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SSAATTBB

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for SATB choir and optional Soprano solo
POA-002
SATB
SSAATTBB
7'20"
Latin
“Cantemus in omni die” is a setting of a hymn to the Virgin Mary written by Cú Chuimne Sapiens, an Irish monk active at Iona by the early 8th century (died 747).  It is the earliest known Latin hymn to Mary originally composed in the Western Christian Church rather than translated into Latin from earlier […]
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SSAATTBB choir a capella
RP-032
SSAATTBB
5' 15"
Finnish
Vocables
In Runo XIV of the Kalevala, Lemminkäinen hunts the black swan that lives on the river of Tuoni in the underworld in order to win a daughter of Louhi as his wife. While searching for the swan, he is killed and his body is dumped into the river. In Runo XV, Lemminkäinen’s mother searches all […]
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SSAATTBB choir, unaccompanied
RBT-001
1'
English
for SATB Chorus and Piano
JWS-001
SATB
SSAATTBB
3'15"
This composition was composed for the New Haven Chorale in Connecticut. It was premiered at the Connecticut Chorus Conferences at Yale University.The poem begins with the question, “Little Lamb, who made thee?” The speaker, a child, asks the lamb about its origins: how it came into being, how it acquired its particular manner of feeding, […]
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for SSAATTBB Chorus, a cappella
AFD-011
SATB
SSAATTBB
3'45"
English
Gorgeous Blue Eyes comes from a larger set entitled the Four Wedding Songs which was dedicated as a wedding gift to Stephen and Stacey Squier on the eve of their wedding on July 29th, 2010. The four movements of the work were inspired by the tradition to give a bride “something old, something new, something […]
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for SATB Chorus
CME-001
SATB
SSAATTBB
3'
Latin
O Lux is at once reminiscent of Renaissance motets and at home in the contemporary canon. The lyrical and ultimately transcendent piece features a cascading theme that is layered canonically. The piece has been performed by both high school and professional choirs.
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for soprano solo, and mixed chorus a cappella
MTN-008
SSAATTBB
5'12"
English
Come Unto Me, for SSAATTBB and Soprano solo, was written for famed soprano of choral, oratorio, and opera repertoire, Jessica Beebe. The solo tessitura is quite high and should be sung with minimal vibrato. While this is written for eight choral parts, the ranges are conservative and move mostly by steps making this an accessible […]
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