Choral
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Title | View | Instrumentation | Duration | Composer | ||
|---|---|---|---|---|---|---|
for soprano solo, chorus and chamber orchestra | 25' | A lyrical meditation on friendship and loss, Cycle of Friends is a concert centerpiece with texts ranging from Sappho and Emily Dickinson to Tang-dynasty China and pre-Columbian Mexico. A soprano soloist serves as an intimate narrator, while the orchestra supplies vivid, transparent color around lyrical choral writing. Completed and premiered in 1996, a newly revised […] | ||||
for mixed chorus a cappella | 2'50" | Roll the Tide is a short, a cappella setting in a quasi-spiritual style of Elisabeth T. Eliassen’s poem of peace and longing. | ||||
for mixed chorus a cappella | 2' | “Love is strong as death” This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike. | ||||
for SATB chorus and piano | 3' | “Without listening, there is no song…” The text by Matt Boresi emphasizes the importance of listening in music and in life, a timely message for our world. A flowing piano part, lush harmonies and a soaring melody will make this a satisfying and meaningful addition to your library. “Listen” was written to celebrate the 70th […] | ||||
for SSA and piano | 4'50" | Setting a romantic, old-style text by David Umeda, this piece for girls’ choirs is written so that groups of differing abilities may take part. | ||||
for SA choir, piano, and optional oboe | 2'20" | “L’amour de moy” (English title: The Garden and the Nightingale) was commissioned for the Intermediate Choir of the L.A. Children’s Chorus, and premiered by them in June 2008 at Ambassador Auditorium in Pasadena, with Mandy Brigham conducting. Its character is light and lively. | ||||
for mixed chorus a cappella | 5'50" | Near the turn of the 20th century, Colin Sterne penned a tender Christmas text, which has been transformed into a Christmas lullaby. | ||||
for mixed voices and string quartet | 7'30" | This short cantata on spring evokes expressive texts by John Milton, anonymous, and E.E. Cummings. | ||||
for mixed chorus, trumpet | 3' | A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program. | ||||
for mixed chorus a cappella | 3'30" | The words of Job are paired with the style of the American work song or chain gang song for this a cappella SATB setting. |