Treble Voices

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	Title	Voicing	Duration	Language	Composer
	Magnificat and Nunc Dimittis (American Gloria Patri text) for two-part treble choir and organ MWS-016		7'		Winges, Mark	Info/Listen/Buy »	The vocal writing in this Magnificat and Nunc Dimittis is straightforward, modal, and partially canonic. The organ part is more intricate. The voices sing the same Gloria Patri material in both canticles, although the organ writing is unique to each. This version has the American form of the Gloria Patri (“is now, and will be […]
The vocal writing in this Magnificat and Nunc Dimittis is straightforward, modal, and partially canonic. The organ part is more intricate. The voices sing the same Gloria Patri material in both canticles, although the organ writing is unique to each. This version has the American form of the Gloria Patri (“is now, and will be […]
	Moonbook – Chapter 1: Moon Obsesses Me 4-part canon with optional accompaniment MWS-002		–		Winges, Mark	Info/Listen/Buy »

	Ave Maria for SSA voices and piano JDM-006	SSA	5'30"	Latin	Durham, Jennifer	Info/Listen/Buy »	This setting of the traditional “Hail Mary” prayer takes a new approach, employing a lullaby rhythm in F minor. The voices become a haunting plea for forgiveness and intercession. The piano accompaniment provides support for the singers while still maintaining its own voice.
This setting of the traditional “Hail Mary” prayer takes a new approach, employing a lullaby rhythm in F minor. The voices become a haunting plea for forgiveness and intercession. The piano accompaniment provides support for the singers while still maintaining its own voice.
	Shine On, O Moon of Summer for treble voices and piano CME-011	SA ⋅ SS ⋅ SSAA	4'		Mallonee, Caroline	Info/Listen/Buy »	A delicate piece for SSA choir and piano, “Shine On, O Moon of Summer” sets a poem by American poet Carl Sandburg.
A delicate piece for SSA choir and piano, “Shine On, O Moon of Summer” sets a poem by American poet Carl Sandburg.
	Star of Wonder for choir (SATB with divisions) + organ, piano or orchestra GTT-030	SATB	5' 20"	English	Thornett, Gordon	Info/Listen/Buy »	Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
	Raindrop Song for SSA choir and piano SPN-017	SSA	2'30"	English	Paxton, Steven	Info/Listen/Buy »	Steven Paxton’s RAINDROP SONG is a setting of a whimsical poem by Texas poet Chris Willerton, about a talking raindrop. This short, delightful work for treble choir requires a good pianist, and includes short spoken segments for individual speaker as well as full choir.
Steven Paxton’s RAINDROP SONG is a setting of a whimsical poem by Texas poet Chris Willerton, about a talking raindrop. This short, delightful work for treble choir requires a good pianist, and includes short spoken segments for individual speaker as well as full choir.
	The King of Blis 10 Nativity Rounds for partnered voices BKR-001	Equal Voices ⋅ SSAA	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »	All vocal groups need short, portable items in their repertoire. A round is a melody which can unfold into harmony, the prime tool of choral directors who wish to develop in singers an ability to listen to others while holding an independent line. Rounds build cohesion among singers and provide opportunities for improving ensemble, sight-reading, […]
All vocal groups need short, portable items in their repertoire. A round is a melody which can unfold into harmony, the prime tool of choral directors who wish to develop in singers an ability to listen to others while holding an independent line. Rounds build cohesion among singers and provide opportunities for improving ensemble, sight-reading, […]
	O Magnum Mysterium for treble choir a cappella KEM-1013	SSAA	4'30"	Latin	Erickson, Kurt	Info/Listen/Buy »	Commissioned premiere performance at Davies Symphony Hall (San Francisco) by the San Francisco Girls Chorus. The explosive Lang work was appropriately contrasted by the excellent, gentle and more subtle O Magnum Mysterium by Kurt Erickson. This world premiere was commissioned by the William and Flora Hewlett Foundation. Here the “mystery” part of the thematic trinity […]
Commissioned premiere performance at Davies Symphony Hall (San Francisco) by the San Francisco Girls Chorus. The explosive Lang work was appropriately contrasted by the excellent, gentle and more subtle O Magnum Mysterium by Kurt Erickson. This world premiere was commissioned by the William and Flora Hewlett Foundation. Here the “mystery” part of the thematic trinity […]
	Celebrate a New Day for treble choir and piano RCL-002	SSA	4'	English	Campbell, Rich	Info/Listen/Buy »	“Celebrate A New Day,” is an uptempo, rhythmic piece that was composed for the 75th Anniversary of the Australian Boys Choir. It is ideal for special occasions like graduations and is suitable for all young treble choirs, mixed children’s choirs, as well as boys and girls choirs. The work received the “Audience Favorite” award at […]
“Celebrate A New Day,” is an uptempo, rhythmic piece that was composed for the 75th Anniversary of the Australian Boys Choir. It is ideal for special occasions like graduations and is suitable for all young treble choirs, mixed children’s choirs, as well as boys and girls choirs. The work received the “Audience Favorite” award at […]