Felice Primavera

for SATB choir and violin

Tre Madrigali Amorosi are settings of poems by Torquato Tasso (1544-1595), a favorite poet of Italian madrigal composers of the sixteenth century.  The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2013, with the composer conducting and Chun Chim (David) Leung, violin.

Also from Tre Madrigali Amarosi

SKU: POA-007 Categories: , Tags: ,
Descriptive Tags: Madrigal
Difficulty: Advanced Student
Instrumentation: Violin
Duration: 1-5 Minutes
Sacred or Secular: Secular
Voicing: SATB
Language: Italian

$2.00

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Quantity

Explore More Music…

Filters Sort results
Reset Apply
Title
View
Voicing
Duration
Language
Composer
for SATB choir and violin
POA-009
SATB
3'20"
Italian
Tre Madrigali Amorosi are settings of poems by Torquato Tasso (1544-1595), a favorite poet of Italian madrigal composers of the sixteenth century.  The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2013, with the composer conducting and Chun Chim (David) Leung, violin. […]
for SATB a cappella
PGN-008
SATB
1'40"
Other
Beautiful morning song from the California Missions in a simple arrangement, from solo voice to SATB.
12 performance rounds for partnered treble voices
BKR-004
Equal Voices
⋅
SSAA
Each round 1′30″ to 2′ (in performance)
English
⋅
Latin
The clear, rinsed sound of Women’s voices is hardly more thrilling than in the recital of rounds. And when the rounds offer plenty of movement among the parts, as do most in this collection, the effect can be delightful. These twelve rounds, set largely to medieval texts, are of varying difficulty and may require rehearsal. […]
for mixed choir a cappella
CME-004
SATB
4'
English
⋅
Latin
Hodie/Today on Earth was commissioned by Garrison Keillor and “A Prairie Home Companion” in 2012. Based on the 15th century antiphon Hodie Christus Natus Est, the piece is a joyful Christmas song. It was written for the DiGiallonardo Sisters and the All-Star Shoe Band, and received its premiere on ” A Prairie Home Companion” on […]
for SATB divisi & organ
CHR-1305
SATB
2' 12"
English
Originally written as an anthem to mark a Silver Wedding anniversary, this piece was rescored and incorporated as the opening piece in the contrasting set of “Three Anthems“, commissioned by the Purbeck Arts Choir in the UK. It is scored for SATB choir with divisi and organ. Although a dramatic and impactful work, it is […]
for SATB divisi & organ
CHR-1308b
SATB
3' 32"
English
This anthem is a setting of words from Psalm 5. It is particularly suited to church performance during devotional or penitential seasons such as Lent, or in prayer or dedication services. The anthem was also incorporated as the middle piece of the contrasting set of “Three Anthems“, commissioned by the Purbeck Arts Choir in the […]
For SSAA chorus a cappella
PHD-004
SSAA
2'40"
Yiddish
Daniel Paulson and VoxMusica commissioned this beautiful a cappella arrangement of Avrom Goldfaden’s beloved Yiddish lullaby. A beautiful solo verse is followed by a lush contrapuntal setting your singers and audience will find very meaningful.
for mixed choir a cappella
JBN-005
SATB
4'50"
English
for SSA choir and piano
SPN-020
SSA
3'30"
English
SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic.
12 Frivolous rounds for mixed voices
BKR-011
SATB
Each round 1′30″ to 2′ (in performance)
English
⋅
Latin
Most rounds in popular collections are either sober or light-hearted. Where are the truly chucklesome examples? They do exist, of course: one thinks of classics such as “Thy Jolly Red Nose” or “The Old Man from Calcutta”; even, perhaps, of the bawdy catches of Henry Purcell and John Blow. But they are rarely found between […]
Shopping Cart