Christmas

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for SATB a cappella
MRS-001
SATB
4'30"
English

“O Child” is written from the perspective of Joseph and Mary, imagining what they might have been thinking and feeling when they first beheld the newborn baby Jesus. Composer Michael T. Roberts also penned the words, inspired by his experience as a father of two. 

for two guitars
MRS-004
49'

Tchaikovsky’s orchestral masterpiece has lost an incredible 13,890 pounds!* Michael T Roberts and Zac Selissen—also known as Duo Symphonious—have captured the soaring grandeur of The Nutcracker in the intimately beautiful voice of two classical guitars. Hear this perennial classic refreshed with new color—and a few twists.*figure based on the average weight of a modern symphony […]

for treble voices and piano
CME-023
3'30"

“Snow Globe Upon a Sill” is a New Year’s piece. Using the childlike metaphor of a snow globe, the work is a tender and moving reflection on transition and the possibility of renewal that comes at the close of one year and the start of another.  Perfect for a winter concert! Also available from Swirly […]

for SATB chorus and piano
EHE-007
SATB
4'
English

This setting of the classic Christmas carol begins with a quiet and intimate first verse that broadens out into an angelic, celebratory interlude section culminating in an exciting fanfare. The second verse features a soaring duet between tenor melody and soprano descant, but devolves into chaos as the text reflects on the world’s “babel sounds,” […]

for SATB, divisi
RDD-010
SATB
3'01"
English

(Choral SATB, divisi) When Shiloh Came is a Christmas poem by Marie Radcliffe Butler, published in 1877, associating the coming of the baby Jesus with initiating the hope of the Gospels. The birth of this work started with notes of E, F and A. Starting as a minimalist, dissonant piece, it turned out to be […]

for mixed chorus a cappella
PGN-013
SATB
5'50"
English

Near the turn of the 20th century, Colin Sterne penned a tender Christmas text, which has been transformed into a Christmas lullaby.

for mixed voices, a cappella
CME-027
4'15"

A rollicking Christmas song – with pirates! 

for mixed voices, a cappella
CME-025
2'30"

A sweet Christmas carol about the kings, the wise men, the shepherds and the angels with words by Sara Teasdale. Premiered by Vocalis Chamber Choir in 2022.  

for SATB chorus and orchestra
EHE-006
SATB
4'
English

This setting of the classic Christmas carol begins with a quiet and intimate first verse that broadens out into an angelic, celebratory interlude section culminating in an exciting fanfare. The second verse features a soaring duet between tenor melody and soprano descant, but devolves into chaos as the text reflects on the world’s “babel sounds,” but […]

for mixed voices, a cappella
CME-024
3'30"

“Snow Globe Upon a Sill” is a New Year’s piece. Using the childlike metaphor of a snow globe, the work is a tender and moving reflection on transition and the possibility of renewal that comes at the close of one year and the start of another.  Perfect for a winter concert! Also available from Swirly […]

for mixed chorus, trumpet
PGN-011
SATB
3'
English

A tender new Christmas lullaby is combined with a solo trumpet, which begins to play “Lo, How a Rose ‘ere Blooming.” Text by Edward Caswall (1814-1878) Mary Breden led her Consort Singers of Loyola Marymount University in the premiere at their 2018 Christmas program.

for SATB choir and piano
SWM-022
SATB
2'30"
English
Italian
Neapolitan

Neapolitan Carol evokes the starry night in Bethlehem, as three travelers from afar arrive to pay homage to the newborn child. Sung in the original Neapolitan, the arrangement also includes an optional English text by the composer. At a glance: SATB • piano • c. 2’15” Difficulty: easy-moderate For HS, university, community choirs Neapolitan pronunciation […]

for SAB choir, unaccompanied
RDD-008
SAB
1'57"
English

I Sing of a Maiden (I syng of a mayden) is a Middle English poem or carol of the 15th century celebrating the Annunciation and the Virgin Birth of Jesus. The poem is written from a first person point of view, and contains five quatrains. No evidence of original music is known to exist, though […]

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