The King of Blis

10 Nativity Rounds for partnered voices

All vocal groups need short, portable items in their repertoire. A round is a melody which can unfold into harmony, the prime tool of choral directors who wish to develop in singers an ability to listen to others while holding an independent line. Rounds build cohesion among singers and provide opportunities for improving ensemble, sight-reading, articulation and breathing.

These Nativity rounds, while they may require diligent rehearsal, are ideal for performance during Advent. They have strong melodies, warm lyrics and plenty of movement among the parts; some have vocal ostinati which may otherwise be taken by a sympathetic instrument—a harp, flute or cello. Once learned, they will never be forgotten!

Over 100 of Brian Kogler’s rounds are now accessible on YouTube. Scores are available for free on request. Please contact: bkogler [at] bigpond [dot] com

SKU: BKR-001 Categories: , , , , Instrumentation:
Voicing:Equal Voices, SSAA
Instrumentation:A Cappella
Sacred or Secular:Sacred
Language:English, Latin
Season or Event:Advent, Praise to Virgin Mary
Descriptive Tags:Carol, Lullaby, Virgin Mary
Difficulty:Intermediate, Advanced

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SABar choir with piano
SPN-008
SAB
3'30"
English
The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
SSAATTBB choir a capella
RP-032
SSAATTBB
5' 15"
Finnish
Vocables
In Runo XIV of the Kalevala, Lemminkäinen hunts the black swan that lives on the river of Tuoni in the underworld in order to win a daughter of Louhi as his wife. While searching for the swan, he is killed and his body is dumped into the river. In Runo XV, Lemminkäinen’s mother searches all […]
for Soprano solo, children’s voices (or women’s semichorus), mixed chorus, chamber orchestra and piano.
CHR-1504VS
SATB
11' 00"
English
Rosa mystica is a sacred devotional cantata combining various texts in which a rose or flower is used as an analogy for the Blessed Virgin Mary, including the Rosa Mystica tradition, and Mary as the stem of the rose from which, arising out of the root of Jesse, grew Jesus, the Spotless Rose. In three […]
for mixed choir and piano
JBN-024
SATB
2'45"
Japanese
for mixed choir a cappella
JBN-016
SATB
2'40"
English
for SATB chorus and piano/organ
SRD-001
SATB
4'
Hebrew
Sim Shalom is a solemn Hebrew prayer in D minor accompanied by piano or organ. It is ideal for a worship setting and has often been used for that purpose, though the lyrical choral refrain and soprano/tenor solos can work well for any choir that would prefer to focus on just a few phrases of […]
for SSATBB choir & organ/piano
ROC-004
SSATBB
6'
English
This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […]
SATB (divisi) a cappella
CHR-1601
SATB
4' 23"
English
A setting for unaccompanied SATB choir (with divisi) of words by Eric Gosney, a poet from England’s Isle of Purbeck. A wistful and nostalgic love song, in which the poet wishes to “thwart old Time’s irrevocable plan and live again those two short hours with you”. These evocative words are set with suitably tender harmonies […]
for SSA women's choir
RCL-001
SSA
2'30"
English
“Winter Stars” was written by Pulitzer Prize winning American poet Sara Teasdale (1884-1933) and was first published in 1920 in the collection “Flame & Shadow.” She grew up in St. Louis, Missouri, found acclaim while living in New York City, and became disillusioned in her later years. Perhaps she was writing this poem with World […]
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