O Adonai

for SATB choir, a cappella

by Sanford Dole

A metrical presentation of the Gregorian chant antiphon harmonised with jazz-inspired chords.

SKU: SDE-011 Categories: Choral Music, Mixed Voices Instrumentation: Choral

Duration:	1-5 Minutes
Language:	English
Voicing:	SATB

$2.00

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Choose Format

Clear

Quantity

Explore More Music…

	Title	Voicing	Duration	Language	Composer
	As in the Days for mixed chorus a cappella PGN-010	SATB	3'30"	English	Gibson, Paul	Info/Listen/Buy »	The words of Job are paired with the style of the American work song or chain gang song for this a cappella SATB setting.
The words of Job are paired with the style of the American work song or chain gang song for this a cappella SATB setting.
	Away in a Manger for mixed choir and soprano solo GTT-014xx	SATB	2'40"	English	Thornett, Gordon	Info/Listen/Buy »	This a cappella arrangement of the well-known Christmas carol, “Away in a Manger” is set for SATB, and also features a soprano soloist in the introduction to each verse, at the end and (optionally) in the first verse. The tune is the one most closely associated with these words in the UK, Cradle Song, by […]
This a cappella arrangement of the well-known Christmas carol, “Away in a Manger” is set for SATB, and also features a soprano soloist in the introduction to each verse, at the end and (optionally) in the first verse. The tune is the one most closely associated with these words in the UK, Cradle Song, by […]
	Jane, Do Be Careful 13 performance rounds for young partnered voices BKR-003	Equal Voices ⋅ SSAA	Each round 1′30″ to 2′ (in performance)	English	Kogler, Brian	Info/Listen/Buy »	The round is the first tool of any music teacher wishing to develop in children an ability to listen to others while holding an independent line. Rounds also build cohesion among singers, providing opportunities to improve ensemble, sight-reading, articulation and breathing. Here are thirteen original rounds of varying difficulty for Youth Choir: while intended for […]
The round is the first tool of any music teacher wishing to develop in children an ability to listen to others while holding an independent line. Rounds also build cohesion among singers, providing opportunities to improve ensemble, sight-reading, articulation and breathing. Here are thirteen original rounds of varying difficulty for Youth Choir: while intended for […]
	Loch Lomond for mixed choir a cappella JBN-014	SATB	4'	English	Bernstein, Jeffrey	Info/Listen/Buy »

	My Head Fell Off 13 Comic rounds for partnered voices BKR-002	Equal Voices ⋅ SSAA ⋅ SSAB	Each round 1′30″ to 2′ (in performance)	English ⋅ Latin	Kogler, Brian	Info/Listen/Buy »	The round in Western culture has been associated as closely with wit as it has with praise. Here are thirteen risible rounds of varying difficulty intended for a cappella performance. Admirably suited to treble voices, they may be sung by mixed groups of all ages. The lyrics are light and teasing, the music jaunty and […]
The round in Western culture has been associated as closely with wit as it has with praise. Here are thirteen risible rounds of varying difficulty intended for a cappella performance. Admirably suited to treble voices, they may be sung by mixed groups of all ages. The lyrics are light and teasing, the music jaunty and […]
	My Lord, What a Morning for SATB a cappella choir with soprano solo MDC-002	SATB	3'45"	English	Connor, Michal Dawson	Info/Listen/Buy »	This early Nineteenth Century melody literally throbs with the pathos and dreams of an enslaved people, looking heavenward for deliverance. Scored for a cappella SATB choir, and soprano solo, this lush arrangement makes one stop in awe and wonderment, at such beauty born from the deepest despair.
This early Nineteenth Century melody literally throbs with the pathos and dreams of an enslaved people, looking heavenward for deliverance. Scored for a cappella SATB choir, and soprano solo, this lush arrangement makes one stop in awe and wonderment, at such beauty born from the deepest despair.
	O Child for SATB a cappella MRS-001	SATB	4'30"	English	Roberts, Mike	Info/Listen/Buy »	“O Child” is written from the perspective of Joseph and Mary, imagining what they might have been thinking and feeling when they first beheld the newborn baby Jesus. Composer Michael T. Roberts also penned the words, inspired by his experience as a father of two.
“O Child” is written from the perspective of Joseph and Mary, imagining what they might have been thinking and feeling when they first beheld the newborn baby Jesus. Composer Michael T. Roberts also penned the words, inspired by his experience as a father of two.
	Prophecy for SSSSAAAB chorus unaccompanied SPN-016	SSAATB	4'	English	Paxton, Steven	Info/Listen/Buy »	Multiple divisi lines in soprano and alto and unison tenor/bass create an effective textural setting of this text from Isaiah 42: “Behold my servant, whom I uphold: my chosen one in whom I delight.” SSSSAAAB unaccompanied.
Multiple divisi lines in soprano and alto and unison tenor/bass create an effective textural setting of this text from Isaiah 42: “Behold my servant, whom I uphold: my chosen one in whom I delight.” SSSSAAAB unaccompanied.
	Set Me As a Seal for mixed chorus a cappella PHD-002	SATB ⋅ SSATB	2'	English	Hilliard, Peter	Info/Listen/Buy »	“Love is strong as death” This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike.
“Love is strong as death” This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike.
	The Children’s Hour for actor, soprano solo, SATB choir and Piano ASA-001	SATB	12'	English	Roque Santana, Alberto	Info/Listen/Buy »	The Children’s Hour is a setting of Henry Wadsworth Longfellow’s poem of the same name (first published in 1860) composed by Alberto Roque Santana for the Bowdoin Chamber Choir during the summer of 2011. The work is written for an actor, soprano solo, mixed choir and piano, and the composer writes that “the weight of the […]
The Children’s Hour is a setting of Henry Wadsworth Longfellow’s poem of the same name (first published in 1860) composed by Alberto Roque Santana for the Bowdoin Chamber Choir during the summer of 2011. The work is written for an actor, soprano solo, mixed choir and piano, and the composer writes that “the weight of the […]