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for SATB choir and optional organ
POA-005
SATB
SSAATTB
4'
English
“O Pray for the Peace of Jerusalem” was written for John Patrick Cardinal Foley, the Grand Master of the Equestrian Order of the Holy Sepulchre of Jerusalem.  It received its first performance on February 11th, 2011 in St. Peter’s Basilica at the Vatican by the Saint Mary’s University Chamber Singers, with the composer conducting.
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for SATB choir and piano
POA-003
SATB
3'
English
“Shout For Joy” was composed for the undergraduate commencement exercises of Saint Mary’s University of Minnesota in May, 2003, and is dedicated to the graduating class of that year.  The text, from Psalm 33, is suitable for a range of liturgical occasions, and the work is also effective as a concert piece.  The energetic opening […]
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for a cappella SATB choir
SDE-002
SATB
2'30"
Latin
A very rhythmic drive characterizes this exuberant setting of the traditional Christmas text, “Christ is born today” set in Latin. Choirs love to sing the jazzy rhythms and harmonies that require care in tuning, but once mastered create a contemporary sound world that will energize any Christmas concert or service.
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for SATB chorus a cappella
SDE-001
SATB
1'40"
Latin
Sanford Dole’s Ave Maria is a harmonized setting of the Gregorian chant antiphon. The soprano part is a metrical version of the Gregorian chant melody. The other parts create a harmonic world that is uniquely Dole’s; what his choirs refer to as the “Dolian mode.”
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3 short anthems for SATB Choir
SDE-006
SATB
1'45"-2'30"
English
Based on traditional hymns and chants, these three brief anthems present the seasonal texts in a new and compelling way. “Savior of the nations, come!” and “Creator of the stars of night” are easy and very accessible. “Come thou redeemer of the world,” while more advanced, with close harmonies and disparate key changes, repays the […]
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for Chorus, Soprano Solo, Chamber Orchestra & Organ
DRY-017
33'
Latin
Mr. Ramsey’s Requiem sets the traditional Latin mass for the dead. It is intended to be a liturgical work, but is also at home in a sacred concert setting. The music stands in the traditions of Duruflé and Fauré, but is different from both. Two performances prove it to be within reach of non-professional, church […]
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for mixed choir and soprano solo
GTT-014xx
SATB
2'40"
English
This a cappella arrangement of the well-known Christmas carol, “Away in a Manger” is set for SATB, and also features a soprano soloist in the introduction to each verse, at the end and (optionally) in the first verse. The tune is the one most closely associated with these words in the UK, Cradle Song, by […]
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for SATB choir and optional Soprano solo
POA-002
SATB
SSAATTBB
7'20"
Latin
“Cantemus in omni die” is a setting of a hymn to the Virgin Mary written by Cú Chuimne Sapiens, an Irish monk active at Iona by the early 8th century (died 747).  It is the earliest known Latin hymn to Mary originally composed in the Western Christian Church rather than translated into Latin from earlier […]
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for SSATB Choir, unaccompanied
SDE-012
SSATB
6'
English
An English translation of the poem “Friede auf Erden” by Conrad Ferdinand Meyer (1825-1898) is set for SSATB choir unaccompanied. Referencing the Christmas story, this setting brings to life the text with lush harmonies freely changing key centers as the story progresses. Each of the four stanzas ends with a variation on the musical material […]
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for TBB chorus, piano, and violin
SRD-004c
TB
TBB
TTB
TTBB
5'
English
Hebrew
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
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for SAB chorus, piano, and violin
SRD-004a
SAB
SATB
5'
English
Hebrew
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
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for SSA chorus, piano, and violin
SRD-004b
SA
SAA
SSA
SSAA
5'
English
Hebrew
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
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for SATB chorus and piano
SRD-002
SATB
3'
Hebrew
This upbeat mixed-meter setting of Psalm 100 in Hebrew was inspired by Bernstein’s Chichester Psalms. The difficulty level is moderate, suitable for high school, college, and community choirs. It was premiered by Triad: Boston’s Choral Collective. The English translation is as follows: 1 Shout for joy to the Lord, all the earth. 2 Worship the […]
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for 2-part choir & organ
ROC-006
SA
SS
5'
English
The Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon) are biblical canticles. Mary sings the Magnificat (“My soul doth magnify the Lord”) on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). Simeon sings the Nunc dimittis (“Lord, now lettest thou thy servant depart in peace”) […]
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for SATB chorus, piano, and violin
SRD-003
SATB
3'
Hebrew
Oseh Shalom is a Jewish prayer for peace in a Tango style, accessible for school, church, and synagogue choirs. Though Tango is not traditional in Jewish liturgical music, many congregations draw musical inspiration from traditional and popular music of diverse origins. This setting was premiered by the University of Washington Chorale, and its TBB arrangement […]
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for SATB chorus & organ/piano
ROC-003
SATB
3'30"
English
This setting of the Gloria text in English is excerpted from a longer Anglican communion/mass service — Communion Service in D — also published on Swirly (including settings of the Hosanna, Benedictus, and Agnus Dei). The Gloria is a simple, tuneful arrangement that can be performed as a general-purpose anthem or during the Christmas season. […]
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for mixed choir
SDE-010
SATB
4'50"
English
This arrangement opens by lining out the plainsong chant over a drone. Then, in succeeding verses we hear it in organum before more complex harmonies and rhythms are added. Finally all voices sing the melody in canon before a concluding fantasia.
