Our World (for High School or Adult Chorus)
An uplifting, secular piece about our planet’s place in the universe. Its energy and relatively low difficulty level make this 3-minute piece something to consider for a high school or community group.
You and I
Share a single place
A private universe
Tiny point in space.
Complex world of water, stone, and air…
Necessary water, stone and air
Turning while we whirl around the sun…
Spinning as we whiz around the sun.
You and I
Share a biosphere
Terrestrial abode –
All we have is here.
Filled with life,
Filled up with strife – the human comedy.
Insulated,
Isolated,
Eons old – a fragile home called Earth.
You and I
Share a blue-green place
A private universe
Our own realm in space
Complex world of water, stone, and air…
Necessary water, stone and air
Turning while we whirl around the sun…
spinning as we whiz around the sun.
Spinning on our axis while we orbit ‘round the sun.
Our World was commissioned and premiered by Cantabile Chamber Chorale. Rebecca Scott, Director
| Instrumentation: | Piano |
| Voicing: | SATB |
| Language: | English |
| Sacred or Secular: | Secular |
$2.00
This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.
Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.
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Title | View | Voicing | Duration | Language | Composer | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| SATB | 2'50" | English | As is often the case with my work, this music seemed to naturally grow out of the text—a haunting medieval poem about the death of Jesus Christ. The poem’s enigmatic symbolism and otherworldly affect resulted in what was for me an unusually mysterious and ethereal composition. Some of the inspiration for the work came from […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| As is often the case with my work, this music seemed to naturally grow out of the text—a haunting medieval poem about the death of Jesus Christ. The poem’s enigmatic symbolism and otherworldly affect resulted in what was for me an unusually mysterious and ethereal composition. Some of the inspiration for the work came from […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| SATB | 4'25" | English | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| SSAATB | 4' | English | Multiple divisi lines in soprano and alto and unison tenor/bass create an effective textural setting of this text from Isaiah 42: “Behold my servant, whom I uphold: my chosen one in whom I delight.” SSSSAAAB unaccompanied. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Multiple divisi lines in soprano and alto and unison tenor/bass create an effective textural setting of this text from Isaiah 42: “Behold my servant, whom I uphold: my chosen one in whom I delight.” SSSSAAAB unaccompanied. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 3'30" | English | Sonnet LV was commissioned by the San Francisco Choral Artists. It is dedicated to the singers of the group, and to their director, Magen Solomon. It is a sonnet addressing a lover, professing that they will live in the poem far longer than any monument or statue will exist on earth. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Sonnet LV was commissioned by the San Francisco Choral Artists. It is dedicated to the singers of the group, and to their director, Magen Solomon. It is a sonnet addressing a lover, professing that they will live in the poem far longer than any monument or statue will exist on earth. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| SATB | 2'50" | English | Composed and written for The Calling All Choir while at the Chalk Hill Artist Residency in Healdsburg, California. My first night at the residency I woke up before dawn. The previous evening I was enjoying the sounds of crickets chirping. I expected to hear them that morning, but instead I was met with silence. I […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Composed and written for The Calling All Choir while at the Chalk Hill Artist Residency in Healdsburg, California. My first night at the residency I woke up before dawn. The previous evening I was enjoying the sounds of crickets chirping. I expected to hear them that morning, but instead I was met with silence. I […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| SATB | 12' | English | The Children’s Hour is a setting of Henry Wadsworth Longfellow’s poem of the same name (first published in 1860) composed by Alberto Roque Santana for the Bowdoin Chamber Choir during the summer of 2011. The work is written for an actor, soprano solo, mixed choir and piano, and the composer writes that “the weight of the […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| The Children’s Hour is a setting of Henry Wadsworth Longfellow’s poem of the same name (first published in 1860) composed by Alberto Roque Santana for the Bowdoin Chamber Choir during the summer of 2011. The work is written for an actor, soprano solo, mixed choir and piano, and the composer writes that “the weight of the […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| SATB ⋅ SATBB | 4' | English | This work received second place in the 2015 Ithaca College Choral Composition Competition. It sets a poem by A. E. Housman which was not published until after his death. In 1895 Oscar Wilde was imprisoned for two years for being a practicing homosexual, a crime in England at that time. Housman’s poem, while seemingly tongue-in-cheek, […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| This work received second place in the 2015 Ithaca College Choral Composition Competition. It sets a poem by A. E. Housman which was not published until after his death. In 1895 Oscar Wilde was imprisoned for two years for being a practicing homosexual, a crime in England at that time. Housman’s poem, while seemingly tongue-in-cheek, […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| SATB | 4' | English | When I Am Dead, My Dearest was conceived as a partner piece to Dido’s Lament from Henry Purcell’s opera, Dido and Aeneas. Purcell’s aria begins, “When I am laid in earth”; Rossetti’s poem begins, “When I am dead.” Purcell ends with “Remember me, but ah, forget my fate”; Rossetti’s poem ends, “Haply I may remember […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| When I Am Dead, My Dearest was conceived as a partner piece to Dido’s Lament from Henry Purcell’s opera, Dido and Aeneas. Purcell’s aria begins, “When I am laid in earth”; Rossetti’s poem begins, “When I am dead.” Purcell ends with “Remember me, but ah, forget my fate”; Rossetti’s poem ends, “Haply I may remember […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||