At the Cross

for mixed chorus and piano

by Robert Myers

AT THE CROSS is a simple arrangement of the beloved hymn with fresh and poignant harmonies. Set for SATB choir with piano accompaniment, it is moderately easy but rewarding of good musicianship. The light, delicate accompaniment directs the focus onto the text while providing the perfect amount of color and interest. It allows a choir to show artistic merit without enduring exhaustive preparation.
AT THE CROSS adapts the refrain Ralph Hudson appended to Isaac Watts verse to reflect the reality that Christians are acquainted with difficulty, but rest secure in a comforting shepherd.

SKU: RMS-003 Categories: Choral Music, Mixed Voices Instrumentation: Choral

Voicing:	SATB
Instrumentation:	Piano
Sacred or Secular:	Sacred
Language:	English
Season or Event:	Easter, Holy Week, Lent
Difficulty:	Intermediate, Advanced Student, Advanced
Descriptive Tags:	Christian, Comfort, Crucifixion, Inspiration, Jesus, New Hymn Settings, Repentance, Salvation, Worship
Duration:	1-5 Minutes

Price range: $1.95 through $45.00

Explore More Music…

	Title	Voicing	Duration	Language	Composer
	Dance Steps for a cappella SATB choir w/ divisi SDE-004	SATB	5'45"	English	Dole, Sanford	Info/Listen/Buy »	This delightful piece sets a whimsical poem by the American poet, Susan Kinsolving, about steps taken internationally to make the world a better place. Sanford Dole’s Dance Steps has artistic merit…no one can doubt the artistic merit of Dole’s entertaining piece. I was not looking forward to enduring Susan Kinsolving’s absurdist text, printed in the […]
This delightful piece sets a whimsical poem by the American poet, Susan Kinsolving, about steps taken internationally to make the world a better place. Sanford Dole’s Dance Steps has artistic merit…no one can doubt the artistic merit of Dole’s entertaining piece. I was not looking forward to enduring Susan Kinsolving’s absurdist text, printed in the […]
	Felice Primavera for SATB choir and violin POA-007	SATB	2'20"	Italian	O'Shea, Patrick	Info/Listen/Buy »	Tre Madrigali Amorosi are settings of poems by Torquato Tasso (1544-1595), a favorite poet of Italian madrigal composers of the sixteenth century. The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2013, with the composer conducting and Chun Chim (David) Leung, violin. […]
Tre Madrigali Amorosi are settings of poems by Torquato Tasso (1544-1595), a favorite poet of Italian madrigal composers of the sixteenth century. The set was written for the Saint Mary’s University Chamber Singers, who premiered the works on their tour of France in March, 2013, with the composer conducting and Chun Chim (David) Leung, violin. […]
	Frè Timoniè (SAB version) for SAB choir with piano and optional percussion SPN-003	SAB	3'	French	Paxton, Steven	Info/Listen/Buy »	This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for TTB chorus.
This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for TTB chorus.
	Of a Father’s Love Begotten for mixed choir SDE-010	SATB	4'50"	English	Dole, Sanford	Info/Listen/Buy »	This arrangement opens by lining out the plainsong chant over a drone. Then, in succeeding verses we hear it in organum before more complex harmonies and rhythms are added. Finally all voices sing the melody in canon before a concluding fantasia.
This arrangement opens by lining out the plainsong chant over a drone. Then, in succeeding verses we hear it in organum before more complex harmonies and rhythms are added. Finally all voices sing the melody in canon before a concluding fantasia.
	Pablo Neruda In Love for mixed choir and piano JBN-017	SATB	7'25"	English	Bernstein, Jeffrey	Info/Listen/Buy »

	Poor Wayfarin’ Stranger for SATB choir, piano, and optional trumpet JDM-004	SATB	4'	English	Durham, Jennifer	Info/Listen/Buy »	This beloved folk tune has been arranged with optional, muted trumpet (the timbre adds to the mood of the piece). The piano accompaniment expands the 4-part harmony of the choir to suggest more contemporary harmony with a few jazz chords. It’s not overdone, however; “Poor Wayfarin’ Stranger” is still a traditional, compelling portrait of a […]
This beloved folk tune has been arranged with optional, muted trumpet (the timbre adds to the mood of the piece). The piano accompaniment expands the 4-part harmony of the choir to suggest more contemporary harmony with a few jazz chords. It’s not overdone, however; “Poor Wayfarin’ Stranger” is still a traditional, compelling portrait of a […]
	Rosa mystica (Vocal Score) for Soprano solo, children’s voices (or women’s semichorus), mixed chorus, chamber orchestra and piano. CHR-1504VS	SATB	11' 00"	English	Fawcett, David	Info/Listen/Buy »	Rosa mystica is a sacred devotional cantata combining various texts in which a rose or flower is used as an analogy for the Blessed Virgin Mary, including the Rosa Mystica tradition, and Mary as the stem of the rose from which, arising out of the root of Jesse, grew Jesus, the Spotless Rose. In three […]
Rosa mystica is a sacred devotional cantata combining various texts in which a rose or flower is used as an analogy for the Blessed Virgin Mary, including the Rosa Mystica tradition, and Mary as the stem of the rose from which, arising out of the root of Jesse, grew Jesus, the Spotless Rose. In three […]
	Sleep, Holy Babe for mixed chorus, trumpet PGN-011	SATB	3'	English	Gibson, Paul	Info/Listen/Buy »	A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
	Three Spring Songs for SSA choir and piano SPN-020	SSA	3'30"	English	Paxton, Steven	Info/Listen/Buy »	SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic.
SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic.
	To Make a Prairie for SATB chorus and piano EHE-012	SATB	1'	English	Hope, Emily	Info/Listen/Buy »	Emily Dickinson’s short and quippy poem, “To make a prairie” has a great depth of meaning despite its brevity, in its portrayal of the power of imagination. This setting captures the broad sweep of the prairie landscape in its bright opening chords, and the dreamy state of imagnining in a shimmering but intensifying middle section, […]
Emily Dickinson’s short and quippy poem, “To make a prairie” has a great depth of meaning despite its brevity, in its portrayal of the power of imagination. This setting captures the broad sweep of the prairie landscape in its bright opening chords, and the dreamy state of imagnining in a shimmering but intensifying middle section, […]