a rich, chr
omatic palette, and a poignant, expressive tempo, this a cappella choral setting […]
    More info & view score »
    for mixed choir (SATB) and piano/organ
    by
    2' 30"
    Kling No Klokka is a Norwegian folksong, about church bells ringing out at Christmastime. The words are in Norwegian, and the setting is for four-part choir (SATB), with organ or piano accompaniment. This arrangement was made for the Boys’ Choir at Trondheim Cathedral in Norway, the Nidarosdomens Guttekor, and their conductor, Bjørn Moe, and will […]
    More info & view score »
    for SATB choir a cappella
    by
    2'15"
    Short choral blessing (text from the Old Testament) written as part of 2001-2003 Composer Residency at San Francisco’s National Shrine of Saint Francis of Assisi. Premiered by resident ensemble, Schola Cantorum SF
    More info & view score »
    for SATB Chorus
    O Lux is at once reminiscent of Renaissance motets and at home in the contemporary canon. The lyrical and ultimately transcendent piece features a cascading theme that is layered canonically. The piece has been performed by both high school and professional choirs.
    More info & view score »
    for two-part equal voices & piano
    by
    4'30"
    As winner of the Organization of American Kodály Educators’ (OAKE) 2020 Ruth Boshkoff Composition Prize, I composed Redbirds in August/September of 2020 for a premiere at OAKE’s 2022 national conference, conducted by Ruth Dwyer. With the mission of OAKE and children’s choirs in general in mind, I wanted to choose a text for this piece that […]
    More info & view score »
    for SATB choir a cappella
    by
    4'20"
    THE SMALLEST SONG, a setting of a text by American poet Martha Collins, is a gentle piece, full of warmth and intimate emotion. The wordplay in the text is matched in the composition; phrases are slightly altered, inverted and developed as the work builds. Jazz-like harmonies infuse the piece with a soothing vitality throughout. “A […]
    More info & view score »
    SATB (divisi) a cappella
    by
    4' 23"
    A setting for unaccompanied SATB choir (with divisi) of words by Eric Gosney, a poet from England’s Isle of Purbeck. A wistful and nostalgic love song, in which the poet wishes to “thwart old Time’s irrevocable plan and live again those two short hours with you”. These evocative words are set with suitably tender harmonies […]
    More info & view score »
    for a cappella treble chorus (SSAA)
    by
    3'30"
    Nearly every December, Christmas sneaks up on me far too quickly, busy as I am with end-of-semester grading and final exams. I’m an admittedly nostalgic guy who unabashedly loves Christmas music, and every year I think to myself ‘I really should have written a Christmas piece this year’. Christmas 2015 followed a similar pattern, except […]
    More info & view score »
    Shopping Cart