Piano
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Title | View | Instrumentation | Duration | Composer | ||
|---|---|---|---|---|---|---|
for solo piano | 3'15" | Writing this piece helped me cope with anxiety, living in NYC during the COVID19 crisis. Sirens, day & night. Wishing everyone safe passage through this storm. 4/20/20. | ||||
for solo piano | 6' 54" | Slow, new agey meditative piece. | ||||
Piano | 5' 22" | An easy-going New-Agey piece in my approximation of James Taylor’s guitar style. | ||||
Piano | 2' 55" | A moderately difficult piece in typical rondo form. | ||||
Piano | 6' 19" | This is a flashy motor piece for the more advanced performer. Despite its improvisational quality, it is fairly structured with a recurring motif. | ||||
Piano | 4' 04" | A fast motor piece, somewhat more “classical” in form and more difficult than Toccata 1. Despite its classical leanings, a couple of boogie-woogie sections found their way into the left hand part. | ||||
Piano | 3'33" | This is a motor piece of medium difficulty. | ||||
for solo piano | 4' | This impressionistic impromptu is a depiction of a slow, rain-filled day. It is a series of mostly still moments defined by the steady rhythmic fall of the rain on the trees and rooftops. The rich, accessible harmonies, simple melodic ideas and pace of the music combine within an unfolding form to depict this observational beauty. […] | ||||
for two pianos | 6' | Overture/Rondo is a transcription and rearrangement of the third and final movement of my Concerto for Piano and Small Orchestra. The original soloist’s role has now been re-distributed, alternating between the two pianists, and other such adjustments have been made to more equitably divide the music. In the Concerto, there is a considerably longer cadenza […] | ||||
for solo piano | 3' 59" | This solo piano setting of the beloved Christmas carol applies fresh and distinctive harmonies to the traditional melody. A haunting, and slightly dissonant, introduction sets a contemplative mood that heralds a unique approach to the carol. Set in ABA form, the A sections contain lush harmonies and delicate lyrical phrases which contrast with the syncopated […] |