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Title | View | Instrumentation | Duration | Composer | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| for Chorus, Soprano Solo, Chamber Orchestra & Organ | Choral | 33' | Mr. Ramsey’s Requiem sets the traditional Latin mass for the dead. It is intended to be a liturgical work, but is also at home in a sacred concert setting. The music stands in the traditions of Duruflé and Fauré, but is different from both. Two performances prove it to be within reach of non-professional, church […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Mr. Ramsey’s Requiem sets the traditional Latin mass for the dead. It is intended to be a liturgical work, but is also at home in a sacred concert setting. The music stands in the traditions of Duruflé and Fauré, but is different from both. Two performances prove it to be within reach of non-professional, church […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| for organ | Organ | 2'40" | Dale Ramsey’s Prelude for Organ is a quiet, melodic piece for the Oboe stop on the organ. Intended as a prelude piece for a wedding, it works well as a prelude for general worship, or any time a brief, quiet piece is appropriate. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Dale Ramsey’s Prelude for Organ is a quiet, melodic piece for the Oboe stop on the organ. Intended as a prelude piece for a wedding, it works well as a prelude for general worship, or any time a brief, quiet piece is appropriate. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| for Pipe Organ | Organ | 7' 00" | An organ “Fantasy” based on the hymntune Crucifer, which is used with the popular hymn “Lift High the Cross”. This seven-minute work was the first prize winner of an international competition celebrating the 75th anniversary of the Greater Kansas City Area Chapter of the American Guild of Organists, and was premiered by organist Chelsea Chen […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| An organ “Fantasy” based on the hymntune Crucifer, which is used with the popular hymn “Lift High the Cross”. This seven-minute work was the first prize winner of an international competition celebrating the 75th anniversary of the Greater Kansas City Area Chapter of the American Guild of Organists, and was premiered by organist Chelsea Chen […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Clarinet | 16' | Richard Dudas’ Sonata For Clarinet and Piano is a substantial 3-movement work written for clarinet and piano on equal footing. It is included on the U.K. label Clarinet Classics release “TIME PIECES: 60 Years of American Music” featuring clarinetist Peter Furniss and pianist David Leiher-Jones. Program Note Sonata for Clarinet and Piano is dedicated to […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Richard Dudas’ Sonata For Clarinet and Piano is a substantial 3-movement work written for clarinet and piano on equal footing. It is included on the U.K. label Clarinet Classics release “TIME PIECES: 60 Years of American Music” featuring clarinetist Peter Furniss and pianist David Leiher-Jones. Program Note Sonata for Clarinet and Piano is dedicated to […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| two violins, cello, piano | Cello ⋅ Violin | 4'40" | Dos Cabeceos explores the dynamic atmosphere of Argentine tango milongas, including the cortinas — brief periods between the three-song sets when available partners might invite and accept dance invitations by exchanging small, potent nods (cabeceos) of the head. Three slow, expressive passages of complex harmonic colors alternate with two active, intense musical episodes evocative of […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Dos Cabeceos explores the dynamic atmosphere of Argentine tango milongas, including the cortinas — brief periods between the three-song sets when available partners might invite and accept dance invitations by exchanging small, potent nods (cabeceos) of the head. Three slow, expressive passages of complex harmonic colors alternate with two active, intense musical episodes evocative of […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Violin and Organ | Organ ⋅ Violin | 17' | These pieces for violin and organ are based on folk melodies that are commonly used in contemporary hymnbooks. As such, they are individually useful for worship services. As a group they work quite well for recitals or study purposes. Protestant congregations will most likely be familiar with some of the melodies — some perhaps even […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| These pieces for violin and organ are based on folk melodies that are commonly used in contemporary hymnbooks. As such, they are individually useful for worship services. As a group they work quite well for recitals or study purposes. Protestant congregations will most likely be familiar with some of the melodies — some perhaps even […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| for string orchestra | Orchestra | 15' | Note: The price here is for the score only. If you would like a perusal score to consider for performing the work, contact [email protected]. Letter to Hungary was premiered in Budapest, Hungary in November, 2005, by the Hungarian Chamber Symphony Orchestra, conducted by Alberto Santana. The HCSO commissioned the work to open their inaugural “American […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Note: The price here is for the score only. If you would like a perusal score to consider for performing the work, contact [email protected]. Letter to Hungary was premiered in Budapest, Hungary in November, 2005, by the Hungarian Chamber Symphony Orchestra, conducted by Alberto Santana. The HCSO commissioned the work to open their inaugural “American […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| a crab canon for two cellos | Cello | 7' | Alaskan King is a crab canon. In the second half of the piece, each cellist plays the other cellist’s part from the first half backwards. Another way to say this is that the piece is a palindrome with the parts switched halfway through. Alaskan King was written for Natasha and Evelyn Farny. (Order contains two […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Alaskan King is a crab canon. In the second half of the piece, each cellist plays the other cellist’s part from the first half backwards. Another way to say this is that the piece is a palindrome with the parts switched halfway through. Alaskan King was written for Natasha and Evelyn Farny. (Order contains two […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| for saxophone quartet | Saxophone | 7' 30" | A high-energy, post-mimalist piece written for the PRISM Saxophone Quartet, Hammering Away (at the Great Unknown) is a tour de force for four saxophones. It was commissioned by The Walden School in 2005. Hammering Away (at the Great Unknown) attacks one chord structure. Listen for canons, chains of suspensions, inversion, augmentation, and other fun compositional […] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| A high-energy, post-mimalist piece written for the PRISM Saxophone Quartet, Hammering Away (at the Great Unknown) is a tour de force for four saxophones. It was commissioned by The Walden School in 2005. Hammering Away (at the Great Unknown) attacks one chord structure. Listen for canons, chains of suspensions, inversion, augmentation, and other fun compositional […] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| for viola and electronics | Electronics ⋅ Viola | 7' | The electronics required to perform this piece can be downloaded directly from the composer’s web site. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| The electronics required to perform this piece can be downloaded directly from the composer’s web site. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||