Chamber Music

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	Title	Instrumentation	Duration	Composer
	Divertimento for oboe, clarinet in B♭ and bassoon	Bassoon ⋅ Clarinet ⋅ Oboe	11-12'	Post, David	Info/Listen/Buy »	I wrote the Divertimento for oboe, clarinet and bassoon in 1995 as an entry in the New England Reed Trio annual composition competition. I had admired the playing of this group and their promotion of wonderful, if rarely heard repertoire of this combination, much of it French. The prospect of writing for reed trio seemed […]
I wrote the Divertimento for oboe, clarinet and bassoon in 1995 as an entry in the New England Reed Trio annual composition competition. I had admired the playing of this group and their promotion of wonderful, if rarely heard repertoire of this combination, much of it French. The prospect of writing for reed trio seemed […]
	Chiaroscuro for mixed septet	Cello ⋅ Clarinet ⋅ Double Bass ⋅ Flute ⋅ Percussion ⋅ Piano ⋅ Viola	13'30"	Rudin, Andrew	Info/Listen/Buy »	Chiaroscuro was composed in 1991 for the CONVERGENCE Ensemble, a group of dancers and musicians, who gave the first performance at The Painted Bride Gallery in Philadelphia. In the concept of the dance, lighting played a major role, sometimes silhouetting dancers posed like sculptures against a light background, sometimes presenting them brightly against the dark, […]
Chiaroscuro was composed in 1991 for the CONVERGENCE Ensemble, a group of dancers and musicians, who gave the first performance at The Painted Bride Gallery in Philadelphia. In the concept of the dance, lighting played a major role, sometimes silhouetting dancers posed like sculptures against a light background, sometimes presenting them brightly against the dark, […]
	Duo for viola and violoncello	Cello ⋅ Viola	14'	Post, David	Info/Listen/Buy »	My Duo, a virtuoso piece for viola and ‘cello was composed in 2002 for my Boston Symphony Orchestra friends, Mark Ludwig and Sato Knutsen, to showcase their considerable skills. The work had it’s premiere on March 21, 2004 as part of the MusicWorks concert series in Pittsfield, Massachusetts. The price includes two copies.
My Duo, a virtuoso piece for viola and ‘cello was composed in 2002 for my Boston Symphony Orchestra friends, Mark Ludwig and Sato Knutsen, to showcase their considerable skills. The work had it’s premiere on March 21, 2004 as part of the MusicWorks concert series in Pittsfield, Massachusetts. The price includes two copies.
	March of the Templars for Trumpet and Organ	Organ ⋅ Trumpet	–	Connor, Michal Dawson	Info/Listen/Buy »	Nine centuries ago, in the aftermath of the First Crusade (1095-9) Hugues de Payens and eight of his countrymen journeyed to Jerusalem and formed a community of warrior-monks, who came to be known as The Sovereign Military Order Of The Temple Of Jerusalem; or Knights Templar. Making monastic vows of obedience, chastity, and poverty, and charged […]
Nine centuries ago, in the aftermath of the First Crusade (1095-9) Hugues de Payens and eight of his countrymen journeyed to Jerusalem and formed a community of warrior-monks, who came to be known as The Sovereign Military Order Of The Temple Of Jerusalem; or Knights Templar. Making monastic vows of obedience, chastity, and poverty, and charged […]
	In A Winter Landscape for Standard or Bass Flute and Computer-Generated Track	Electronics ⋅ Flute	5'30"	Byrne, Madelyn	Info/Listen/Buy »	Commissioned by Peter Sheridan in 2011, In A Winter Landscape is an introspective composition intended to convey an austere winter landscape after a powerful storm. The storm, having cleared out the old growth, has made room for new life. It is inspired by the work of Arvo Pärt and John Cage. Recent performances include the […]
Commissioned by Peter Sheridan in 2011, In A Winter Landscape is an introspective composition intended to convey an austere winter landscape after a powerful storm. The storm, having cleared out the old growth, has made room for new life. It is inspired by the work of Arvo Pärt and John Cage. Recent performances include the […]
	Variations for Solo Violin	Violin	6'30"	Dudas, Richard	Info/Listen/Buy »	Variations for Solo Violin was written in 1988 for violinist/violist Christian Colberg, who premiered the work on recitals in Baltimore, Maryland and San Juan, Puerto Rico. The variations are composed not as a set of classical thematic variations, but rather studies in different moods linked to the harmonic underpinning of the opening theme, and infused […]
Variations for Solo Violin was written in 1988 for violinist/violist Christian Colberg, who premiered the work on recitals in Baltimore, Maryland and San Juan, Puerto Rico. The variations are composed not as a set of classical thematic variations, but rather studies in different moods linked to the harmonic underpinning of the opening theme, and infused […]
	Sonata for Clarinet and Piano	Clarinet	16'	Dudas, Richard	Info/Listen/Buy »	Richard Dudas’ Sonata For Clarinet and Piano is a substantial 3-movement work written for clarinet and piano on equal footing. It is included on the U.K. label Clarinet Classics release “TIME PIECES: 60 Years of American Music” featuring clarinetist Peter Furniss and pianist David Leiher-Jones. Program Note Sonata for Clarinet and Piano is dedicated to […]
Richard Dudas’ Sonata For Clarinet and Piano is a substantial 3-movement work written for clarinet and piano on equal footing. It is included on the U.K. label Clarinet Classics release “TIME PIECES: 60 Years of American Music” featuring clarinetist Peter Furniss and pianist David Leiher-Jones. Program Note Sonata for Clarinet and Piano is dedicated to […]
	Dos Cabeceos two violins, cello, piano	Cello ⋅ Violin	4'40"	Oswald, Rebecca	Info/Listen/Buy »	Dos Cabeceos explores the dynamic atmosphere of Argentine tango milongas, including the cortinas — brief periods between the three-song sets when available partners might invite and accept dance invitations by exchanging small, potent nods (cabeceos) of the head. Three slow, expressive passages of complex harmonic colors alternate with two active, intense musical episodes evocative of […]
Dos Cabeceos explores the dynamic atmosphere of Argentine tango milongas, including the cortinas — brief periods between the three-song sets when available partners might invite and accept dance invitations by exchanging small, potent nods (cabeceos) of the head. Three slow, expressive passages of complex harmonic colors alternate with two active, intense musical episodes evocative of […]
	Four Folk Hymn Preludes Violin and Organ	Organ ⋅ Violin	17'	Ramsey, Dale	Info/Listen/Buy »	These pieces for violin and organ are based on folk melodies that are commonly used in contemporary hymnbooks. As such, they are individually useful for worship services. As a group they work quite well for recitals or study purposes. Protestant congregations will most likely be familiar with some of the melodies — some perhaps even […]
These pieces for violin and organ are based on folk melodies that are commonly used in contemporary hymnbooks. As such, they are individually useful for worship services. As a group they work quite well for recitals or study purposes. Protestant congregations will most likely be familiar with some of the melodies — some perhaps even […]
	Alaskan King a crab canon for two cellos	Cello	7'	Mallonee, Caroline	Info/Listen/Buy »	Alaskan King is a crab canon. In the second half of the piece, each cellist plays the other cellist’s part from the first half backwards. Another way to say this is that the piece is a palindrome with the parts switched halfway through. Alaskan King was written for Natasha and Evelyn Farny. (Order contains two […]
Alaskan King is a crab canon. In the second half of the piece, each cellist plays the other cellist’s part from the first half backwards. Another way to say this is that the piece is a palindrome with the parts switched halfway through. Alaskan King was written for Natasha and Evelyn Farny. (Order contains two […]

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