Ave Maria

for SATB chorus a cappella

Sanford Dole’s Ave Maria is a harmonized setting of the Gregorian chant antiphon. The soprano part is a metrical version of the Gregorian chant melody. The other parts create a harmonic world that is uniquely Dole’s; what his choirs refer to as the “Dolian mode.”

SKU: SDE-001 Categories: , Instrumentation:
Season or Event:Advent, Christmas, Divine Liturgy, Easter, Evensong, Holy Week, Praise to Virgin Mary, Vespers
Descriptive Tags:Adoration, Blessing, Christian, Comfort, Ethereal, Heaven, Liturgical text, Praise, Prayer, PROJECT : ENCORE, Scriptural text, Virgin Mary, Worship
Difficulty:Intermediate, Advanced Student, Advanced
Voicing:SATB
Instrumentation:A Cappella
Language:Latin
Sacred or Secular:Sacred

$1.50/copy

For both options, there is a minimum required quantity of 8 copies for choral titles. Please support self-publishing composers by ordering the quantity according to the number of singers in the ensemble that will perform the work.

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    for mixed choir a cappella
    WCL-006
    SATB
    4'20"
    Latin
    BENEDICTION was written in February-March of 2013 for my friend Keith Haan upon his retirement as Director of Choral Activities St. Ambrose University. The “threefold blessing” seemed perfect for the occasion as we gathered to wish our colleague well on his way. I used the latin text because I wanted that elevated sound those open […]
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    for Mixed Choir (SATB) with Soprano Soloist
    GTT-022
    SATB
    2' 3"
    English
    This setting is ideally suited for a good chamber choir with a high soprano soloist. Julie Myers’ beautiful poem suggests to the composer a journey from darkness to light, from despair to hope, and this is reflected in the music, which should be performed simply, but with expressiveness and conviction.
    More info & view score »
    for mixed choir and piano
    JBN-011
    SAB
    2'30"
    Japanese
    for SATB choir a cappella
    CHR-1101a
    SATB
    3' 12"
    English
    Latin
    The words of this carol/motet are well-known from Britten’s teenage tour-de-force, but that double-chorus setting is out of the reach of most church choirs. The powerful text, alternating English and Latin in the style of medieval carols, warrants an additional, simpler setting. The work is suitable for concert performance, as well as for liturgical use […]
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    for SATB choir a cappella
    RCL-016
    SATB
    3'35"
    English
    The text of “In Those Years, No One Slept” is a scene from a time of conflict/war, by Romanian-American immigrant Claudia Serea. The score is at once rhythmic and exciting, haunting and unsettling. It was a winner of the 2018 Uncommon Music Festival Composition Competition. It is accessible for all fine high school, collegiate and […]
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    SATB
    Unison
    12'30"
    English
    Majestic Ride is a choral sequence for the beginning of Holy Week. It consists of three new hymn settings, linked by optional   solo/choral passages and narration drawn from the Bible, centred mainly on the events of Palm Sunday.  The three hymns are  ‘All glory, laud and honour’, ‘My song is love unknown’ and ‘Ride […]
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    13 Comic rounds for partnered voices
    BKR-002
    Equal Voices
    SSAA
    SSAB
    Each round 1′30″ to 2′ (in performance)
    English
    Latin
    The round in Western culture has been associated as closely with wit as it has with praise. Here are thirteen risible rounds of varying difficulty intended for a cappella performance. Admirably suited to treble voices, they may be sung by mixed groups of all ages. The lyrics are light and teasing, the music jaunty and […]
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    for SSA choir and piano
    SPN-020
    SSA
    3'30"
    English
    SSA settings, with piano accompaniment, of texts by e. e. cummings (in Just), Thomas Dekker (The Merry Month of May), and from Genesis 1:11-12 (First Spring). The style is rhythmically intricate, includes spoken passages, and is rooted in an expanded tonality; the piano accompaniment is virtuosic.
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    for mixed chorus a cappella
    PGN-002
    SATB
    5'
    English
    Word painting of a raw, intense poem by Paul Cummings is the essence of this homage to the miracle of music, which begins: Your harmony invades my being; / my body is captured by the embrace / of a melody that leads me out of dark places.  
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