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for a cappella SATB choir
SDE-002
SATB
2'30"
Latin
A very rhythmic drive characterizes this exuberant setting of the traditional Christmas text, “Christ is born today” set in Latin. Choirs love to sing the jazzy rhythms and harmonies that require care in tuning, but once mastered create a contemporary sound world that will energize any Christmas concert or service.
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3 short anthems for SATB Choir
SDE-006
SATB
1'45"-2'30"
English
Based on traditional hymns and chants, these three brief anthems present the seasonal texts in a new and compelling way. “Savior of the nations, come!” and “Creator of the stars of night” are easy and very accessible. “Come thou redeemer of the world,” while more advanced, with close harmonies and disparate key changes, repays the […]
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for 2-part choir & organ
ROC-006
SA
SS
5'
English
The Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon) are biblical canticles. Mary sings the Magnificat (“My soul doth magnify the Lord”) on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56). Simeon sings the Nunc dimittis (“Lord, now lettest thou thy servant depart in peace”) […]
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for SATB Chorus
ADY-052
1' 45"
John Mason Neale’s text presents the Nativity of Christ in poetic metaphorical images that suggest more nearly a carol than a hymn. The three stanzas are parallel in structure but different in mood, which offers the basis of the musical setting. Unison and two-part passages lead to the full four-part setting in the last stanza. […]
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for mixed chorus and piano
RMS-003
SATB
3'40"
English
AT THE CROSS is a simple arrangement of the beloved hymn with fresh and poignant harmonies. Set for SATB choir with piano accompaniment, it is moderately easy but rewarding of good musicianship. The light, delicate accompaniment directs the focus onto the text while providing the perfect amount of color and interest. It allows a choir […]
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for SATB choir with piano
RMS-002
4'40"
“Lo, a Rose,” arranged for SATB choir and piano, is a somber, contemplative setting of the incarnation of Christ described in the traditional German carol, “Es ist ein Ros entsprungen”. This arrangement is moderately easy but allows good musicianship to shine. The light and delicate accompaniment, with hauntingly beautiful harmonies, directs the focus onto the […]
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for SATB a cappella
CHR-1606
SATB
2' 10"
Latin
This communion motet, setting the famous 14th century words attributed to Innocent VI, took the prize in the Composition Competition of The Wessex Festival in August 2016. It has since been sung in venues including Ripon Cathedral, UK. Set largely homophonically for SATB choir without divisions, its well-structured melody is complemented by the texture created […]
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for soprano/tenor solo, mixed chorus and piano
CHR-1605
SATB
3' 54"
English
A setting of words by Eric Gosney, When Love came to the world is an original carol suitable for use in either services or concerts. Its four verses talk of the response to Christ’s Nativity of the sleeping, unprepared world, the shepherds, the Magi and ourselves today. It is set for SATB choir with Tenor […]
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for Mixed choir, flute, tambourine
RBT-009
SATB
3'
English
SATB voices unaccompanied
EMH-005
SATB
2'
Latin
A short, meditative setting of the familiar Latin hymn text, particularly suitable for use as an introit during the seasons of Advent, Christmas, and Epiphany. Scored for 4-part SATB voices, this motet is simple enough to be enjoyed by volunteer church choirs and professional/collegiate choirs alike.
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for SATB chorus and organ/piano
MTN-027
SATB
4'40"
Latin
The text of the Ave Maria…virgo serena is taken from a cantorale, or hymn, which can be found in the medieval manuscript E-Bc 911 located in the Catalonian town of Girona. The text differs from the more well-known Ave maria…benedicta tu in mulieribus of which many composers, like Victoria, Schubert, and Gounod, have set to […]
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for mixed choir a cappella
MTN-012
SATB
17'
Latin
Missa Brevis consists of seven short movements  for SATB chorus, a cappella. The term Missa Brevis translates as “short mass.” It is derived from the mass of the ordinary (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei) but with some movements removed. Many composers from the renaissance to the modern era have composed settings of “short […]
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for mixed choir a cappella
SDE-008
SATB
2'20"
English
Latin
A lovely setting of the well-known communion prayer by Thomas Aquinas (1225-1274), this version has the choir sing both the original Latin and later in English translation. This anthem is indicative of my compositional style, including rapidly shifting harmonic centers. However, it is very approachable for both the singers and listeners, employing simple four-part harmonies […]
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for mixed choir a cappella with alto & baritone soli
SDE-007
SATB
4'36"
Latin
This energetic setting of Gloria in excelsis Deo, from the Latin Mass, opens with rhythmic patterns that enhance the text. Midway through, the chorus softly occults between two simple chords under an alto then baritone soloists. The opening patterns return before a fugal section at the text “cum santo spiritu.” The final Amen is another […]
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for treble voices
ADY-003
SSA
2'
English
A setting of William Blake’s well-known poem using flexible meter to enhance the flow of the text. Also available in a lower key.
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for SATB divisi Chorus a cappella
MTN-002
SATB
5'20"
Aramaic
Since the dawn of the first century, the text from the gospel of Matthew 6:9-13, known as the Lord’s Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflé and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lord’s Prayer in their repertoire. Probably […]
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