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for solo voice or choir (SATB)
GTT-033
1' 35"
Click here to follow the score: https://youtu.be/kSR8gohqJVY This setting of ‘Jesus, friend of little children’ was written about 30 years ago, for the baptism of our younger daughter. It was written as a soprano solo with piano accompaniment. In this current version, it may still be performed as a solo, if desired, but I have added […]
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for SATB choir with organ or orchestra
GTT-028
SATB
5' 40"
English
“Prelude and Cherubic Hymn” was commissioned by the John F. Kennedy School in Berlin, to mark the 25th anniversary of their annual Advent services held in Berlin Cathedral. It was performed by joint choirs, drawn from students, parents and faculty, and choir members of the American Church in Berlin on 29 November 2017. The piece […]
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for treble choir
GTT-031
4' 40"
The familiar words, “It came upon a midnight clear”, are set to a lively tune, with piano accompaniment, and a simple refrain is added, with the words “Deo, Deo, Gloria in excelsis Deo” (“Glory to God in the highest”). Written with women’s voices in mind, it could also be tackled by a good children’s choir.
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for choir (SATB with divisions) + organ, piano or orchestra
GTT-030
5' 20"
Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
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for SATB Choir with optional Organ
POA-001
SATB
2' 30"
Latin
A short call to worship for SATB choir with optional organ accompaniment.  Composed for the installation of The Reverend Kenneth Crawford at the Parish of St. James the Great, Darlington, England, July, 2014.
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for SATB choir and 4-hand piano
JDM-002
SATB
2'30"
English
This popular spiritual has been arranged for SATB and piano duet (4 hands, one piano). Uplifting AND fun to sing, with a very exciting accompaniment. There are multiple optional, short solos. A great time will be had by all!
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for SATB choir a cappella
POA-017
SATB
2' 50"
English
This modern English version of a 9th Century Old Irish benediction lends itself well to both concert and liturgical performance. Liturgically, it fits well as a call to worship or as a communion meditation. The text recalls the doxology given in Revelation 7:12.
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for SATB choir with divisi
POA-015
SATB
3'30"
English
Anselm of Canterbury (c. 1033 – 21 April 1109), a benedictine abbot and philosopher and theologian, left significant writings, some of great complexity. Others, like this simple prayer, convey a deep longing for a closeness to God. This setting was composed for joint performance by the Caritas Chamber Choir (Canterbury, UK) and the Saint Mary’s […]
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for mixed chorus and piano
RMS-003
SATB
3'40"
English
AT THE CROSS is a simple arrangement of the beloved hymn with fresh and poignant harmonies. Set for SATB choir with piano accompaniment, it is moderately easy but rewarding of good musicianship. The light, delicate accompaniment directs the focus onto the text while providing the perfect amount of color and interest. It allows a choir […]
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for SATB a cappella
CHR-1606
SATB
2' 10"
Latin
This communion motet, setting the famous 14th century words attributed to Innocent VI, took the prize in the Composition Competition of The Wessex Festival in August 2016. It has since been sung in venues including Ripon Cathedral, UK. Set largely homophonically for SATB choir without divisions, its well-structured melody is complemented by the texture created […]
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for children's choir and piano
GTT-025a
2' 45"
This very simple Christmas song is aimed at younger children. It is in unison throughout, apart from a brief optional descant part near the end. Accompaniment is for piano, and a few simple percussion instruments may be added if desired. This is the original version (GTT-025a), which refers directly to Christ’s Nativity, and is suitable […]
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for soprano/tenor solo, mixed chorus and piano
CHR-1605
SATB
3' 54"
English
A setting of words by Eric Gosney, When Love came to the world is an original carol suitable for use in either services or concerts. Its four verses talk of the response to Christ’s Nativity of the sleeping, unprepared world, the shepherds, the Magi and ourselves today. It is set for SATB choir with Tenor […]
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for SATB or unison voices and keyboard
SATB
Unison
5' 13"
English
