If I Can Sing, I Still am Free

for SATB choir and piano

2016 Idaho All-State, 2018 Arkansas All-State selection

“If I Can Sing, I Still Am Free” was the winner of the San Diego choir SACRA/PROFANA’s 2014 composition competition. It’s an ideal piece for festivals and large ensembles, with a text that champions inner strength in the face of adversity. It has quickly become one of Campbell’s most performed works, performed by high school, collegiate, and community & professional ensembles.

Here’s what SACRA/PROFANA director, Krishan Oberoi, had to say about the piece: “We were struck by Rich Campbell’s unconventional approach to Sara Teasdale’s poem, ‘Refuge’. Rich’s setting of the text represents a radical departure from almost all other choral settings of the poem. Campbell eschews an introspective interpretation of the poem (which seems like the natural response to Teasdale’s pensive text), favoring instead a brash, declamatory setting which mirrors the composer’s own contemporary urban environment. The musical language reflects Campbell’s eclectic musical influences, incorporating strains of jazz, musical theater, and balletic composers like Stravinsky in a propulsive union that carries the listener forward to a rousing climax of human affirmation.“

SKU: RCL-003 Categories: Choral Music, Mixed Voices Instrumentation: Choral

Descriptive Tags:	Inspiration, Music About Music, Poetry, Singing
Difficulty:	Intermediate
Season or Event:	Graduation
Instrumentation:	Piano
Sacred or Secular:	Secular
Duration:	1-5 Minutes
Voicing:	SATB
Language:	English

$2.50

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Explore More Music…

Title/Info
All the Pretty Little Horses for unison chorus and piano by Mark Growden • 2'27"	A moving setting of the classic American lullaby. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles. The students we arranged this for absolutely loved it. We hope your choir does too.
A moving setting of the classic American lullaby. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles. The students we arranged this for absolutely loved it. We hope your choir does too.
Christmas Time in the Eyes of a Child for SATB choir and piano by Gordon Thornett • 2'50"	Christmas Time in the Eyes of a Child is a light-hearted secular Christmas song for mixed choir (SATB) This version is for mixed choir (SATB), and also incorporates an optional part for children’s choir (in unison) if available. The piece would suit a community choir, or maybe a school choir. There is also an S(A) version for children’s choir, and […]
Christmas Time in the Eyes of a Child is a light-hearted secular Christmas song for mixed choir (SATB) This version is for mixed choir (SATB), and also incorporates an optional part for children’s choir (in unison) if available. The piece would suit a community choir, or maybe a school choir. There is also an S(A) version for children’s choir, and […]
Frè Timoniè (TTB version) for TTB choir with piano and optional percussion by Steven Paxton • 3'	This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for SAB chorus.
This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for SAB chorus.
Go Tell It on the Mountain For Mixed Choir (SATB), piano, bass & violin by Gordon Thornett • 2'30"	This arrangement of the well known spiritual would suit a good school, college or community choir. It is light and a little jazzy in style. While it can be accompanied by piano alone, the addition of string bass and solo violin is to be recommended. Drum kit could also be an optional addition from letter […]
This arrangement of the well known spiritual would suit a good school, college or community choir. It is light and a little jazzy in style. While it can be accompanied by piano alone, the addition of string bass and solo violin is to be recommended. Drum kit could also be an optional addition from letter […]
Hariyu for SATB chorus and piano by Sarah Riskind • 3'	This upbeat mixed-meter setting of Psalm 100 in Hebrew was inspired by Bernstein’s Chichester Psalms. The difficulty level is moderate, suitable for high school, college, and community choirs. It was premiered by Triad: Boston’s Choral Collective. The English translation is as follows: 1 Shout for joy to the Lord, all the earth. 2 Worship the […]
This upbeat mixed-meter setting of Psalm 100 in Hebrew was inspired by Bernstein’s Chichester Psalms. The difficulty level is moderate, suitable for high school, college, and community choirs. It was premiered by Triad: Boston’s Choral Collective. The English translation is as follows: 1 Shout for joy to the Lord, all the earth. 2 Worship the […]
Jacob Wrestling for SATB chorus a cappella by Emily Hope • 4'45"	Charles Wesley’s hymn text based on the story of Jacob wrestling with the angel depicts a deeply human struggle for truth and understanding. This a cappella setting of the text grows with the building intensity of Jacob’s determination, finally breaking into the joy of revelation and reassurance in the final verse.
Charles Wesley’s hymn text based on the story of Jacob wrestling with the angel depicts a deeply human struggle for truth and understanding. This a cappella setting of the text grows with the building intensity of Jacob’s determination, finally breaking into the joy of revelation and reassurance in the final verse.
Roll the Tide for mixed chorus a cappella by Michael Kaulkin • 2'50"	Roll the Tide is a short, a cappella setting in a quasi-spiritual style of Elisabeth T. Eliassen’s poem of peace and longing.
Roll the Tide is a short, a cappella setting in a quasi-spiritual style of Elisabeth T. Eliassen’s poem of peace and longing.
Sleep, Holy Babe for mixed chorus, trumpet by Paul Gibson • 3'	A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
Toodle-oo, Vindaloo! 13 performance rounds for hungry singers by Brian Kogler • 1′30″ - 2′ each	If music be the food of love . . . then you’ll simply love this collection of rounds that has Food as its theme. Expect some heartburn as you sing of pumpkins, peas, eels, gammon steak and applesauce—all washed down with ale and black coffee. The twelve rounds encompass many moods and offer more than […]
If music be the food of love . . . then you’ll simply love this collection of rounds that has Food as its theme. Expect some heartburn as you sing of pumpkins, peas, eels, gammon steak and applesauce—all washed down with ale and black coffee. The twelve rounds encompass many moods and offer more than […]
Wexford Carol for Mixed choir, flute, tambourine by Ross C. Bernhardt • 3'