Non nobis, Domine (‘Not unto us, O Lord’)

for treble voices a cappella

Originally written for a Portuguese children’s choir, this simple a cappella setting could equally be performed by an adult women’s choir. It is mostly in two parts (SA), but there is an optional 3rd part towards the end of the piece. The first few measures may be sung as a solo. Translation: “Not unto us, Lord, but to your name give glory.”  The suggested dynamics may be varied ad lib. by the performers.

SKU: GTT-018 Categories: ,
Instrumentation:A Cappella
Season or Event:General
Descriptive Tags:Praise
Voicing:SA, SSA
Sacred or Secular:Sacred
Duration:1-5 Minutes


This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed with a few days of the order. Please do not hesitate to contact [email protected] to follow up.


    Explore More Music…

    Filters Sort results
    Reset Apply
    for SATB divisi Chorus a cappella
    Since the dawn of the first century, the text from the gospel of Matthew 6:9-13, known as the Lord’s Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflé and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lord’s Prayer in their repertoire. Probably […]
    More info & view score »
    for chorus a cappella
    2' 37"
    This new setting of the traditional Latin prayer features traditional harmonies and a simple unhurried rhythm, providing ample space for prayer and contemplation of the one blessed among women.
    More info & view score »
    for SATB choir and piano
    2016 Idaho All-State, 2018 Arkansas All-State selection “If I Can Sing, I Still Am Free” was the winner of the San Diego choir SACRA/PROFANA’s 2014 composition competition. It’s an ideal piece for festivals and large ensembles, with a text that champions inner strength in the face of adversity. It has quickly become one of Campbell’s […]
    More info & view score »
    for SSAA chorus, flute, & violin
    Gustav Holst’s In the Bleak Midwinter was written at the request of Ralph Vaughan Williams, the editor of the English Hymnal. Holst used Christina Rossetti’s popular poem, written in 1872, for the text. The carol was first published in the English Hymnal in 1906 and quickly became a favorite among congregations. The frigid northern landscape […]
    More info & view score »
    Unison or SATB choir and piano
    “It’s a beautiful, wonderful world, A world of wonder for all to share; Let us walk together, hand in hand, Spreading peace and friendship throughout the land…” Inspired by a visit to botanical gardens in California, this song is intended to reflect the beauty of nature around us, and to suggest that we should live […]
    More info & view score »
    for mixed choir a cappella
    This is a simple a cappella setting of William Blake’s poem, ‘Little Lamb, who made thee?’ The two verses are set for SATB, with an optional soprano solo at the beginning. It was written for Sutton Coldfield Chamber Choir, but is suitable for a group of any size, from quartet upwards!
    More info & view score »
    for SATB or unison voices and keyboard
    5' 13"
    This setting of Evensong Canticles (BCP 1662) is intended for use in those churches which are looking for a relatively simple choral setting, or that don’t always have a mixed choir and need the flexibility of being able to sing the canticles in unison where necessary, or where a choir of children’s/women’s voices or men’s […]
    More info & view score »
    for Soprano solo, children’s voices (or women’s semichorus), mixed chorus, chamber orchestra and piano.
    11' 00"
    Rosa mystica is a sacred devotional cantata combining various texts in which a rose or flower is used as an analogy for the Blessed Virgin Mary, including the Rosa Mystica tradition, and Mary as the stem of the rose from which, arising out of the root of Jesse, grew Jesus, the Spotless Rose. In three […]
    More info & view score »
    10 Nativity Rounds for partnered voices
    Equal Voices
    Each round 1′30″ to 2′ (in performance)
    All vocal groups need short, portable items in their repertoire. A round is a melody which can unfold into harmony, the prime tool of choral directors who wish to develop in singers an ability to listen to others while holding an independent line. Rounds build cohesion among singers and provide opportunities for improving ensemble, sight-reading, […]
    More info & view score »
    for mixed choir a cappella
    2' 45"
    This is an a cappella setting of William Blake’s poem ‘The Tyger’ for mixed choir (SATB) with some divisions. It may be performed on its own, or preferably as a companion piece to ‘Little Lamb, who made thee?’, also obtainable through Swirly Music. It is suggested that ‘Little Lamb’ be performed first, as there is […]
    More info & view score »
    Shopping Cart