This setting of Evensong Canticles (BCP 1662) is intended for use in those churches which are looking for a relatively simple choral setting, or that don’t always have a mixed choir and need the flexibility of being able to sing the canticles in unison where necessary, or where a choir of children’s/women’s voices or men’s […]
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for SATB/unison voices and keyboard
CHR-1501a
SATB
Unison
6'30"
English
An attractive and accessible setting of the Rite Two Holy Communion Liturgy from the 1979 Book of Common Prayer of the Episcopal Church. Intended primarily for use in churches where congregation and choir sing the service together, it could be used by congregation alone, as the melody line does not rise high. Ideally, though, an […]
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for mixed choir, SATB with some divisions
GTT-024
SATB
3'
English
This new setting of the Christmas/Epiphany words, “As with gladness, men of old did the guiding star behold” seeks to emphasize the joyful nature of the visit of the Magi to the Christ child. Set in a lively 7/8 time, it is mainly in four parts (SATB), although the 3rd verse, “As they offered gifts most rare” […]
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for mixed & children's choirs and orchestra
GTT-023
SATB
SSATTBB
Unison
6' 30"
English
  ‘Rejoice! A Christmas Fanfare’ was written as the opening number for a series of four Christmas Concerts held in Birmingham’s Symphony Hall in December 2015. As a number of youth choirs and a community chorus were taking part in these concerts, they were all involved individually and jointly in the piece, which was built […]
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for mixed choir a cappella
JBN-016
SATB
2'40"
English
for mixed choir and piano
JBN-018
SATB
4'50"
English
for chorus a cappella
AJS-001
2' 37"
This new setting of the traditional Latin prayer features traditional harmonies and a simple unhurried rhythm, providing ample space for prayer and contemplation of the one blessed among women.
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for SSA chorus
ADY-020
SSA
2'40"
English
Composed for the Bodø (Norway) Damekor.
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Mixed Chorus and Woodwind Quintet
DRY-021
SATB
12'30"
Latin
These Biblical texts are often associated with the Advent season of the Christian calendar. It is also sung anytime of the year at “Evensong” in Episcopal and Anglican traditions. The accompaniment is a traditional Woodwind Quintet. The composer knows of no other choral piece that uses this instrumental combination to accompany a choral work. If there are none, then, […]
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for mixed choir a cappella
SDE-008
SATB
2'20"
English
Latin
A lovely setting of the well-known communion prayer by Thomas Aquinas (1225-1274), this version has the choir sing both the original Latin and later in English translation. This anthem is indicative of my compositional style, including rapidly shifting harmonic centers. However, it is very approachable for both the singers and listeners, employing simple four-part harmonies […]
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for mixed choir a cappella with alto & baritone soli
SDE-007
SATB
4'36"
Latin
This energetic setting of Gloria in excelsis Deo, from the Latin Mass, opens with rhythmic patterns that enhance the text. Midway through, the chorus softly occults between two simple chords under an alto then baritone soloists. The opening patterns return before a fugal section at the text “cum santo spiritu.” The final Amen is another […]
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for Soprano Solo, Mixed Choir, Organ, Brass and Timpani
GTT-016
SATB
10' 15"
English
Latin
Gloria in D was premièred in December 2014 by the Bel Canto Chorus, Milwaukee in their ‘Christmas in the Basilica’ concerts.  It is written for a large chorus, soprano soloist, brass ensemble, consisting of three trumpets and three trombones, timpani and organ. Richard Hynson, who conducted the premiére in Milwaukee, writes: “As music Director of […]
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for treble voices
ADY-003
SSA
2'
English
A setting of William Blake’s well-known poem using flexible meter to enhance the flow of the text. Also available in a lower key.
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for a cappella SATB choir
SDE-003
SATB
3'15"
Latin
Using jazz-influenced harmonies Dole seeks to capture the mystery implied in the text. Adding the text Noe, and omitting the concluding O beata Virgo verse, the piece builds to a peppier Noel! section before returning to the opening O magnum music and leaving the audience with the quiet chords of the mystery of the scene […]
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