Love

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for children's choir and piano
GTT-025a
2' 45"
This very simple Christmas song is aimed at younger children. It is in unison throughout, apart from a brief optional descant part near the end. Accompaniment is for piano, and a few simple percussion instruments may be added if desired. This is the original version (GTT-025a), which refers directly to Christ’s Nativity, and is suitable […]
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for SSAA choir, a cappella
ROM-0601
3' 15"
Walk With Me is a charming, romantic invitation to share the simple activities of life with one’s companion of the heart. The text reflects the passage of time — spending a day, or metaphorically, a lifetime, alongside the beloved. While this piece is basically tonal, a few surprising and challenging modulations maintain a certain freshness […]
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for mixed choir and piano
JBN-017
SATB
7'25"
English
for SSATBB choir a cappella
SDE-005
SATB
SSATBB
7'
English
This setting of Charles Baudelaire’s iconic poem captures the “luxury” and “voluptuousness” of Edna St. Vincent Millay’s radiant translation. The six-part texture allows for thick, evocative chords in Dole’s jazz-influenced harmonic world. Slowly evolving chord progressions paint a picture of a person truly in love with another, asking that they go on a long journey […]
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for SATB divisi & organ
CHR-1305
SATB
2' 12"
English
Originally written as an anthem to mark a Silver Wedding anniversary, this piece was rescored and incorporated as the opening piece in the contrasting set of “Three Anthems“, commissioned by the Purbeck Arts Choir in the UK. It is scored for SATB choir with divisi and organ. Although a dramatic and impactful work, it is […]
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for mixed chorus a cappella
PGN-005
SATB
7'30"
English
Three short poems by Sara Teasdale – 1) Grey Eyes, 2) Did You Never, 3) Nightfall – from her collection Flame and Shadow, are the basis of this set of choral songs, all bearing on a relationship, including tender, poignant, and playful emotions.
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for SATB choir a cappella
RCL-008
SATB
4'20"
English
THE SMALLEST SONG, a setting of a text by American poet Martha Collins, is a gentle piece, full of warmth and intimate emotion. The wordplay in the text is matched in the composition; phrases are slightly altered, inverted and developed as the work builds. Jazz-like harmonies infuse the piece with a soothing vitality throughout. “A […]
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for SATB choir, optional soprano solo, and piano
POA-013
SATB
4' 25"
English
One of Newfoundland’s best known folksongs, “She’s Like The Swallow” was first collected by Maud Karpeles in 1930, but certainly dates from well before that, as evidenced by the appearance of several verses in various British laments. The subject of the unfaithful lover is perhaps as old as song itself. “She’s Like the Swallow” is […]
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for SATB choir a cappella
POA-020
SATB
4' 10"
Italian
Due Sonetti de Petrarca are settings of sonnets by Francesco Petrarca (Petrarch) (1304-1374), great Italian scholar and poet and one of the earliest humanists. The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2009, with the composer conducting.
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for SSA choir a cappella
PGN-003
SSA
5'30"
English
This marvelous love poem by Elizabeth Barrett Browning is dynamically dressed with a rich palette of word painting.
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for children's choir and piano
GTT-025b
This very simple Christmas song is aimed at younger children. It is in unison throughout, apart from a brief optional descant part near the end. Accompaniment is for piano, and a few simple percussion instruments may be added if desired. As the original version (GTT-025a) refers directly to Christ’s Nativity, I have also been asked […]
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for mixed choir and keyboard
GTT-010
SATB
4'
English
This simple Christmas setting resulted from an international collaboration between Brian Holmes of California and Gordon Thornett from the UK. Brian’s poem has been set for mixed voices (SATB) and piano (or organ). The piece describes how the cold of winter is turned into spring by the coming of the Christ Child. Bright was the […]
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for unison chorus and piano
MGN-018
Equal Voices
Unison
2'27"
A moving setting of the classic American lullaby. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles. The students we arranged this for absolutely loved it. We hope your choir does too.
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for SATB choir a cappella
RCL-005
SATB
4'
English
“Coney Island,” was written by Pulitzer prize winning American poet Sara Teasdale (1884-1933) and was first published in 1911 in the collection “Helen of Troy and Other Poems.”. Born in St. Louis, Missouri, she lived for many years in New York City. My immigrant great-grandparents settled in Brooklyn, New York, in the 1890’s, and lived […]
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for SATB Choir (with optional children's part)
GTT-012
SATB
Unison
4'50"
English
This light-hearted holiday song was commissioned by a local community chorus, one of whose members wrote the words. I was asked to include a part for children’s choir, and I understand everyone enjoyed taking part. It has a simple message – to chase away the gloom, and spread light and happiness to all at Christmas […]
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for mixed choir and piano
JBN-001
SATB
5'
English
A setting of William Blake’s poem “The Garden of Love”, from Songs of Experience.
