Trio

for flute, clarinet and piano

The Trio for flute, clarinet and piano (1998) has to be interpreted as a long Recitative. The intention is to describe a mountain climb with various happenings until the reaching of the summit. The work is divided into sections and it comprehends various combinations of instruments: flute starts alone with the first recitative, then the clarinet adds tremolos in the bass, the piano comes as third. In the Coda the sound gradually fades away in the distance.
The score is written in C. The separate clarinet part is for instrument in A.

Catalogue: ACO-017
Duration: ca. 6 min.
First public performance: Padova (Italy) 2004

SKU: ACO-017 Categories: Chamber Music, Woodwinds

Difficulty:	Advanced Student
Duration:	5-10 Minutes

$12.95

This title is available in print or for immediate download.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Choose Format

Clear

Quantity

Explore More Music…

	Title	Instrumentation	Duration	Composer
	String Quartet No. 1 (“City Walks”) for string quartet	String Quartet	12' 30"	Kaulkin, Michael	Info/Listen/Buy »
A finalist for The American Prize for Chamber Music, String Quartet No. 1 (”City Walks”) is a single-movement work (c. 13′) exploring a variety of stylistic and emotional zones, from a sweeping, mournful – almost cantorial – cello solo at the beginning to lively scherzo finale. It is featured on the Juventas New Music Ensemble‘s […]
	String Quartet String Quartet	String Quartet	20'	Ramsey, Dale	Info/Listen/Buy »
This String Quartet is a balance of dramatic and lyrical material, varying greatly. The opening movement begins with poignant polyphony, but then morphs into rapid-fire exciting passage work in the central portion, returning in time to the quieter mood of the beginning. Movement II reminds one of a classic Siciliano, with its dotted rhythmic patterns […]
	Sonata for Cello (2010) for Violoncello and Piano	Cello	14'	Rudin, Andrew	Info/Listen/Buy »
Inspired by Debussy’s Sonata for ‘Cello, the movement titles suggest a scenario in which the two players interact somewhat like actors in a series of scenes. In “Proclamation” the piano clearly opposes the ideas put forward by the cello. the “attaca” 2nd movt., “Repartee” finds them backing off their confrontation, and exchanging somewhat barbed witicisms […]
	Overture / Rondo for two pianos	Piano	6'	Rudin, Andrew	Info/Listen/Buy »
Overture/Rondo is a transcription and rearrangement of the third and final movement of my Concerto for Piano and Small Orchestra. The original soloist’s role has now been re-distributed, alternating between the two pianists, and other such adjustments have been made to more equitably divide the music. In the Concerto, there is a considerably longer cadenza […]
	Four Spanish Carols for Brass for Brass Quintet and Percussion	Brass ⋅ Percussion	7'15"	Ramsey, Dale	Info/Listen/Buy »
Four traditional Christmas carols from Spain, set for Brass Quintet and one percussionist. Styles include simple folk melodies, a Samba, a lyric ballad, and a robust “troubadour” song. Perfect for Concert or Carol Service. Percussionist needs: Triangle, Maracas, Bells, Bass Drum, Field Drum.
	Fanfare for brass and percussion	Brass ⋅ Percussion ⋅ Trombone ⋅ Trumpet ⋅ Tuba	2' 20"	Kaulkin, Michael	Info/Listen/Buy »
FANFARE was commissioned by the Washington International School, the composer’s alma mater and premiered at a gala event celebrating the school’s 40th anniversary in May, 2006. Score and parts included. Instrumentation 3 trumpets in C 1 trombone 1 bass trombone 1 tuba Timpani (3) Percussion (bass drum, suspended cymbal, snare drum, tambourine, triangle)
	Elegance and Superstition for string quartet	String Quartet	10'	Suprynowicz, Clark	Info/Listen/Buy »
Elegance and Superstition is a piece that was born out of a musical gesture and a guiding principle. The gesture consists of two notes tossed upward, like balls into the air. There is a pause, and they are tossed again, this time a bit higher. The guiding principle is derived from something that composer Eve […]
	Chiaroscuro for mixed septet	Cello ⋅ Clarinet ⋅ Double Bass ⋅ Flute ⋅ Percussion ⋅ Piano ⋅ Viola	13'30"	Rudin, Andrew	Info/Listen/Buy »
Chiaroscuro was composed in 1991 for the CONVERGENCE Ensemble, a group of dancers and musicians, who gave the first performance at The Painted Bride Gallery in Philadelphia. In the concept of the dance, lighting played a major role, sometimes silhouetting dancers posed like sculptures against a light background, sometimes presenting them brightly against the dark, […]
	Celebrations for two pianos & percussion	Percussion ⋅ Piano	18'	Rudin, Andrew	Info/Listen/Buy »
The two roughly equal-length movements relate to each other by contrast– the first, rather somber; the second more jubilant. Both movements are through-composed, without apparent repetition or recapitulation. However, symmetries and parallels exist between the two. Canons begin movement one, and conclude movement two. Both begin with introductions, followed by a main section which builds […]
	Andante and Jubilation for Flute, Cello and Harpsichord	Cello ⋅ Flute ⋅ Harpsichord	9'	Ramsey, Dale	Info/Listen/Buy »
Little contemporary music is written for the Harpsichord, so “Andante and Jubilation” for Harpsichord, Flute and Cello is a welcome addition to the available new music. The music is written idiomatically for all three instruments. The result is a sound that achieves a fresh expression of Baroque sensibilities without attempting to copy that period’s idioms.