Mezzo-Soprano
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Title | View | Instrumentation | Duration | Composer | ||
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for medium voice and piano | 3'10" | |||||
female voice and piano | 3'30" | This setting of Henry Wadsworth Longfellow’s 1845 poem on the theme of enduring friendship, The Arrow and the Song, was commissioned by the composer’s dear friend Mary Ittelson in 2016. The poem is beloved by adults and children alike, and Ittelson requested that the song be dedicated to her “friends and their friends.” The Arrow […] More info & view score » | ||||
for medium voice and piano | 2'45" | |||||
for Mezzo Soprano, Viola, and Piano | 6'45" | The Over Journey gives voice to the über-Romantic yearnings of 19th Century German poet Novalis (Friedrich von Hardenberg). The poet’s fascination with death, art, and the loss of his young fiancee permeates this piece, as the poet dreams of one day reuniting with his lost love. More info & view score » | ||||
For unaccompanied mezzo-soprano | 3' | This setting has special meaning for me, both as a father and as a personal friend of the poet. Anthony Jesse and I share many fond memories from our bohemian 20’s living in San Francisco. He studied guitar at the San Francisco Conservatory of Music, I was a pianist taking a gap year before graduate […] More info & view score » | ||||
for mezzo-soprano and piano | 4' | This setting has special meaning for me, both as a father and as a personal friend of the poet. Anthony Jesse and I share many fond memories from our bohemian 20’s living in San Francisco. He studied guitar at the San Francisco Conservatory of Music, I was a pianist taking a gap year before graduate […] More info & view score » | ||||
for Soprano (or mezzo soprano) and piano | 3' | Mondnacht begins with a dialogue of soft chords that bounce between separate registers, personifying the poetic imagery of the Earth and Sky sending amorous intentions to each other. The second stanza accompaniment responds with slightly faster, flowing 16th notes that mimic the image of the breeze passing through the fields with the ears of grain […] More info & view score » | ||||
for voice and piano | 2' | A song of longing, on seeing the flight of a pelican at Big Sur, “the greatest meeting of land and water in the world” (James Conaway). The poem is from Visions: The Collected Poems of Patricia Doherty, copyright © 2009 by the Estate of Patricia Doherty. More info & view score » | ||||
for mezzo-soprano and piano | 8'45" | Three settings of texts by the Shenandoah Valley poet Michael Fitzgerald. Though written originally for baritone Alan Dunbar, the songs may also be performed by mezzo-soprano (this version). The works are sensitive to the demands of the imagery-rich texts and employ an extended tonal harmonic palette. The piano parts present a few technical challenges, but […] More info & view score » | ||||
Woman's voice and piano | 3'30" | The poem is from Visions: The Collected Poems of Patricia Doherty, copyright © 2009 by the Estate of Patricia Doherty More info & view score » |