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for SSA choir w/ piano accompaniment
RCL-030
SSA
2'
English
A brief, delightful and whimsical setting of a text by American poet Gertrude Stein. It may be learned quickly. It is almost entirely built on a round, which underscores the poem’s wordplay. For 3-part treble choir, with piano accompaniment. Secular.
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for SSA and piano
PGN-015
SSA
4'50"
English
Setting a romantic, old-style text by David Umeda, this piece for girls’ choirs is written so that groups of differing abilities may take part.
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for TTBB choir a cappella
RCL-010
TTBB
3'15"
English
When I first discovered Charles Bernstein’s beautiful poem, I knew immediately that I wanted to set it for men’s chorus. The poem expresses so much within a brief, 4-verse form. I set out to use harmony to color the text’s rich imagery while honoring the poem’s lyrical and repetitive nature in the melody. The surprising […]
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for SATB choir a cappella
POA-021
SATB
3' 40"
Italian
Due Sonetti de Petrarca are settings of sonnets by Francesco Petrarca (Petrarch) (1304-1374), great Italian scholar and poet and one of the earliest humanists. The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2009, with the composer conducting.
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for mixed chorus and piano
JBN-006
SAB
3:30
English
for mixed chorus a cappella
PHD-002
SATB
SSATB
2'
English
“Love is strong as death”  This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike.
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for SA choir, piano, and optional oboe
PGN-014
SA
2'20"
English
French
“L’amour de moy” (English title: The Garden and the Nightingale) was commissioned for the Intermediate Choir of the L.A. Children’s Chorus, and premiered by them in June 2008 at Ambassador Auditorium in Pasadena, with Mandy Brigham conducting. Its character is light and lively.
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SATB (divisi) a cappella
CHR-1601
SATB
4' 23"
English
A setting for unaccompanied SATB choir (with divisi) of words by Eric Gosney, a poet from England’s Isle of Purbeck. A wistful and nostalgic love song, in which the poet wishes to “thwart old Time’s irrevocable plan and live again those two short hours with you”. These evocative words are set with suitably tender harmonies […]
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for soprano/tenor solo, mixed chorus and piano
CHR-1605
SATB
3' 54"
English
A setting of words by Eric Gosney, When Love came to the world is an original carol suitable for use in either services or concerts. Its four verses talk of the response to Christ’s Nativity of the sleeping, unprepared world, the shepherds, the Magi and ourselves today. It is set for SATB choir with Tenor […]
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Three Google Searches for SATB Choir
CME-009
SATB
8'
English
I. Curiosity (Why are…?) II. Desperation (How do I? How do you?) III. Contemplation (I Wonder Why) PROGRAM NOTE Search was commissioned by the Young People’s Chorus of New York City for the Radio Radiance program. The text was assembled by the composer from the suggestions Google makes when one types a question word into […]
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for mixed choir and piano
JBN-007
SAB
2'55"
English
for SATB choir a cappella
SWM-019
SATB
4'24"
English
Premiered in June 2018 by San Francisco Choral Artists, “Fare Ye Well My Darlin'” is an arrangement of an American folksong, perhaps dating from the Civil War, collected in South Carolina. A soldier bids farewell to his beloved, informing her that he has enlisted to fight in the war.
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for mixed choir a cappella
JBN-010
SATB
5'
English
For Mixed Choir (SATB), piano, bass & violin
GTT-020
SATB
2'30"
English
This arrangement of the well known spiritual would suit a good school, college or community choir. It is light and a little jazzy in style. While it can be accompanied by piano alone, the addition of string bass and solo violin is to be recommended. Drum kit could also be an optional addition from letter […]
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for double choir, a cappella
CME-021
SSAATTBB
4'30"
English
Like Softest Music takes its words from Romeo and Juliet: My soul calls upon my name. How silver-sweet sound lovers’ tongues by night, Like softest music to attending ears! The piece is canonic, and much of the piece is sung sotto voce, creating a soft and indistinct choral soundscape that envelops the audience.
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