Treble Voices

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	Title	Voicing	Duration	Language	Composer
	Streaming Away for three-part treble choir, with divisi MWS-019		3'		Winges, Mark	Info/Listen/Buy »	Streaming Away, set to a text by San Francisco poet Denise Newman, was commissioned by Piedmont East Bay Children’s Choir for its 30th anniversary. It is one in series of six pieces reflecting on the many facets of water. Starting from a shimmering, contemplative opening, the music gradually builds and cascades forward into a “coursing, […]
Streaming Away, set to a text by San Francisco poet Denise Newman, was commissioned by Piedmont East Bay Children’s Choir for its 30th anniversary. It is one in series of six pieces reflecting on the many facets of water. Starting from a shimmering, contemplative opening, the music gradually builds and cascades forward into a “coursing, […]
	Sweet Little Jesus Boy for baritone solo, treble choir and piano MDC-009		–		Connor, Michal Dawson	Info/Listen/Buy »

	GA-ZE SSA choir with piano and optional percussion SPN-006	SSA	4'	Other	Paxton, Steven	Info/Listen/Buy »	GA-ZE (SSA) is from the northwestern part of Uganda (West Nile Region), bordering with the Democratic Republic of the Congo (DRC, formerly Zaire). It is closely associated with the traditional Gaze dance of the Lugbara people, and the lyrics are a mixture of Lugbara and Lingala. The Gaze play/dance songs encourage and inspire children, usually […]
GA-ZE (SSA) is from the northwestern part of Uganda (West Nile Region), bordering with the Democratic Republic of the Congo (DRC, formerly Zaire). It is closely associated with the traditional Gaze dance of the Lugbara people, and the lyrics are a mixture of Lugbara and Lingala. The Gaze play/dance songs encourage and inspire children, usually […]
	Winter Stars for SSA women's choir RCL-001	SSA	2'30"	English	Campbell, Rich	Info/Listen/Buy »	“Winter Stars” was written by Pulitzer Prize winning American poet Sara Teasdale (1884-1933) and was first published in 1920 in the collection “Flame & Shadow.” She grew up in St. Louis, Missouri, found acclaim while living in New York City, and became disillusioned in her later years. Perhaps she was writing this poem with World […]
“Winter Stars” was written by Pulitzer Prize winning American poet Sara Teasdale (1884-1933) and was first published in 1920 in the collection “Flame & Shadow.” She grew up in St. Louis, Missouri, found acclaim while living in New York City, and became disillusioned in her later years. Perhaps she was writing this poem with World […]
	Non nobis, Domine (‘Not unto us, O Lord’) for treble voices a cappella GTT-018	SA ⋅ SSA	2'20"	Latin	Thornett, Gordon	Info/Listen/Buy »	Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […]
Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […]
	How Can I Keep from Singing SSA choir with piano SPN-009	SSA	3'30"	English	Paxton, Steven	Info/Listen/Buy »	The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
	Toodle-oo, Vindaloo! 13 performance rounds for hungry singers BKR-010	Equal Voices	1′30″ - 2′ each	English	Kogler, Brian	Info/Listen/Buy »	If music be the food of love . . . then you’ll simply love this collection of rounds that has Food as its theme. Expect some heartburn as you sing of pumpkins, peas, eels, gammon steak and applesauce—all washed down with ale and black coffee. The twelve rounds encompass many moods and offer more than […]
If music be the food of love . . . then you’ll simply love this collection of rounds that has Food as its theme. Expect some heartburn as you sing of pumpkins, peas, eels, gammon steak and applesauce—all washed down with ale and black coffee. The twelve rounds encompass many moods and offer more than […]
	Fog and a God for unaccompanied three-part treble choir MWS-018		2'		Winges, Mark	Info/Listen/Buy »	Fog and a God, set to a whimsical text by San Francisco poet Denise Newman, was commissioned by Piedmont East Bay Children’s Choir for its 30th anniversary. The music reflects the light-hearted nature of the text, and includes whistling and non-sung sounds.
Fog and a God, set to a whimsical text by San Francisco poet Denise Newman, was commissioned by Piedmont East Bay Children’s Choir for its 30th anniversary. The music reflects the light-hearted nature of the text, and includes whistling and non-sung sounds.
	Star of Wonder for choir (SATB with divisions) + organ, piano or orchestra GTT-030	SATB	5' 20"	English	Thornett, Gordon	Info/Listen/Buy »	Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]