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for SATB choir and piano
SWM-022
SATB
2'30"
English
Italian
Neapolitan
This arrangement of the Neapolitan Christmas carol, sometimes known as “Canzone d’i Zampognari,” or “Carol of the Bagpipers”, was written for the San Francisco Bach Choir in 2021. It tells the story of the starry night when Bethlehem was visited by three strangers from far away. Sung here in the original Neapolitan language, there is […]
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for SATB chorus a cappella
SDE-001
SATB
1'40"
Latin
Sanford Dole’s Ave Maria is a harmonized setting of the Gregorian chant antiphon. The soprano part is a metrical version of the Gregorian chant melody. The other parts create a harmonic world that is uniquely Dole’s; what his choirs refer to as the “Dolian mode.”
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for SATB choir and piano
RCL-011
SATB
4'20"
English
A setting of the brief yet powerful poem by Walt Whitman (from “Leaves of Grass”). The score takes its cue from the meditative nature of the text. There is a contemplative tone throughout, laced with subtle harmonies and perhaps inspired by the works of Randall Thompson. The score quietly expresses the expansive feeling one gets […]
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for SSAA choir, a cappella
ROM-0601
3' 15"
Walk With Me is a charming, romantic invitation to share the simple activities of life with one’s companion of the heart. The text reflects the passage of time — spending a day, or metaphorically, a lifetime, alongside the beloved. While this piece is basically tonal, a few surprising and challenging modulations maintain a certain freshness […]
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for TBB chorus, piano, and violin
SRD-004c
TB
TBB
TTB
TTBB
5'
English
Hebrew
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
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for SAB chorus, piano, and violin
SRD-004a
SAB
SATB
5'
English
Hebrew
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
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for SSA chorus, piano, and violin
SRD-004b
SA
SAA
SSA
SSAA
5'
English
Hebrew
In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […]
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for SATB chorus, piano, and violin
SRD-003
SATB
3'
Hebrew
Oseh Shalom is a Jewish prayer for peace in a Tango style, accessible for school, church, and synagogue choirs. Though Tango is not traditional in Jewish liturgical music, many congregations draw musical inspiration from traditional and popular music of diverse origins. This setting was premiered by the University of Washington Chorale, and its TBB arrangement […]
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for SSATBB choir a cappella
ROC-001
SSATBB
3'
Latin
This original anthem is suitable for all occasions and offers a gentle, contemporary setting of the text used by Anton Bruckner in his well-known composition of the same name composed in 1869. “This place was made by God, a priceless sacrament; it is without reproach.” Genesis 28:16 Exodus 3:5
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for SSA voices and piano
JDM-006
SSA
5'30"
Latin
This setting of the traditional “Hail Mary” prayer takes a new approach, employing a lullaby rhythm in F minor. The voices become a haunting plea for forgiveness and intercession. The piano accompaniment provides support for the singers while still maintaining its own voice.
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for SATB choir with divisi
POA-015
SATB
3'30"
English
Anselm of Canterbury (c. 1033 – 21 April 1109), a benedictine abbot and philosopher and theologian, left significant writings, some of great complexity. Others, like this simple prayer, convey a deep longing for a closeness to God. This setting was composed for joint performance by the Caritas Chamber Choir (Canterbury, UK) and the Saint Mary’s […]
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for mixed chorus and piano
RMS-003
SATB
3'40"
English
AT THE CROSS is a simple arrangement of the beloved hymn with fresh and poignant harmonies. Set for SATB choir with piano accompaniment, it is moderately easy but rewarding of good musicianship. The light, delicate accompaniment directs the focus onto the text while providing the perfect amount of color and interest. It allows a choir […]
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for Mixed Chorus a cappella
ADY-042
1'20"
A short Communion antiphon with text from John 6:35.
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for Mixed choir, unaccompanied
RBT-008
SATB
4'
English
This work sets war poems by World War I poets Wilfred Owen and Rupert Brooke.
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for SSATBB mixed choir, unaccompanied
RBT-005
SATB
SSATBB
4'30"
English
This work was commissioned by the Jane Froman Singers of Columbia College, Columbia, Missouri, under the direction of Nollie Moore.
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for Mixed choir, unaccompanied
RBT-004
SATB
3'
English
This work was the first prize winner in the 2010 Ithaca College Choral Composition Competition.
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for Mixed choir, unaccompanied
RBT-003
3'50"
The author of the text of this composition, Norbert Čapek (1870-1942) was the founder of the Unitarian movement in what is now the Czech Republic. Originally destined for the Catholic priesthood, he converted to the Baptist faith; however, his views gradually became more liberal, and he was forced to emigrate to the United States. After […]
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for chorus a cappella
AJS-001
2' 37"
This new setting of the traditional Latin prayer features traditional harmonies and a simple unhurried rhythm, providing ample space for prayer and contemplation of the one blessed among women.
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for Mixed Choir (SATB) with Soprano Soloist
GTT-022
SATB
2' 3"
English
This setting is ideally suited for a good chamber choir with a high soprano soloist. Julie Myers’ beautiful poem suggests to the composer a journey from darkness to light, from despair to hope, and this is reflected in the music, which should be performed simply, but with expressiveness and conviction.
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SATB voices unaccompanied
EMH-005
SATB
2'
Latin
A short, meditative setting of the familiar Latin hymn text, particularly suitable for use as an introit during the seasons of Advent, Christmas, and Epiphany. Scored for 4-part SATB voices, this motet is simple enough to be enjoyed by volunteer church choirs and professional/collegiate choirs alike.
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Mixed voices a cappella
CHR-1503
SATB
1' 41"
Latin
This lovely setting of St Thomas Aquinas’s famous Corpus Christi text will be useful all year round for church choirs which like to perform unaccompanied motets during the administration of Holy Communion. With its independently moving parts, gentle chromaticism and slow, lilting 5/4 metre, it is a calming evocation of the mystery of the sacrament. […]
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for mixed choir a cappella
WCL-006
SATB
4'20"
Latin
BENEDICTION was written in February-March of 2013 for my friend Keith Haan upon his retirement as Director of Choral Activities St. Ambrose University. The “threefold blessing” seemed perfect for the occasion as we gathered to wish our colleague well on his way. I used the latin text because I wanted that elevated sound those open […]
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for mixed choir and piano
WCL-005
SATB
4'20"
English
Deep peace of the running wave to you.Deep peace of the flowing air to you.Deep peace of the quiet earth to you.Deep peace of the shining stars to you.Deep peace of the Son of Peace to you. (Words adapted from an ancient Gaelic blessing)
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