Peter Hilliard

Peter Hilliard is the composer of ten operas, four musicals, and numerous other works with librettist Matthew Boresi, including The Filthy Habit, a finalist in the National Opera Association chamber opera competition, which has received 11 productions. It was the first opera ever presented in the Chicago Fringe Festival and was the subject of an Emmy nominated public television feature in Minnesota. His latest opera Circe on Superior premiered in Minnesota in the Fall of 2024.  The Last American Hammer, a bluegrass opera,  has been produced at Urban Arias, Pittsburgh Opera, the University of Illinois, and Opera Grand Rapids. His opera Blue Viola has had productions at Urban Arias, Lyric Opera of The North and Opera Memphis. He is currently writing a new musical in collaboration with Boresi, along with Julie and Nathan Gunn.

Also an active orchestral and choral composer, Hilliard has music directed on both coasts and Off Broadway. He has conducted several productions with the International Gilbert and Sullivan festival in the UK, where he was named best music director in 2024. His performing edition of Victor Herbert’s 1911 Opera Natoma, crafted using the original parts at the Library of Congress was heard in a full reading in New York in 2014 for the first time in over 80 years.

Hilliard is a professor and resident music director at Villanova University and the music director of the Abington Choral Club. He holds degrees in Composition from the San Francisco Conservatory, where he was the 2020 Hoefer Prize, and in Musical Theatre Writing from NYU. 

Opera/Theater Works by Peter Hilliard

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Will a small opera company on Lake Superior be able to mount an obscure baroque opera even when their venue is quadruple booked with a ballet performance, a horticultural society event, and a children’s theatre version of the three little pigs? They can if they work together! (originally paired with Mozart’s Der Schauspieldirektor) 3 sopranos, […]
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Music by Peter Hilliard, Libretto by Matt Boresi In this 40 minute comic romp originally paired with Bernstein’s Trouble in Tahiti, Susan tries to hide her secret smoking habit from her health-obsessed husband Gil. A sarcastic jazz trio comments wryly in the background. The Filthy Habit was the first opera performed in the Chicago Fringe […]
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Milcom Negley, a one-man militia, rages against the tyranny of federal overreach. He is hunkered down in a rural Toby jug museum in a rust belt Ohio town where Tink Enraught, a mannered curatrix, offers him tea and cookies. Milcom is a “Thirteenther” – a conspiracy theorist who believes an obscure, would-be Thirteenth amendment negates the […]
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Choral Music by Peter Hilliard

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for SATB chorus and piano
“Without listening, there is no song…” The text by Matt Boresi emphasizes the importance of listening in music and in life, a timely message for our world. A flowing piano part, lush harmonies and a soaring melody will make this a satisfying and meaningful addition to your library.  “Listen” was written to celebrate the 70th […]
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for mixed chorus a cappella
by
2'40"
This beloved lullaby is presented with an evocative piano accompaniment and vocal solo, bringing out a melancholy beauty that will entrance your audience. 
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For SSAA chorus a cappella
by
2'40"
Daniel Paulson and VoxMusica commissioned this beautiful a cappella arrangement of Avrom Goldfaden’s beloved Yiddish lullaby. A beautiful solo verse is followed by a lush contrapuntal setting your singers and audience will find very meaningful.
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for mixed chorus a cappella
“Love is strong as death”  This moving sentiment from the Song of Solomon is appropriate for many occasions, and the subtle counterpoint of this setting will delight singers and audience alike.
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