GA-ZE
GA-ZE (SSA) is from the northwestern part of Uganda (West Nile Region), bordering with the Democratic Republic of the Congo (DRC, formerly Zaire). It is closely associated with the traditional Gaze dance of the Lugbara people, and the lyrics are a mixture of Lugbara and Lingala. The Gaze play/dance songs encourage and inspire children, usually girls, to be active and creative, and most importantly, to dance.
This arrangement is based on the version performed by the touring music and dance troupe Spirit of Uganda, and was taught to Santa Fe University of Art and Design students by a member of that group, Peter Mugga, as shown in this Youtube video.
| Descriptive Tags: | Celebratory, Community, Dancing, Fun, Social Justice |
| Difficulty: | Intermediate |
| Duration: | 1-5 Minutes |
| Instrumentation: | Optional percussion, Piano, SSA choir with piano |
| Language: | Other |
| Sacred or Secular: | Secular |
| Voicing: | SSA |
$2.00 – $5.00Price range: $2.00 through $5.00
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| SATB | 3'30" | English | Anselm of Canterbury (c. 1033 – 21 April 1109), a benedictine abbot and philosopher and theologian, left significant writings, some of great complexity. Others, like this simple prayer, convey a deep longing for a closeness to God. This setting was composed for joint performance by the Caritas Chamber Choir (Canterbury, UK) and the Saint Mary’s […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| This setting of the traditional Harvest hymn, “We plough the fields and scatter”, is written in popular style, a little syncopated. The choir parts are mainly in Unison, with short passages in harmony (SATB). There is also a simple Unison part for the audience/congregation to join in (“All good gifts around us”), and simple percussion […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Sim Shalom is a solemn Hebrew prayer in D minor accompanied by piano or organ. It is ideal for a worship setting and has often been used for that purpose, though the lyrical choral refrain and soprano/tenor solos can work well for any choir that would prefer to focus on just a few phrases of […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| The text comprises a solitary verse, St. John 3:8, taken from Nicodemus’ well-known nocturnal conversation with Jesus. The anthem is intended for use in a generous acoustic, such as a Cathedral, where during the many bar rests, the fragmented and overlapping phrases can be given opportunity to resound and reflect until the reverberation dissipates. The […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A setting of words by Eric Gosney, When Love came to the world is an original carol suitable for use in either services or concerts. Its four verses talk of the response to Christ’s Nativity of the sleeping, unprepared world, the shepherds, the Magi and ourselves today. It is set for SATB choir with Tenor […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||