Winter Stars

for SSA women’s choir

“Winter Stars” was written by Pulitzer Prize winning American poet Sara Teasdale (1884-1933) and was first published in 1920 in the collection “Flame & Shadow.” She grew up in St. Louis, Missouri, found acclaim while living in New York City, and became disillusioned in her later years. Perhaps she was writing this poem with World War I in mind; it rings as true today with our current wars. In basic language she addresses universal themes. The poem’s optimism doesn’t fully resonate until the last verse, indeed the last line. The poem touched me in several ways.

The music develops from the melody in the first verse, heard in sixths, in E minor, around a pedal tone: the constancy of the heavens. The melody is heard again, but this time simultaneously inverted. When the stars are mentioned, we move from minor to major. In the 3rd verse, about the innocence of childhood, all voices move together into three-part harmony in major keys (with a subtle key shift in the third line). The last verse includes the lyric “All things are changed, save in the east..” It begins with all voices singing the inverted melody in harmony; it goes from E major, to G major, and concludes with the melody un-inverted, in E major.

SKU: RCL-001 Categories: , Instrumentation:
Instrumentation:A Cappella
Descriptive Tags:Ethereal, Nature, Peace, Poetry, Star, War
Season or Event:General, Winter
Difficulty:Intermediate
Sacred or Secular:Secular
Voicing:SSA
Language:English

$2.50/copy

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Quantity

    Explore More Music…

    Filters Sort results
    Reset Apply
    Title
    View
    Voicing
    Duration
    Language
    Composer
    for treble choir and piano
    RCL-002
    SSA
    4'
    English
    “Celebrate A New Day,” is an uptempo, rhythmic piece that was composed for the 75th Anniversary of the Australian Boys Choir. It is ideal for special occasions like graduations and is suitable for all young treble choirs, mixed children’s choirs, as well as boys and girls choirs. The work received the “Audience Favorite” award at […]
    More info & view score »
    for SSA choir and piano
    RCL-012
    SSA
    3'
    English
    “Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 3 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […]
    More info & view score »
    12 performance rounds from Shakespeare to Synge
    BKR-008
    Equal Voices
    SSAA
    Each round 1′30″ to 2′ (in performance)
    English
    The sixteenth, seventeenth and eighteenth centuries in Britain form a golden age of round-singing; even the nineteenth provided some fine examples. These twelve rounds, set to texts by Shakespeare, Skelton, Swift, Dryden, Johnson, Carroll and Synge, are of varying difficulty and may require rehearsal. Keeping as they do to the style of the period, they […]
    More info & view score »
    SSA choir with piano and optional percussion
    SPN-006
    SSA
    4'
    Other
    GA-ZE (SSA) is from the northwestern part of Uganda (West Nile Region), bordering with the Democratic Republic of the Congo (DRC, formerly Zaire). It is closely associated with the traditional Gaze dance of the Lugbara people, and the lyrics are a mixture of Lugbara and Lingala. The Gaze play/dance songs encourage and inspire children, usually […]
    More info & view score »
    12 rounds in the Folk tradition for mixed voices
    BKR-009
    Each round 1′30″ to 2′ (in performance)
    English
    The voice of the English-speaking working classes is preserved in the rich body of song that developed in the centuries leading up to the Industrial Revolution and in the years surrounding the Great Depression. The songs abound with hope, despair, delight, passion and humour. This original collection of 12 folk-inspired rounds borrows lyrics from English […]
    More info & view score »
    for SSAA choir
    CME-002
    SSAA
    3'
    English
    This inspirational piece for treble voices begins and ends with a canon. Originally written for a high school girl’s choir, it is appropriate for younger singers as well as professionals.
    More info & view score »
    for treble voices a cappella
    GTT-018
    SA
    SSA
    2'20"
    Latin
    Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, […]
    More info & view score »
    12 performance rounds for incurable fuddy-duddies
    BKR-006
    Equal Voices
    SSAA
    1′30-2′ each
    English
    Latin
    Are you a square? Can you easily retrieve a gas bill from 1979? Do you pine for the return of spats? Do you chew each mouthful forty times while letting the bottle “breathe”? And when you watch TV, do you recoil from all murders except those committed on the village green? If so, these rounds […]
    More info & view score »
    13 performance rounds for hungry singers
    BKR-010
    Equal Voices
    1′30″ - 2′ each
    English
    If music be the food of love . . . then you’ll simply love this collection of rounds that has Food as its theme. Expect some heartburn as you sing of pumpkins, peas, eels, gammon steak and applesauce—all washed down with ale and black coffee. The twelve rounds encompass many moods and offer more than […]
    More info & view score »
    women’s chorus / piano
    ROM-0001
    13'10"
    Wise Words of Love wends its way through a colorful landscape of various aspects of love in nine short movements. A unique collection of lines spoken by women characters in various plays by William Shakespeare (1564-1616) serves as the text. Drawing from Shakespeare’s comedies and tragedies alike, the viewpoint starts out firmly tongue-in-cheek, then swings, […]
    More info & view score »
    Shopping Cart