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Title | View | Instrumentation | Duration | Composer | ||
|---|---|---|---|---|---|---|
for mixed choir and keyboard | 4' | This simple Christmas setting resulted from an international collaboration between Brian Holmes of California and Gordon Thornett from the UK. Brian’s poem has been set for mixed voices (SATB) and piano (or organ). The piece describes how the cold of winter is turned into spring by the coming of the Christ Child. Bright was the […] | ||||
4' | A grand, stately processional, perfect for a formal wedding or a festive occasion or concert. Based on a nine-tone scale, it has a modern quality, but without harshness. The piece is sectional in nature, making it easily adjustable to a specific wedding party and space. The piece is also available in an Organ and Brass […] | |||||
for organ | 2' 25" | Organ Voluntary on an Ancient Hymn tune from Medieval times, often associated with Festival Celebrations in Christian Churches. The tune is also known as “Deo Gratias”. It is most often associated with the hymn “O Love, How Deep, How Broad, How High”. This dramatic piece works perfectly as a prelude to a worship service in […] | ||||
for Pipe Organ | 3' 45" | “Festival Flourish” is an adventurous fantasy piece on the well-loved hymntune, “Union Seminary” which is commonly associated with the words “Draw Us in the Spirit’s Tether”. The music is appropriate for Festival Sunday Worship or Concert. The middle section, which directly quotes the melody, can be used as an introduction to the hymn before singing. | ||||
15' | This group of “character” pieces are not profound, intellectual, historic, serious or sacred. Rather, they are light-hearted, brief, clever perhaps, even cheerful secular works. Still, they are written in a modern style and are pieces that informed music lovers should find entertaining. The titles suggest various “conversations” one might have with others: A Pronouncement, A […] | |||||
for organ | 3' 50" | This short prelude was written as a processional to precede a festive arrangement of the ancient cherubic hymn, “Let all mortal flesh keep silence”, which received its first performance at Berlin Cathedral on November 29th 2017. This was commissioned to mark the 25th anniversary of John F Kennedy School’s annual Advent services, in collaboration with […] | ||||
for flute and organ | 4'45" | Peaceful Spirit is a gentle, idyllic piece that might best be described as a pastorale. The Flute and Organ play together in a quiet give-and-take dialog. Neither part is difficult. It is appropriate anywhere a soft, melodic piece is called for. Audience appeal is very strong. | ||||
for SATB Choir with optional Organ | 2' 30" | A short call to worship for SATB choir with optional organ accompaniment. Composed for the installation of The Reverend Kenneth Crawford at the Parish of St. James the Great, Darlington, England, July, 2014. | ||||
Soprano and organ | 4' 00" | Sacred song for voice and organ. My setting of Shema Israel. Margaret Tyler, soprano Simon Holt, organ | ||||
for Soprano Solo, Mixed Choir, Organ, Brass and Timpani | 10' 15" | Gloria in D was premièred in December 2014 by the Bel Canto Chorus, Milwaukee in their ‘Christmas in the Basilica’ concerts. It is written for a large chorus, soprano soloist, brass ensemble, consisting of three trumpets and three trombones, timpani and organ. Richard Hynson, who conducted the première in Milwaukee, writes: “As music Director of […] |