21st Century 23rd Psalm

for mixed choir and piano

SKU: JBN-020 Categories: Choral Music, Mixed Voices Instrumentation: Choral

Duration:	1-5 Minutes
Language:	English
Voicing:	SATB

$2.50

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Choose Format

Descriptive Tags

Clear

Quantity

Explore More Music…

	Title	Voicing	Duration	Language	Composer
	Are Friends Delight or Pain for double SATB chorus (SATB + SATB) SWM-002a	SATB+SATB	1' 45"	English	Kaulkin, Michael	Info/Listen/Buy »	“Are Friends Delight or Pain?” is a brief a cappella double-choir movement (SATB + SATB, ~1’45”) excerpted from Cycle of Friends, setting Emily Dickinson’s epigram with concentrated intensity. The entire piece rests on a single sustained E—a pedal point whose meaning keeps shifting as the harmony moves through changing modes and colors.
“Are Friends Delight or Pain?” is a brief a cappella double-choir movement (SATB + SATB, ~1’45”) excerpted from Cycle of Friends, setting Emily Dickinson’s epigram with concentrated intensity. The entire piece rests on a single sustained E—a pedal point whose meaning keeps shifting as the harmony moves through changing modes and colors.
	Hallelujah, Fly Away 12 rounds in the Folk tradition for mixed voices BKR-009		Each round 1′30″ to 2′ (in performance)	English	Kogler, Brian	Info/Listen/Buy »	The voice of the English-speaking working classes is preserved in the rich body of song that developed in the centuries leading up to the Industrial Revolution and in the years surrounding the Great Depression. The songs abound with hope, despair, delight, passion and humour. This original collection of 12 folk-inspired rounds borrows lyrics from English […]
The voice of the English-speaking working classes is preserved in the rich body of song that developed in the centuries leading up to the Industrial Revolution and in the years surrounding the Great Depression. The songs abound with hope, despair, delight, passion and humour. This original collection of 12 folk-inspired rounds borrows lyrics from English […]
	Hidden Memories Women's Choir (SSA) GTT-005	SSA	2'45"	English	Thornett, Gordon	Info/Listen/Buy »	This setting of a poem by Linda Marcus is entirely pentatonic (i.e. uses only 5 notes – C, D, F, G and A) apart from the very last measure. The pentatonic setting is intended to create a naive effect, recalling childhood. (The very opening is based on a universal 3-note ‘song of childhood’.) The points […]
This setting of a poem by Linda Marcus is entirely pentatonic (i.e. uses only 5 notes – C, D, F, G and A) apart from the very last measure. The pentatonic setting is intended to create a naive effect, recalling childhood. (The very opening is based on a universal 3-note ‘song of childhood’.) The points […]
	Light Through Windows for SATB choir CME-012	SATB	3'15"	English	Mallonee, Caroline	Info/Listen/Buy »	Light Through Windows was written in 2016. Meant to evoke the wonder one feels when a darkened window reveals its glory, the a cappella choral piece draws a parallel between a stained-glass window and an illuminated manuscript. The piece was recently recorded by Vox16, conducted by Markdavin Obenza. TEXT Hushed, grey, a tall cathedral, washed […]
Light Through Windows was written in 2016. Meant to evoke the wonder one feels when a darkened window reveals its glory, the a cappella choral piece draws a parallel between a stained-glass window and an illuminated manuscript. The piece was recently recorded by Vox16, conducted by Markdavin Obenza. TEXT Hushed, grey, a tall cathedral, washed […]
	Shall We Gather at the River? for chorus and piano AJS-003	SATB	4'23"		Jones, Alan Riley	Info/Listen/Buy »	This lively arrangement in 7/4 meter re-fashions Lowry’s familiar hymn into a rhythmically-charged spiritual, using an unequal four beats per measure to carry the listener along on a joyous spiritual journey along the celestial river.
This lively arrangement in 7/4 meter re-fashions Lowry’s familiar hymn into a rhythmically-charged spiritual, using an unequal four beats per measure to carry the listener along on a joyous spiritual journey along the celestial river.
	She’s Like The Swallow for SATB choir, optional soprano solo, and piano POA-013	SATB	4' 25"	English	O'Shea, Patrick	Info/Listen/Buy »	One of Newfoundland’s best known folksongs, “She’s Like The Swallow” was first collected by Maud Karpeles in 1930, but certainly dates from well before that, as evidenced by the appearance of several verses in various British laments. The subject of the unfaithful lover is perhaps as old as song itself. “She’s Like the Swallow” is […]
One of Newfoundland’s best known folksongs, “She’s Like The Swallow” was first collected by Maud Karpeles in 1930, but certainly dates from well before that, as evidenced by the appearance of several verses in various British laments. The subject of the unfaithful lover is perhaps as old as song itself. “She’s Like the Swallow” is […]
	Star of Wonder for choir (SATB with divisions) + organ, piano or orchestra GTT-030	SATB	5' 20"	English	Thornett, Gordon	Info/Listen/Buy »	Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
Forget the traditional setting of “We thee kings of Orient are”! This is a much more reflective version, for choir and orchestra, given its first performance by the Nidarosdomens Guttekor in the splendid setting of Trondheim Cathedral in December 2017. They also performed the piece on their pre-Christmas tour, using just organ for accompaniment. The […]
	The Sleepy Shepherd Boy for children's choir and piano or orchestra GTT-006	SA ⋅ Unison	4'35"	English	Thornett, Gordon	Info/Listen/Buy »	Written for the CBSO Children’s Chorus, and first performed by them in Symphony Hall, Birmingham, with the City of Birmingham Symphony Orchestra, this light-hearted piece describes a day-dreaming shepherd boy, who suddenly finds himself drawn into the Christmas story. It has also been performed by a youth chorus in Liverpool, accompanied by the Royal Liverpool […]
Written for the CBSO Children’s Chorus, and first performed by them in Symphony Hall, Birmingham, with the City of Birmingham Symphony Orchestra, this light-hearted piece describes a day-dreaming shepherd boy, who suddenly finds himself drawn into the Christmas story. It has also been performed by a youth chorus in Liverpool, accompanied by the Royal Liverpool […]
	Voices Taking Flight for TTB choir a cappella RCL-013	TTB	2'40"	English	Campbell, Rich	Info/Listen/Buy »	“Voices Taking Flight” is an uptempo and energetic piece written for youthful male voices. It is rhythmic, dynamic, and contains accessible harmonies throughout. It’s a lively concert opener, appropriate for civic & community events and ideal for adding movement & choreography. The lyrics are empowering and inspiring. The ranges of each part are limited, making […]
“Voices Taking Flight” is an uptempo and energetic piece written for youthful male voices. It is rhythmic, dynamic, and contains accessible harmonies throughout. It’s a lively concert opener, appropriate for civic & community events and ideal for adding movement & choreography. The lyrics are empowering and inspiring. The ranges of each part are limited, making […]
	Water My Azaleas 12 Frivolous rounds for mixed voices BKR-011	SATB	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »	Most rounds in popular collections are either sober or light-hearted. Where are the truly chucklesome examples? They do exist, of course: one thinks of classics such as “Thy Jolly Red Nose” or “The Old Man from Calcutta”; even, perhaps, of the bawdy catches of Henry Purcell and John Blow. But they are rarely found between […]
Most rounds in popular collections are either sober or light-hearted. Where are the truly chucklesome examples? They do exist, of course: one thinks of classics such as “Thy Jolly Red Nose” or “The Old Man from Calcutta”; even, perhaps, of the bawdy catches of Henry Purcell and John Blow. But they are rarely found between […]