Popule Meus

for SSAB choir with optional organ

Voiced for SSAB with optional organ. A combination of Latin, English, and Greek text. The Improperia, also known as the Reproaches, are a series of antiphons and responses used on Good Friday that remind us of the atrocity of our sin. God had repeatedly saved us and we repeatedly rejected Him.

Here I have put the first refrain, Popule Meus (Micah 6:3), in four part Latin. The other reproach verses, of which I have used three, are placed in a natural chant line voiced by one or more second sopranos and written in English. The Trisagion refrain is sung in Greek by the baritones followed by English for three part women. The Popule Meus ends the piece. If you wish to use more of the verses you can certainly accommodate them within the structure here. An optional, simple complimentary organ part is included if the director feels it desirable or necessary.

Vocal Ranges: Soprano 1 : E♭4 – D5 Soprano 2 : D4 – C5 Alto : B♭3 – G4 Baritone : Bb2 – D4

ISMN 979-0-9025253-4-3

If you perform this piece we would like to know – [email protected]

SKU: RDD-005 Categories: ,
Language: English, Greek, Latin
Voicing: SSAB
Sacred or Secular: Sacred
Descriptive Tags: Chant, Crucifixion, Liturgical text
Season or Event: Holy Week
Difficulty: Medium

$2.00

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Quantity

Explore More Music…

Filters Sort results
Reset Apply
Title
View
Voicing
Duration
Language
Composer
14 rounds from the Chapel for mixed voices
BKR-007
Equal Voices
SSAA
Each round 1′30″ to 2′ (in performance)
English
Latin
The modern Chapel is a meeting-place for diverse musical expression, a place where choral polyphony has long had a home. The term “a cappella” (“in the style of the chapel”) evokes the sound of a Renaissance chorus unaided by any church organ. This original collection of 14 sacred and biblical rounds (a “poor man’s polyphony”) […]
for mixed choir and piano or orchestra
GTT-017
SATB
6'
English
This setting of the traditional Harvest hymn, “We plough the fields and scatter”, is written in popular style, a little syncopated. The choir parts are mainly in Unison, with short passages in harmony (SATB). There is also a simple Unison part for the audience/congregation to join in (“All good gifts around us”), and simple percussion […]
for SATB choir and piano
GTT-027
6'45"
These simple folksong arrangements were made for two community choirs based in Selly Oak, Birmingham, but they would be equally suitable for school choirs or other groups. Included are well known songs from England, Wales, Scotland and Ireland, which are woven into a continuous piece lasting about six and a half minutes. The medley starts […]
for mixed & children's choirs and orchestra
GTT-023
SATB
SSATTBB
Unison
6' 30"
English
  ‘Rejoice! A Christmas Fanfare’ was written as the opening number for a series of four Christmas Concerts held in Birmingham’s Symphony Hall in December 2015. As a number of youth choirs and a community chorus were taking part in these concerts, they were all involved individually and jointly in the piece, which was built […]
for mixed choir and piano
WCL-005
SATB
4'20"
English
Deep peace of the running wave to you.Deep peace of the flowing air to you.Deep peace of the quiet earth to you.Deep peace of the shining stars to you.Deep peace of the Son of Peace to you. (Words adapted from an ancient Gaelic blessing)
for mixed choir, SATB with some divisions
GTT-024
SATB
3'
English
This new setting of the Christmas/Epiphany words, “As with gladness, men of old did the guiding star behold” seeks to emphasize the joyful nature of the visit of the Magi to the Christ child. Set in a lively 7/8 time, it is mainly in four parts (SATB), although the 3rd verse, “As they offered gifts most rare” […]
for mixed choir (SATB) and piano/organ
GTT-011
SATB
2' 30"
Norwegian
Kling No Klokka is a Norwegian folksong, about church bells ringing out at Christmastime. The words are in Norwegian, and the setting is for four-part choir (SATB), with organ or piano accompaniment. This arrangement was made for the Boys’ Choir at Trondheim Cathedral in Norway, the Nidarosdomens Guttekor, and their conductor, Bjørn Moe, and will […]
for SATB or unison voices and keyboard
SATB
Unison
5' 13"
English
This setting of Evensong Canticles (BCP 1662) is intended for use in those churches which are looking for a relatively simple choral setting, or that don’t always have a mixed choir and need the flexibility of being able to sing the canticles in unison where necessary, or where a choir of children’s/women’s voices or men’s […]
for SSA adult or children's choir and piano
SWM-020
SSA
2'
Hebrew
Psalm 117 (Hallelu et Adonai) is a compact, ecstatic setting of the shortest psalm—a direct call for all peoples to praise—building to an exuberant “Halleluya!” Beyond its liturgical roots, it also works as a vivid, high-energy concert opener or closer, celebrating joy, invitation, and collective voice. At a glance SSA • piano • c. 2′ […]
for mixed chorus, trumpet
PGN-011
SATB
3'
English
A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.
Shopping Cart