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Title | View | Instrumentation | Duration | Composer | ||
|---|---|---|---|---|---|---|
for high voice and piano | 1'50" | The text comes from Whitman’s “When lilacs last in the dooryard bloom’d,” a lengthy elegy in memory of Abraham Lincoln. My choral setting of another part of this poem has been my most popular work to date. I composed “Sing on there in the swamp” just a few months later and it is in a […] More info & view score » | ||||
for high voice and piano | 3'45" | A setting of a serene, winter poem by the great Elinor Wylie. More info & view score » | ||||
for lyric tenor and piano | 15' | “Chamber Music” is an eight-song cycle for tenor and piano that sets love poems written by James Joyce. More info & view score » | ||||
for male voice and piano | approx. 25' if performed complete | A celebration of Lewis Carroll’s wit, loopy logic, and love of the world of children, “A Lewis Carroll Songbook” includes settings of favorite poems such as Beautiful Soup, Twinkle Twinkle Little Bat, and The Mad Gardener’s Song. Also included are Pen & Ink, Voice of the Lobster, Salmon Song, Speak Softly to Your Little Boy, […] More info & view score » | ||||
for high voice and piano | 1'00" | A brief, energetic setting of a poem from Rudyard Kipling’s ‘The Jungle Book.’ More info & view score » | ||||
for high voice and piano | 2'00" | A short, ethereal setting of a lesser-known passage from Song of Solomon. More info & view score » | ||||
Solo cantata for soprano or tenor and organ | 6' 35" | A setting of Psalm 8, a meditation on the wonders of Creation and the place of humans within it. More info & view score » | ||||
for voice and piano | 2' | A song of longing, on seeing the flight of a pelican at Big Sur, “the greatest meeting of land and water in the world” (James Conaway). The poem is from Visions: The Collected Poems of Patricia Doherty, copyright © 2009 by the Estate of Patricia Doherty. More info & view score » | ||||
for high voice and piano | 2' | The poems are from Visions: The Collected Poems of Patricia Doherty, copyright © 2009 by the Estate of Patricia Doherty More info & view score » | ||||
Tenor solo, men's chorus, and piano | approx. 2' | They Shall Not Hurt, a short Jewish hymn with a flowing melody, expresses clear-eyed but heart-felt devotion. Sung in Hebrew and English and relatively easy to perform, it is an ideal work for Friday night Sabbath service or concert setting. Arthur Lazarus (1925-1993) was music director for Temple Beth Sholom in New City, New York, […] More info & view score » |
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