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Paul Gibson

Paul Gibson’s most recent premiere was performed by the Los Angeles Philharmonic in honor of the orchestra’s centennial. In 2015, Loyola Marymount University commissioned and premiered his Te Deum for chorus and orchestra. Gibson’s Noel, Noel, Noel was chosen by the Texas Choral Directors Association and the American Choral Directors Association. In 2005, his It Fell upon the High Midnight was co-winner in the annual Christmas Carol Competition sponsored by the American Composers Forum and VocalEssence. In 2001, the Los Angeles Children’s Chorus commissioned him to compose Suite: Alice Through a Looking-Glass, on three Lewis Carroll texts. CREATOR magazine named Gibson’s Veni Sancte Spiritus as one of the ten best sacred works of 2001. In 1996, he took part in the first Composers Symposium of the Oregon Bach Festival, where three of his choral works were performed. In 1993, G.I.A. released A Mass of Life, a critically acclaimed CD collection of his sacred music. In 1987, Gibson was commissioned to arrange hymns for Pope John Paul II’s liturgies in Los Angeles. His music is published by Alliance, E. C. Schirmer, Fatrock Ink, G.I.A. Publications, LeDor, OCP, and Morningstar and has been broadcast on hundreds of radio stations.

Choral Music by Paul Gibson

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for mixed chorus a cappella
by
3'30"
The words of Job are paired with the style of the American work song or chain gang song for this a cappella SATB setting.
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for mixed voices and string quartet
by
7'30"
This short cantata on spring evokes expressive texts by John Milton, anonymous, and E.E. Cummings.
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for SATB a cappella
by
1'40"
Beautiful morning song from the California Missions in a simple arrangement, from solo voice to SATB.
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for mixed chorus a cappella
by
7'30"
Three short poems by Sara Teasdale – 1) Grey Eyes, 2) Did You Never, 3) Nightfall – from her collection Flame and Shadow, are the basis of this set of choral songs, all bearing on a relationship, including tender, poignant, and playful emotions.
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for SSA choir a cappella
by
5'30"
This marvelous love poem by Elizabeth Barrett Browning is dynamically dressed with a rich palette of word painting.
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for SSA choir a cappella
by
5'15"
Set in three languages (Spanish, English, and Latin), each iteration takes a slightly different style for the message of Psalm 18 (19): “The ordinances of the Lord are right…”
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for SA choir, piano, and optional oboe
by
2'20"
“L’amour de moy” (English title: The Garden and the Nightingale) was commissioned for the Intermediate Choir of the L.A. Children’s Chorus, and premiered by them in June 2008 at Ambassador Auditorium in Pasadena, with Mandy Brigham conducting. Its character is light and lively.
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for SSA and organ
by
3'
This setting of the Offertory for the Third Sunday of Easter (Psalm 145:2) uses the Latin form of:Praise the Lord, O my soul:I will praise the Lord throughout my life;I will sing to my God for as long as I live,alleluia
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for mixed chorus a cappella
by
4'35"
Hildegard’s ecstatic praise of the Holy Trinity is mirrored in this expressive setting, built on an original chant inspired by Hildegard’s music. Premiere given 5/20/22 in Leipzig by Neue Kammer + Friends, conducted by Franziska Kuba.
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An exuberant Magnificat is paired with an appropriately reflective Nunc dimittis that together have subtle musical connections.
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for SSA and piano
by
4'50"
Setting a romantic, old-style text by David Umeda, this piece for girls’ choirs is written so that groups of differing abilities may take part.
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for mixed chorus, trumpet
by
3'
A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
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for mixed chorus a cappella
by
5'50"
Near the turn of the 20th century, Colin Sterne penned a tender Christmas text, which has been transformed into a Christmas lullaby.
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for SA choir and piano
by
2'20"
Using a text by Karen (Hallal) Ricks that captures the yearning feelings of a young person, this exuberant setting seeks to match word and tone.
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for mixed chorus a cappella
by
5'
Word painting of a raw, intense poem by Paul Cummings is the essence of this homage to the miracle of music, which begins: Your harmony invades my being; / my body is captured by the embrace / of a melody that leads me out of dark places.  
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