O mistress mine

for SATB, unaccompanied, with divisi

A short, vivacious setting of a favorite passage from Shakespeare’s comedy, Twelfth Night.

SKU: EMH-003 Categories: Choral Music, Mixed Voices Instrumentation: Choral

Duration:	1-5 Minutes
Voicing:	SATB
Language:	English

$2.00

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Explore More Music…

	Title	Voicing	Duration	Language	Composer
	Angels Watching Over Me for SATB a cappella choir, with soprano solo MDC-004	SATB	4'15"	English	Connor, Michal Dawson	Info/Listen/Buy »

	How Can I Keep from Singing SATB choir with piano SPN-007	SATB	3'30"	English	Paxton, Steven	Info/Listen/Buy »	The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
	How Can I Keep from Singing SSA choir with piano SPN-009	SSA	3'30"	English	Paxton, Steven	Info/Listen/Buy »	The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
	I Hear Music in the Air for SATB a cappella choir, with soprano solo MDC-014	SATB	4'30"	English	Connor, Michal Dawson	Info/Listen/Buy »	This Spiritual has one of the most beautiful melodies in the entire canon, and is appropriate for inclusion in a worship service, or concert setting. The yearning and exalted words and simple melody, are as timely today as when this song was first composed.
This Spiritual has one of the most beautiful melodies in the entire canon, and is appropriate for inclusion in a worship service, or concert setting. The yearning and exalted words and simple melody, are as timely today as when this song was first composed.
	I Saw a Peacock with a Fiery Tail for double choir CME-003	SATB ⋅ SATB+SATB	3'	English	Mallonee, Caroline	Info/Listen/Buy »	A 17th-century riddle poem, “I Saw a Peacock With a Fiery Tail” at first seems fantastical: A peacock with a fiery tail! I saw a comet drop down hail! Full of evocative text painting, this choral setting reveals the sense of the poem by dividing each line between the two choirs and then reordering the […]
A 17th-century riddle poem, “I Saw a Peacock With a Fiery Tail” at first seems fantastical: A peacock with a fiery tail! I saw a comet drop down hail! Full of evocative text painting, this choral setting reveals the sense of the poem by dividing each line between the two choirs and then reordering the […]
	Moon Madrigals (SSAA) for treble voices (SSAA), a cappella CME-022	SATB	7'	English	Mallonee, Caroline	Info/Listen/Buy »	A poignant set of modern-day madrigals is crafted from three exquisite poems by Christina Rossetti that pay homage to the moon. SATB version also available »
A poignant set of modern-day madrigals is crafted from three exquisite poems by Christina Rossetti that pay homage to the moon. SATB version also available »
	Nature Motets for mixed choir, a cappella CME-018	SATB	15'	English	Mallonee, Caroline	Info/Listen/Buy »	“Nature Motets” is a set of four pieces for a cappella choir. The texts celebrate nature in all its glory, and are by John Muir, John Ruskin, and Sarah Teasdale. Each movement can be performed as a stand-alone piece.
“Nature Motets” is a set of four pieces for a cappella choir. The texts celebrate nature in all its glory, and are by John Muir, John Ruskin, and Sarah Teasdale. Each movement can be performed as a stand-alone piece.
	O Pray for the Peace of Jerusalem for SATB choir and optional organ POA-005	SATB ⋅ SSAATTB	4'	English	O'Shea, Patrick	Info/Listen/Buy »	“O Pray for the Peace of Jerusalem” was written for John Patrick Cardinal Foley, the Grand Master of the Equestrian Order of the Holy Sepulchre of Jerusalem. It received its first performance on February 11th, 2011 in St. Peter’s Basilica at the Vatican by the Saint Mary’s University Chamber Singers, with the composer conducting.
“O Pray for the Peace of Jerusalem” was written for John Patrick Cardinal Foley, the Grand Master of the Equestrian Order of the Holy Sepulchre of Jerusalem. It received its first performance on February 11th, 2011 in St. Peter’s Basilica at the Vatican by the Saint Mary’s University Chamber Singers, with the composer conducting.
	Wave Over Wave for mixed chorus and piano POA-012	SATB	3' 25"	English	O'Shea, Patrick	Info/Listen/Buy »	This heartfelt folksong was written by Newfoundlander Jim Payne (b. 1955) in 1994, and appeared as the title song for the Album “Wave Over Wave: Old and New Songs of Atlantic Canada,” with Fergus O’Byrne (1996). The song was also very successfully recorded by the Newfoundland folk rock band Great Big Sea, which released it […]
This heartfelt folksong was written by Newfoundlander Jim Payne (b. 1955) in 1994, and appeared as the title song for the Album “Wave Over Wave: Old and New Songs of Atlantic Canada,” with Fergus O’Byrne (1996). The song was also very successfully recorded by the Newfoundland folk rock band Great Big Sea, which released it […]
	Were You There? for baritone solo and SATB choir, a cappella MDC-017	SATB	–	English	Connor, Michal Dawson	Info/Listen/Buy »	This gorgeously heartfelt Spiritual gently asks the listener, exactly “where they were”, on the dark day when Jesus Christ was brutally crucified… and points an unflinching finger at themselves; a witness to the degrading torture and death that He endured, to expiate the world’s sins. In the entire canon of liturgical hymnody, very few pieces […]
This gorgeously heartfelt Spiritual gently asks the listener, exactly “where they were”, on the dark day when Jesus Christ was brutally crucified… and points an unflinching finger at themselves; a witness to the degrading torture and death that He endured, to expiate the world’s sins. In the entire canon of liturgical hymnody, very few pieces […]