Prophecy

for SSSSAAAB chorus unaccompanied

Multiple divisi lines in soprano and alto and unison tenor/bass create an effective textural setting of this text from Isaiah 42: “Behold my servant, whom I uphold: my chosen one in whom I delight.” SSSSAAAB unaccompanied.

SKU: SPN-016 Categories: ,
Descriptive Tags:Adoration, Blessing, Devotion, Praise, Scriptural text, Worship
Difficulty:Advanced Student
Duration:1-5 Minutes
Instrumentation:A Cappella
Language:English
Sacred or Secular:Sacred
Season or Event:Concert
Voicing:SSAATB

$2.00/copy

This title is available in print or for immediate download. For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

Print orders are printed on demand and shipped by our printing partner, and can be expected to be processed within a few days of the order. Please do not hesitate to contact [email protected] to follow up.

Quantity

    Explore More Music…

    Filters Sort results
    Reset Apply
    Title
    View
    Voicing
    Duration
    Language
    Composer
    for SATB choir and piano
    RCL-011
    SATB
    4'20"
    English
    A setting of the brief yet powerful poem by Walt Whitman (from “Leaves of Grass”). The score takes its cue from the meditative nature of the text. There is a contemplative tone throughout, laced with subtle harmonies and perhaps inspired by the works of Randall Thompson. The score quietly expresses the expansive feeling one gets […]
    More info & view score »
    for SATB chorus a cappella
    SDE-001
    SATB
    1'40"
    Latin
    Sanford Dole’s Ave Maria is a harmonized setting of the Gregorian chant antiphon. The soprano part is a metrical version of the Gregorian chant melody. The other parts create a harmonic world that is uniquely Dole’s; what his choirs refer to as the “Dolian mode.”
    More info & view score »
    for SATB choir a cappella
    RCL-024
    SATB
    3'15"
    English
    “Border” is an artistic response to the immigration/refugee crisis around the globe (especially in the United States). The opening passage is: “Border, sanctuary, asylum, bridges not walls.” The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill […]
    More info & view score »
    for TTB choir with piano and optional percussion
    SPN-004
    TTB
    3'
    French
    This traditional folk song from Haiti originated as a work song, sung by boatmen in order keep their rowing strokes in sync. The language is Haitian Creole, similar in pronunciation to French, but easier (no silent letters!). Piano accompaniment with simple optional drum. Also available in a version for SAB chorus.
    More info & view score »
    SSA choir with piano
    SPN-009
    SSA
    3'30"
    English
    The text for How Can I Keep from Singing was written by members of the Derventio Choir of Allestree, Derbyshire, England, and Steven Paxton’s setting was composed for the competition celebrating that choir’s 30th anniversary. Moderate tempo a cappella sections alternate with fast, rhythmically driving sections mixing 6/8 and 5/8 meters. The piano accompaniment is […]
    More info & view score »
    for SATB choir and piano
    RCL-003
    SATB
    3'30"
    English
    2016 Idaho All-State, 2018 Arkansas All-State selection “If I Can Sing, I Still Am Free” was the winner of the San Diego choir SACRA/PROFANA’s 2014 composition competition. It’s an ideal piece for festivals and large ensembles, with a text that champions inner strength in the face of adversity. It has quickly become one of Campbell’s […]
    More info & view score »
    for mixed choir (SATB) and piano/organ
    GTT-011
    SATB
    2' 30"
    Norwegian
    Kling No Klokka is a Norwegian folksong, about church bells ringing out at Christmastime. The words are in Norwegian, and the setting is for four-part choir (SATB), with organ or piano accompaniment. This arrangement was made for the Boys’ Choir at Trondheim Cathedral in Norway, the Nidarosdomens Guttekor, and their conductor, Bjørn Moe, and will […]
    More info & view score »
    for SATB choir, optional soprano solo, and piano
    POA-013
    SATB
    4' 25"
    English
    One of Newfoundland’s best known folksongs, “She’s Like The Swallow” was first collected by Maud Karpeles in 1930, but certainly dates from well before that, as evidenced by the appearance of several verses in various British laments. The subject of the unfaithful lover is perhaps as old as song itself. “She’s Like the Swallow” is […]
    More info & view score »
    SATB choir English Horn (or soprano sax), cello and percussion or piano
    SPN-021
    SATB
    6'30"
    English
    Steven Paxton’s VISIONS for SATB choir is a moving setting of the poem by Wisconsin poet Charlotte A. Cote: “You catch sometimes a glimpse of forever — a lake… .” It was commissioned by Paul Rusterholz and the La Crosse Chamber Chorale in celebration of the 1998 Wisconsin Sesquicentennial. Two versions are available, one with […]
    More info & view score »
    Shopping Cart