Zoom
I was composer-in-residence with International Orange Chorale in San Francisco in 2020, when the world shut down and all of life, it seemed, moved online to this video conferencing thingy called Zoom. Like everyone else, I was trying to figure out how this platform worked, how life was going to go from now on, and just taking it day by day. At first it felt like my collaboration with International Orange was dead in the water. But then director Zane Fiala and I started talking: YouTube was already full of “virtual choirs” singing “together” from far-flung parts of the world. Maybe we could do the same with a new piece of music? You know the old cliché: write what you know. In the spring of 2020, what we were getting to know—slowly, awkwardly, but all together—was how to stay connected at a distance. And for better or worse, Zoom was the method of choice. I decided to have a little fun with the awkwardness.
“Zoom” is essentially a three-minute musical portrait of a group fumbling their way through a virtual meeting in a manner that will be recognizable to virtually anyone who lived through 2020 with an internet connection. The goal, then as now, was simply to put the troubles of the world aside for three minutes and have a little fun.
| Descriptive Tags: | Community, Friendship, Fun, Joy, Silly |
| Difficulty: | Advanced |
| Duration: | 1-5 Minutes |
| Instrumentation: | A Cappella |
| Language: | English |
| Sacred or Secular: | Secular |
| Voicing: | SATB |
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| Equal Voices | 3' | English | An original song the lovingly evokes images of the Golden State. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| An original song the lovingly evokes images of the Golden State. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| The author of the text of this composition, Norbert Čapek (1870-1942) was the founder of the Unitarian movement in what is now the Czech Republic. Originally destined for the Catholic priesthood, he converted to the Baptist faith; however, his views gradually became more liberal, and he was forced to emigrate to the United States. After […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Premiered in June 2018 by San Francisco Choral Artists, “Fare Ye Well My Darlin'” is a tender, dramatic arrangement of an American folksong, perhaps dating from the Civil War. A soldier bids farewell to his beloved as he leaves for war. Will he ever return? At a glance Difficulty: moderate For strong univiersity, community, or […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| The Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon) are biblical canticles. Mary sings the Magnificat (“My soul doth magnify the Lord”) on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). Simeon sings the Nunc dimittis (“Lord, now lettest thou thy servant depart in peace”) […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Roll the Tide is a short, a cappella setting in a quasi-spiritual style of Elisabeth T. Eliassen’s poem of peace and longing. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Are you a square? Can you easily retrieve a gas bill from 1979? Do you pine for the return of spats? Do you chew each mouthful forty times while letting the bottle “breathe”? And when you watch TV, do you recoil from all murders except those committed on the village green? If so, these rounds […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| One of Newfoundland’s best known folksongs, “She’s Like The Swallow” was first collected by Maud Karpeles in 1930, but certainly dates from well before that, as evidenced by the appearance of several verses in various British laments. The subject of the unfaithful lover is perhaps as old as song itself. “She’s Like the Swallow” is […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| This sweet and gentle setting of a classic Southern Harmony hymn features the Alto section in its first verse, then opens out into a joyful depiction of the sensation of flight. The second verse features birdcalls in the piano accompaniment. Recording by First Readings Project. This recording is of the SATB version of the piece, […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||