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Border for SATB choir a cappella by Rich Campbell • 3'15"
“Border” is an artistic response to the immigration/refugee crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill […] More info & view score »
Acquainted With The Night for SATB choir w/piano accompaniment by Rich Campbell • 4'
A setting of Robert Frost’s metaphorical rendering of feelings of depression, isolation and alienation. Rhythmic and thought-provoking. Medium difficulty, appropriate for high school, collegiate and community choirs. Commissioned by Penn High School Choirs, IN. More info & view score »
A Very Valentine for SSA choir w/ piano accompaniment by Rich Campbell • 2'
A brief, delightful and whimsical setting of a text by American poet Gertrude Stein. It may be learned quickly. It is almost entirely built on a round, which underscores the poem’s wordplay. For 3-part treble choir, with piano accompaniment. Secular. More info & view score »
The Red Wheelbarrow for SATB choir and piano by Rich Campbell • 3'
Composer’s Note: “The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin’s Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that […] More info & view score »
All the Pretty Little Horses for unison chorus and piano by Mark Growden • 2'27"
A moving setting of the classic American lullaby. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles. The students we arranged this for absolutely loved it. We hope your choir does too. More info & view score »
If Ye Would Hear for SATB choir a cappella (brief divisi, section or individual treble solo) by Robert Oganovic • 5'
This is a tuneful, contemporary setting of a multi-verse carol for choir a cappella using an original melody. It starts with a statement by the alto section and gradually adds parts and harmonic variations. The unusual time signature of 5/4 provides a lilt and propels the piece forward. All parts sing the melody along the […] More info & view score »
Communion Service in D for SATB chorus & organ/piano by Robert Oganovic • 6'45"
This setting of the Anglican communion/mass service – Gloria, Sanctus, Benedictus, and Agnus Dei – is simple and tuneful. The writing is in the tradition of the great English composers of the 20th century. The Gloria is available as a separate anthem through Swirly. It can be performed as a general-purpose anthem or during the […] More info & view score »
Magnificat and Nunc Dimittis for 2-part choir & organ by Robert Oganovic • 5'
The Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon) are biblical canticles. Mary sings the Magnificat (“My soul doth magnify the Lord”) on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). Simeon sings the Nunc dimittis (“Lord, now lettest thou thy servant depart in peace”) […] More info & view score »
The Angel Gabriel for SSATBB choir & organ/piano by Robert Oganovic • 6'
This carol was first published in 1833 in a collection entitled “Christmas Carols Ancient and Modern”. William Sandys, a solicitor by day and music & manuscript collector by night, purportedly came across the tune in Devonshire, England. In this gentle setting from 1991 many colors of choral writing appear with sections for SATB, 3-part men, […] More info & view score »
Gloria from Communion Service in D for SATB chorus & organ/piano by Robert Oganovic • 3'30"
This setting of the Gloria text in English is excerpted from a longer Anglican communion/mass service — Communion Service in D — also published on Swirly (including settings of the Hosanna, Benedictus, and Agnus Dei). The Gloria is a simple, tuneful arrangement that can be performed as a general-purpose anthem or during the Christmas season. […] More info & view score »
Sing We the Virgin Mary for SATB chorus & organ/piano by Robert Oganovic • 3'30"
This is a straightforward setting for choir and organ/keyboard of an Appalachian carol found by John Jacob Niles (1892-1980). Niles was an American composer, singer, and collector of traditional ballads. He discovered this carol in Mayfield, Kentucky in 1933. Niles was an important influence on the American folk music revival of the 1950s and 1960s, […] More info & view score »
Locus iste for SSATBB choir a cappella by Robert Oganovic • 3'
This original anthem is suitable for all occasions and offers a gentle, contemporary setting of the text used by Anton Bruckner in his well-known composition of the same name composed in 1869. “This place was made by God, a priceless sacrament; it is without reproach.” Genesis 28:16 Exodus 3:5 More info & view score »
We Will Shine Like The Sun for treble and mixed choirs and piano by Rich Campbell • 3'
“We Will Shine Like The Sun” is an uptempo piece; this arrangement is for combined SA treble choir & SATB choir with piano accompaniment.. The empowering text inspires imagination with optimistic lyrics that are ideal for young singers. The score includes a driving piano accompaniment, a clapping section, and an optional tambourine part. The rousing […] More info & view score »
We Will Shine Like The Sun (SAB/piano) for SAB choir and piano by Rich Campbell • 3'
“We Will Shine Like The Sun” is an uptempo piece; this arrangement is for combined SA treble choir & SATB choir with piano accompaniment.. The empowering text inspires imagination with optimistic lyrics that are ideal for young singers. The score includes a driving piano accompaniment, a clapping section, and an optional tambourine part. The rousing […] More info & view score »
Golden Apples Of The Sun for SATB choir a cappella by Rich Campbell • 3'30"
Golden Apples Of The Sun (SATB, unaccompanied) is a joyful, rhythmic piece with lyrics inspired by a Yeats poem. Accessible, uptempo and exhilarating, it is ideal for civic events and celebrations. It is a dynamic work that is exciting for both performers and listeners. Winner of the Celebration Singers 80th Anniversary Composition Competition. More info & view score »
Cherubic Hymn for SATB choir with organ or orchestra by Gordon Thornett • 5' 40"
“Prelude and Cherubic Hymn” was commissioned by the John F. Kennedy School in Berlin, to mark the 25th anniversary of their annual Advent services held in Berlin Cathedral. It was performed by joint choirs, drawn from students, parents and faculty, and choir members of the American Church in Berlin on 29 November 2017. The piece […] More info & view score »
Journeys to Freedom: Rännakud Vabadusse for SATB + treble choir + mixed chamber ensemble by Rebecca Oswald • 9'50"
A musical plea for human freedom and dignity, Journeys to Freedom: Rännakud Vabadusse weaves together a tapestry of traditional folk songs, children’s game chants, and more, from the United States and Estonia, all sung in their original languages. This work was originally scored for three choirs (large SATB, small SATB, and treble (children’s) choir), accompanied […] More info & view score »
Community of Unity – SA Version for treble choir and piano by Rich Campbell • 3'
“Community of Unity” is an exciting and uplifting piece written specifically for civic and municipal events. Beginning with a lyrical, unison verse, the soundscape opens up to a chorus in 2 part harmony. A driving, rhythmic piano accompaniment propels the piece throughout. There is a 4 measure a cappella section near the end, and two […] More info & view score »
Fare Ye Well My Darlin’ for SATB choir a cappella by Michael Kaulkin • 4'24"
Premiered in June 2018 by San Francisco Choral Artists, “Fare Ye Well My Darlin'” is an arrangement of an American folksong, perhaps dating from the Civil War, collected in South Carolina. A soldier bids farewell to his beloved, informing her that he has enlisted to fight in the war. More info & view score »