Valentine's Day

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Title
Wise Words of Love women’s chorus / piano by Rebecca Oswald • 13'10"
Wise Words of Love wends its way through a colorful landscape of various aspects of love in nine short movements. A unique collection of lines spoken by women characters in various plays by William Shakespeare (1564-1616) serves as the text. Drawing from Shakespeare’s comedies and tragedies alike, the viewpoint starts out firmly tongue-in-cheek, then swings, […] More info & view score »
Walk With Me for SSAA choir, a cappella by Rebecca Oswald • 3' 15"
Walk With Me is a charming, romantic invitation to share the simple activities of life with one’s companion of the heart. The text reflects the passage of time — spending a day, or metaphorically, a lifetime, alongside the beloved. While this piece is basically tonal, a few surprising and challenging modulations maintain a certain freshness […] More info & view score »
I Think of Thee for SSA choir a cappella by Paul Gibson • 5'30"
This marvelous love poem by Elizabeth Barrett Browning is dynamically dressed with a rich palette of word painting. More info & view score »
L’amour de moy for SA choir, piano, and optional oboe by Paul Gibson • 2'20"
“L’amour de moy” (English title: The Garden and the Nightingale) was commissioned for the Intermediate Choir of the L.A. Children’s Chorus, and premiered by them in June 2008 at Ambassador Auditorium in Pasadena, with Mandy Brigham conducting. Its character is light and lively. More info & view score »
I Sit and Think of It All for mixed chorus a cappella by Paul Gibson • 7'30"
Three short poems by Sara Teasdale – 1) Grey Eyes, 2) Did You Never, 3) Nightfall – from her collection Flame and Shadow, are the basis of this set of choral songs, all bearing on a relationship, including tender, poignant, and playful emotions. More info & view score »
A Very Valentine for SSA choir w/ piano accompaniment by Rich Campbell • 2'
A brief, delightful and whimsical setting of a text by American poet Gertrude Stein. It may be learned quickly. It is almost entirely built on a round, which underscores the poem’s wordplay. For 3-part treble choir, with piano accompaniment. Secular. More info & view score »