“…a valuable addition to the contemporary repertoire.” — Clarinet and Saxophone Magazine, UK
Michael Kaulkin’s American Standard (9 minutes) is a single-movement showpiece that balances aching lyricism with mischievous virtuosity. The clarinet line demands agility, dramatic expression, and theatrical flair, while the piano writing provides both sparkling dialogue and driving momentum.
A favorite in recital programs since its premiere in 1993, American Standard was later recorded on the UK label Clarinet Classics (Time Pieces: 60 Years of American Music) by clarinetist Peter Furniss and pianist David Leihar Jones — the same artists featured in the embedded video on this page. Since then, the piece has gained a reputation as a rewarding concert work for advanced players — equally effective as a stand-alone highlight or centerpiece.
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Zwei Hülshoff Lieder was commissioned by San Francisco’s LIEDER ALIVE! as part of the organization’s mission to preserve the German lieder tradition through classes, recitals and the creation of new works. It was premiered in San Francisco in January, 2015 by soprano Jessica Wan, joined by clarinetist Natalie Parker, violist Paul Yarbrough and pianist Laura Dahl. The texts […]
Richard Dudas’ Variations for Clarinet Solo is an 8-minute solo work with a bravura finale. Although it is intended for performance on a clarinet in A, it may also be played on B-flat instruments. Program Note Variations for Clarinet Solo was written at the request of clarinetist Susanna Warren who premiered the composition in the […]
Richard Dudas’ Sonata For Clarinet and Piano is a substantial 3-movement work written for clarinet and piano on equal footing. It is included on the U.K. label Clarinet Classics release “TIME PIECES: 60 Years of American Music” featuring clarinetist Peter Furniss and pianist David Leiher-Jones. Program Note Sonata for Clarinet and Piano is dedicated to […]
Passacaglia, written between 2012 and 2014 in versions for multiple instruments, is a lyrical single-movement concert piece, about 7 minutes in duration, that takes a fresh look at an old form. The ground bass upon which the passacaglia is based contains a “rogue” bar, shorter in duration than the rest, which meanders throughout each repetition […]
LYRIC SCHERZO was commissioned in its original form for flute, french horn and percussion by the San Francisco Bay Area’s Teal Crane Trio and premiered by them in 2014. As the title suggests, it is a tuneful and playful piece with a virtuosic percussion part involving constant interplay between the vibraphone and bongos and other […]
Fantasia on Lyun Joon Kim’s Elegy is a lyrical showpiece composed in 2009 for the 70th anniversary of Hanyang University, of which Lyun Joon Kim was the founder. Also a poet and composer, Lyun Joon Kim wrote many Korean art songs, from which the Elegy is one of the more widely-known in Korea. This rhapsodic fantasia […]
I wrote the Divertimento for oboe, clarinet and bassoon in 1995 as an entry in the New England Reed Trio annual composition competition. I had admired the playing of this group and their promotion of wonderful, if rarely heard repertoire of this combination, much of it French. The prospect of writing for reed trio seemed […]
Chiaroscuro was composed in 1991 for the CONVERGENCE Ensemble, a group of dancers and musicians, who gave the first performance at The Painted Bride Gallery in Philadelphia. In the concept of the dance, lighting played a major role, sometimes silhouetting dancers posed like sculptures against a light background, sometimes presenting them brightly against the dark, […]
