Choral
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Title | View | Instrumentation | Duration | Composer | ||
|---|---|---|---|---|---|---|
| for SSAA Chorus and Body Percussion | Choral | 3'45" | This piece was written while walking through the Mission District of San Francisco on a rainy evening. California has been experiencing a serious drought these past few years. I was thrilled to feel the raindrops, hence the celebratory feeling of the piece. — Mark Growden Also available in SATB and SSAA versions. | |||
| for mixed choir and organ | Choral | 3'30" | Sometimes, our joys (and sorrows!) are so intense that they seem to transcend words. This idea forms the basis of Luminous Joy, whose text is only phonemes which have no meaning. Or rather, the “meaning” is left up to each individual singer, and, indeed, each individual listener. What is perhaps more concrete is the character […] | |||
| for SSATB Choir, unaccompanied | Choral | 6' | An English translation of the poem “Friede auf Erden” by Conrad Ferdinand Meyer (1825-1898) is set for SSATB choir unaccompanied. Referencing the Christmas story, this setting brings to life the text with lush harmonies freely changing key centers as the story progresses. Each of the four stanzas ends with a variation on the musical material […] | |||
| for SATB choir | Choral | 9'30" | The Vocális Chamber Choir commissioned Songs of Crystal for their 15th anniversary. The traditional gift for a fifteenth anniversary is crystal, so for this commission Mallonee linked four poems by Sara Teasdale and created a set that explores each of the four seasons. | |||
| for SATB choir | Choral | 6' | This poignant setting of a poem by Christina Rossetti is dedicated to the memory of Michael Friedman, a dear friend, songwriter, lyricist, and composer, who died too young. The opening two notes (C#-D), at first soft and pensive, lengthen to a three-note motive (C#-D-F#) that is woven into the texture of the six-minute piece, a […] | |||
| for SATB chorus | Choral | 4' | A charming setting of a Carl Sandburg poem for a cappella chorus (SATB) laden with evocative images of shooting stars and seahorses. | |||
| for unison chorus and piano | Choral | 2'27" | A moving setting of the classic American lullaby. Good for developing singers, but also a good choice for some lovely unison singing with more advanced ensembles. The students we arranged this for absolutely loved it. We hope your choir does too. | |||
| for TBB chorus, piano, and violin | Choral | 5' | In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […] | |||
| for SAB chorus, piano, and violin | Choral | 5' | In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […] | |||
| for SSA chorus, piano, and violin | Choral | 5' | In the poem “Psalm of the Sky,” Rabbi Rachel Barenblat reimagines “The Lord is My Shepherd” (Psalm 23) in a contemporary context. Performers may highlight the many instances of text painting and create contrast between moments of gentleness, boldness, and carefree movement. The last verse of Psalm 23 is included in Hebrew as a coda […] |